Autumn wind is clear. The autumn moon is bright.
When the fallen leaves are scattered, the habitat in western Western jackdaw is full of surprises.
Acacia knows when to meet, and this night is embarrassing.
When you enter the door of lovesickness, you will know the suffering of lovesickness.
Eternal love, eternal memories, and short-term lovesickness have no end.
If I had known that acacia was tied in my heart like this, it would not be like you didn't know.
Appreciate:
This poem was written on a late autumn night. The poet saw the bright moon hanging high in the sky and Western jackdaw in the west perched on a deciduous tree. Perhaps at this time, the poet is missing an old lover. This situation can not help but make the poet feel sad and helpless. This lingering love and yearning makes the poet feel sorry for getting to know each other. This is a typical sad autumn work. Autumn wind, autumn moon, fallen leaves and Western jackdaw in the west set off a sad atmosphere. The poet's fantastic imagination and perfect portrayal of his own heart make the whole poem sad and moving.
Many people think that the style of this poem is very similar to a small word, with obvious musical characteristics. Zhao Yi's Jade Cong Kao points out its origin relationship with the inscriptions in Jiangnan Chun. In the Southern Song Dynasty, Deng Shen wrote a poem according to this pattern, which was called Autumn Wind. The Qing Dynasty also included this poem of Li Bai in the King James Dictionary as an initial sound, saying, "This three-five-seven-character poem was adopted by later generations. "
This poem is only about "357 words", not about the theme of the poem. It can be seen that the poet's creative intention is to emphasize the formal characteristics of the work, that is, as long as it meets the stylistic requirements of the whole article, it can become a poem. It can be said that the title of the poem already contains a clear connotation of the poetic form.
However, this poem by Li Bai can't be regarded as a creative work, because in the early Tang Dynasty, the monk Yijing wrote a poem entitled "In the West, I gave way to the city with a king", which was named "13579" because of its stylistic characteristics. Li Bai's "three, five, seven words" is just a variant of "three, five, seven words". Wang Kunwu demonstrated that Yijing poetry is a "work of singing harmony" in the Art of Liquor Order in Tang Dynasty. Li Bai's "Three Five Seven Words" may also be a "chorus poem" between him and other poets. "Three-five-seven words" is a restriction on the remuneration and poetic format, which is a "general topic", and people can decide a corresponding poetic topic according to their own content when writing.
Even though this poem is not a creative work, it is Li Bai who finally established the "335577" format as a unique genre and even became a fashionable poetic style. This is not only because he learned from and summed up the experience of many people in using the 357 sentence pattern, but also because of his practical experience in using this format flexibly in his own lyrics creation, so his 357 sentence pattern can show that "the sorrow is like a complicated string" (Volume 8 of Poetry Alcohol in Tang and Song Dynasties).