The rhythm of the sentence is that every two sounds are a paragraph, and the last sound is a paragraph alone.
this is because
1, when reading, two syllables are the minimum rhythmic unit of poetry.
2. With the development of society, the vocabulary system of Han Dynasty gradually developed from monosyllabic words to disyllabic words, and the rhythm of reading basically coincided with the ridicule of sentences. Such poems can produce internal rhythm and form stable and regular lines of poetry.
The rhythm of five-character sentences is a matter of form, which has nothing to do with the meaning of the poem. The reading rhythm of five-character sentences is "22 1".
For example, if you move willows by hand, there will be enough rice at home.
If the sentence is broken according to the meaning, it can be 14 or 122.
But when reading, I still read at the rhythm of 22 1
According to the principle of "two sounds are one section, and the sections are flat and staggered", five-character sentences can only have the following four forms:
1, Pingping.
2, flat and faint.
3, even and flat.
4. Even numbers and even numbers
We can see that the two sentences of 13 are already very standard, while the last three words of the two sentences of 24 have only one tone, forming the so-called three-level tail and three-level tail. The sound and rhyme are monotonous.
Because the first paragraph (head paragraph) and the second paragraph (abdomen paragraph) of a five-character sentence are composed of two syllables. Poetry pays attention to long-lasting singing, and the rhythm point is fixed on a word after each festival. Therefore, it is particularly important that the second word and the fourth word of the five-character sentence are intertwined.
The third paragraph (foot segment), consisting of one syllable, is a half beat, not a rhythm point, so it is more free to level.
It is precisely because the rhyme and rhythm points of five-character sentences are fixed on the second and fourth words that the words in the first and third positions are not so important, but can be changed. This is the origin of the classification decision that "no matter what 135 is, 246 is clear".
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On this basis, the ancients changed the level of the third word in 24 sentences, which made the phonology of the first two syllables change slightly without destroying the phonology of important rhythm points. Achieved the effect of killing two birds with one stone.
It constitutes the basic sentence pattern of five-character lattice sentences.
1, Pingping.
2. Occasionally, occasionally
3, even and flat.
4. Occasionally.
Then someone asked, why does the law allow three flat heads and three round heads, but not three flat heads and three round heads?
This is because the third word of the five-character sentence is not at the key point of phonological rhythm, and its position in phonology is not so important. The second reason is that even if the first three words of a five-character sentence are the same, the last two words can have opposite tones, that is, they form opposite phonological interlaces. But if the last three words have the same tone, there will be no words with opposite tones, and the sentence will not rhyme.
The basic form of a seven-character sentence is changed from five words, as long as a syllable is added in front according to the level change:
1, easy for Yi Ping and easy for Yi Ping.
2, even number, even number, even number, even number
3, flat and faint.
4, flat and faint, flat and faint
Key Tip: What is the basis for understanding how sentences change? Master the four basic forms of sentences.