"Post-1970s" poets generally refer to a large number of poets who were born in 1970s and began to publish their works in the middle and late 1990s. The concept of "post-70s" originated from the folk magazine Black and Blue founded by Chen Wei in Nanjing, 1996. They wrote "China writers born after 70- 1970" in black and blue. From 65438 to 0999, a private poetry newspaper in Shaanxi was directly named "1970s", and two private publications in Guangdong, Poetry and People and Poetry in 2000, pushed this concept to the extreme. During this period, the post-70 s writing groups began to appear one after another by virtue of their age advantage. At the turn of the century, the concept of "post-70 s" quickly spread around with overflowing passion. The name "post-70 s" did have an impact and was widely recognized and used by the poetry circle. It is a folk poetry publication "Poetry and People" published by Huang Lihai in June 2000 and one year later, and an exhibition of poems by poets born in the 1970s in China. Huang Lihai also edited Selected Poems of Post-70s Poets. The post-1970s generation represents a large number of poets born in the 1970s. Strictly speaking, they do not represent a complete poetry school or poetry group, but a large number of poets with similar age backgrounds. Their writing features generally include the following points: 1, popular context with pornographic factors, colloquial color, and daily sexual orientation; 2. Traditional context with love, divinity, homeland color and obvious lyric tendency; 3. Other mixed writing is in a state of stage swing.
Representative poets: Huang Lihai, Sun Lei, Hu Xudong, Jiang Hao, Wang Ai, Bird's Nest, Sheng Xing, Tomb Grass, Zeng Meng, Liu, Duoyu, Luye, Fu Mahuo, Zhang Qi, Liao, Lu Yue, Kang Cheng, A Xiang, Hak-Rim Paek, Jiang Tao, Liu Chun, etc.