A letter is typed in the sky, and eight thousand in Chaozhou Road in the evening.
If you want to eliminate disasters for the wise, you are willing to decline and cherish the old!
Where is the home where the clouds cross the ridge? The heavy snow hindered the horse's progress.
Knowing that you came all the way, you should have done it on purpose so that I could collect the bones by the river.
Han Yu is a famous thinker and writer. He is one of the eight masters in Tang and Song Dynasties. His poetry is unique in style, vigorous and fantastic in artistic conception, especially his prose-based poetry, which has a great influence on the poetry creation in Song Dynasty. Han Yu said in the ancient prose movement: "learn the ancient road and talk about it at the same time;" Those who preach their words are also those who are interested in the ancient road "("After Mourning Ouyang Sheng "). One of the main expressive techniques of this poem is to combine narrative discussion with lyrical description. Next, let's enjoy it.
(A) the origin of poetry
There was a stupa in Famen Temple in Fengxiang County in Tang Dynasty, which contained the phalanges of Sakyamuni Buddha and was opened every 30 years. It is said that when the pagoda opened, the country was peaceful and the people were safe, and the world was peaceful, and the fourteenth year of Yuanhe coincided with the opening of the pagoda. Tang Xianzong ordered a group of monks to welcome Yu Fengxiang, the Buddha's bone, "watch the building from the palace", "enter the forbidden palace" and "make all temples welcome and support". According to New Tang Book? "Biography of Han Yu" contains: "Monarchs and ministers compete to worship, burn their skins, hold precious shells, and tie the Tao one after another, the more they listen to evil", which is an exhortation in "Buddha's Bone Table". The emperor was furious. While Pei Du, Cui Qun and Zhu Gui "talk more and more, the tide falls".
(B) Poetry appreciation
The first couplet comes straight to the point and writes things directly, which is the reason and consequence of moving left. "A letter is typed nine days early and eight thousand on Chaozhou Road at night." In the morning, I presented the throne of Buddha's bone, and at night I was exiled to Chaozhou. It not only describes the speed of the poet's relegation, but also reflects the difficulty of relegation. These two words reflect the emperor's moodiness and helplessness from the side. The ancients said that "companions are like tigers", which is true. Nine days and eight thousand roads, in sharp contrast with figures, show that the roads of degraded land are remote and barren, giving people a feeling of falling from the clouds to the bottom. If we ordinary people come to experience this, we will be very sad, but the poet does not. So how did the poet feel at that time?
Couplets show their hearts. The poet's relegation is not as sad as other poets, but more directly expresses his determination to express his heart to the emperor and die for the country and the people. His heart and courage are beyond human reach. It is a pity that the "sage" is not holy, and it is even more regrettable that loyalty and righteousness are demoted!
The neck couplet expresses emotion by borrowing scenery. The poet left home in a hurry and embarked on this long road alone. When he crossed the Qinling Mountains to Lantian Pass, his nephew Han Xiang came to accompany him. Standing in Lantian Pass, looking back at Qinling Mountains, I only saw the thick dark clouds covering the road when I came, and my heart was filled with emotion: Where is home? Where should my career go? Where should the country go on the road to prosperity? Looking back at the front, there is only heavy snow, and even the horse can't move forward. It seems that even the horse knows my heart and feels sorry for me. I think this sentence is the essence of this poem. This is a unique pen. The poet skillfully blends scenery, emotions and events. It shows the poet's complex state of mind, in which the word "horizontal, embrace" is very wonderful. The word "horizontal" reflects the width of dark clouds covering the sun, and the word "hug" reflects the width and momentum of colorful snow, creating an open atmosphere and magnificent environment, creating a tragic beauty for us. Thirdly, the word "horizontal" and "hug" belonging to verbs are placed behind the cloud and snow belonging to nouns in the poem, which constitutes "cloud and snow hug", as if to make readers understand that the cloud and snow are intended to block the poet's direction and enrich people's subjective initiative. Finally, in this sentence, the poet also used the phrase "A cloud between the light in the sky and me, hiding his city in my melancholy heart" in Li Bai's "Nanjing Ascending to the Phoenix Terrace", and the meaning and the second half of the sentence used the meaning of "driving the horse to the back of the mountain, the mountain is high and the horse is not moving forward" in Gu Yuefu's poem. The drifting of heavy snow blurs the poet's road ahead, creating a sense of sadness for our readers that the future is ahead and the road is behind.
William confessed his affairs. From the book My Bones Harvest by the River, we can see the poet's calm feeling in the face of death, more like a hero's generous death. Among them, the "good" more clearly reflects Han Yu's regret that he was demoted for playing in the DPRK.
The whole poem is gloomy and frustrated, with magnificent and open artistic conception and impassioned. Narration, scenery description and lyricism are integrated, and the shooting is open and spectacular. The language is strong and powerful, in which the word "willing to do" in couplets breaks away from the characteristics of taking parallel prose as poetry, expresses one's heart with straightforward narrative tone, creatively realizes the ingenious combination of "the method of poetry" and "the method of literature", which is a model of the combination of poetry and literature, and forms a whole with a "flowing pair" and closely follows it. The last couplet is touching, sincere but not sad, showing the poet's composure in the face of death.
The poet combines lyric and lyric organically, with a gloomy momentum and a stirring brushwork. The beauty of desolate artistic conception and the beauty of unyielding personality set each other off and become interesting, which is worthy of being a masterpiece through the ages.
Original source:
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