1 Jiaoran: "The fate is endless, and the artistic conception of the poem reveals the ideal aspect of poetic aesthetics that combines the poetic realm and the Zen realm." Jiaoran clearly realizes that poetry, emotion and environment are inseparable. The environment contains emotions and the emotions arise from the environment.
2 Sikong Tu: The theory of "the image outside the image, the realm outside the scene". How easy is it to talk about "an image outside the image, a scene outside the scene"!
The sun in Lantian is warm, and the good jade produces smoke. It is a kind of hazy beauty that seems to be there but not there. It seems real but virtual, seems virtual but real, virtual and real, real and virtual, so I long for it but cannot put it aside. Yu Mei is present. In addition to the tangible and specific description of the scene, the artistic conception of this poem can also be created through symbols and hints to create an invisible, illusory virtual mirror.
3 Yan Yu: "The antelope hangs its horns, leaving no trace", which shows that the artistic conception is wonderful and natural, without any artificial traces, and has a hazy beauty: like the sound in the air, it is reflected in the image. Color, the moon in the water, the image in the mirror, the words are endless but the meaning is endless.
4 Ye Bian (who can’t write): “It’s implicit and subtle,” it seems to be words but not words, it seems to be intelligible but not intelligible, so its artistic conception has the meaning of “the words are here but the meaning is here” He has the characteristics of "devoid of clues and separation of images, complete discussion and limited thinking".
5 Wang Changling: "Three mirrors, three frames" There are three realms in poetry: one is the physical realm, the second is the situation, and the third is the artistic conception. The poem has three sections: one is to generate thoughts, the other is to express thoughts, and the third is to capture thoughts.