Using two transitional paragraphs, the first paragraph connects the previous paragraph and the latter paragraph connects the two aspects of Mr. Wen Yiduo’s words and actions in terms of scholars and revolutionaries. During this period, a progressive "only" is used. ...still..."
Using "Speak after doing, don't say after doing, this is only one aspect of Mr. Wen Yiduo - as a scholar, there is another aspect of Mr. Wen Yiduo. , - as a revolutionary aspect" transition. Function: Point out the topic, summarize the above, and lead to another aspect of the following - the aspect of revolutionaries.
"Say what you have done, don't say what you have done", this is a comprehensive summary of the previous part, and then points out that this is only one aspect of Mr. Wen. "Mr. Wen also has another aspect of being a revolutionary." This sentence leads to the second part of the article. These two sentences are very closely related. "Only...but..." "One aspect...another aspect..." These are all related words, "scholar's aspect" and "revolutionary's aspect" are echoes. Close formulation. The author uses sentences that summarize the above and the following between the two parts, and pays attention to the relationship between the two sentences, so that the transition between the two parts is very natural.
When creating the metrical style, Wen Yiduo put forward a specific proposition, which is the three beauties: the strength of poetry not only includes the beauty of music, the beauty of painting, but also the beauty of architecture. Musical beauty refers to the auditory beauty of poetry, including the beauty of rhythm, rhythm, stress, rhyme, pauses, etc. It requires harmony, conforms to the poet's mood, and is smooth and not awkward - this does not include special Use sound for effects.
Painting beauty means that the vocabulary of poetry should try its best to express colors and express richly colored pictures.
Architectural beauty refers to the free verse, which means that each stanza of the poem should be symmetrical, and each line of poetry should be the same length - the same length does not mean that the number of words is exactly equal, but that the number of musical notes should be the same. The same number, so that the metrical poem has a symmetry and uniformity in appearance.