What does an ancient poem mean when it goes twenty or thirty miles?

Unconsciously, two or three miles away from home, a faint fog shrouded four or five families. There are six or seven pavilions with eighty or ninety flowers on the roadside.

Unconsciously, two or three miles away from home, a faint fog shrouded four or five families. There are six or seven pavilions with eighty or ninety flowers on the roadside. The exact writing time of this poem is unknown. It was when the poet visited the city of * * * (now Huixian County, Henan Province) in the spring of March that he saw the spring scenery and charming pastoral scenery in the countryside. He wrote this poem in order to express the poet's leisurely mood and positive attitude towards life.

The original poem "the mountain village sings to the heart"

At first glance, it is two or three miles away, and mist hangs over four or five families.

The pavilions are six or seven, and the flowers bloom in eighty or ninety.

Vernacular translation

At first glance, two or three miles away, mist enveloped four or five families.

There are six or seven pavilions beside the village, and many flowers are in full bloom.

Appreciation of Singing Hearts in Mountain Villages

Through the expression of brocade, this poem arranges the scenes of smoky villages, people's homes, pavilions and flowers together to form an idyllic landscape, creating an elegant artistic conception and expressing the poet's love and praise for nature.

The two sentences of "a row of two or three miles, four or five houses in a smoky village" are linear visual impressions, "a row" is a horizontal movement, "two or three" refers to a large number of empty fingers, the kitchen smoke is vertical, and the two sentences of "six or seven pavilions, eighty or ninety flowers" are transformed into point-like visual impressions: pavilions are full of flowers.

The poet arranged a quantifier in each sentence of this poem, that is, "Li", "Jia", "Zuo" and "Zhi", which are novel and changeable. Each sentence also arranged two or three numbers: the word "one" began, "23", "45" and "67" were embedded in the sentence, and "890" returned to the beginning of the sentence.

Brief introduction of the author

Shao Yong (10 1 1 year-1077), whose real name is Mr. An Le, was a Yi scholar, philosopher, thinker and educator in the Northern Song Dynasty. 1. john young (now Zhuozhou, Hebei Province) was born in Shaocun, northwest of Zhuozhou 10, and moved to * * * City (now Huixian County, Henan Province) with his father. After the age of 30, he traveled to Henan and lived in seclusion in Sumen Mountain, known as Mr. Baiyuan. After his death, he celebrated Kang Jie, also known as Mr. Kang Jie. His works include "Huang Ji Jing Shi" and "Yi Chuan Tu Ji Ji". His innate theory was developed into foreknowledge by later generations.

Achievements of Confucianism

The appearance of Neo-Confucianism in the Song Dynasty marked a new stage of the revival of Confucianism in China. In the initial stage of Neo-Confucianism, Shao Yong, Zhou Dunyi, Zhang Zai, Cheng Hao and Cheng Yi were also called "Five Scholars of the Northern Song Dynasty", and the order of the first history of Song Daoism was Zhou Dunyi, Cheng Hao, Cheng Yi, Zhang Zai and Shao Yong. Zhu, Shao Yong, Zhang, Er Cheng and Sima Guang are also called "Six Heroes" of Taoism. All the above-mentioned people are founders of Neo-Confucianism, and their theories have their own characteristics and schools in the Neo-Confucianism camp. However, all people take Confucianism as their religion and explore and develop the principles of the Six Classics and Four Books as their career.

Literary achievements

Compared with the other four poets in the Northern Song Dynasty, Shao Yong has also made remarkable achievements in the field of literature, especially poetry. However, for a long time, due to the influence of traditional poetics and prejudice against Neo-Confucianism, poetic theorists have not paid enough attention to the literary achievements of Neo-Confucianism represented by Shao Yong's Yi Ji Chuan Jean. However, in Yan Yu's Pale Shi Lang Dialect in the Southern Song Dynasty, the "Kangjie Style", which is mainly based on reasoning, is impressively juxtaposed with poets such as Su Huang and Chen Wang in the Song Dynasty, which fully embodies its strong personalized color. This is also the first time in the history of literary criticism to confirm the poetic identity of Shao Yong's poems, which has great cognitive value.

Yichuan Earth Crushing Collection also has a very wide spread and influence in East Asian cultural circles, and has been published and engraved in Japan and South Korea for many times. Now there is also a harmonious version of the Korean version handed down from generation to generation. Although Yi Chuan Ji Tu Ji was not the standard of Song Dynasty, he actually participated in Song Feng's creation with his own literary achievements, which also played an important role in promoting the formation of Song Feng, and should occupy a certain position in the writing of literary history.

Personality assessment

Evaluation of History of Song Dynasty: Ingram Wei is a brilliant man who lived in all dynasties, but he is honest and generous, so he is clear but not excited, harmonious but not fluent, and making friends for a long time will benefit a lot. Cheng Haochu of Henan participated in his father's understanding of harmony and talked about it all day. He retired to the court and sighed, "Fu Yao, the sage inside and the king outside."

Cheng Yi: "Virtue (of Shao Yong) is the quintessence of the country. You can know his virtue at a glance. Don't show things, don't protect cups, be honest but don't forgive, and pass without sweating. The Qingming Cave runs through China and foreign countries? Drinking in groups and laughing all day long are no more than others. "

Zhu: "Cheng and Shao are different in learning, but Cheng and Shao are people who advocate respect for health." . Cover the letter without chaos, without heresy, such as between Wen Gong and Hengqu. "