Introduction:
The following two poems, the first is a seven-character poem, and the second is a five-character poem. The original text is as follows:
Zhang's seclusion? one
Du Fu
Spring Mountain is lonely without company, and logging in Dingding is even more secluded.
It's cold and snowy in the ravine, and Shimen is oblique to Qiu Lin.
Not greedy for gold and silver at night, swim to elk.
To be fascinated by the source on a whim is to doubt you.
Zhang's seclusion? Secondly,
Du Fu
See you when you are a son, and invite someone to stay overnight.
Ji Tan's hair is long, and the spring grass deer is yo yo.
Du wine is partial to persuasion, and there is no desire or desire.
Qiancun Mountain Road is dangerous, so don't worry about getting drunk.
Appreciation and translation of two reclusive poems by Zhang;
not have
Interpretation of Zhang Yinyi's two appreciation words;
(1) "Old Tang Book"? Biography of Li Bai: Shao, Liu and Lu middle school students, etc. They are all hidden in Culai Mountain, and the serial number is Zhuxi Liu Yi. Do you see the beautiful miscellany cloud? Lu has Zhang Shuqing? Uncle Ming and uncle Qing are just one person, and there is something wrong with Qing and Ming. Or I'm a brother, too. This is a secluded poem, so he is not human. After 736 AD (the 24th year of Kaiyuan), Li Bai, Gao Shi and Shi Zhao all did this.
⑵ Yu Xinshi:? Birds sing on the mountains in spring. ? Liu Kunshi:? The only child has no companion. ? Yi:? Seek the same spirit. ?
(3) Poetry:? Cut down trees and sing songs. Let it sing and ask for its friendly voice. ? "preface": "logging", Yan friends are old. ? Attention:? Tintin, the sound of logging. ? Wang Jishi:? Tonamiyama is more hidden. ?
(4) Wang Taiqing's poem:? Fly the beam and lead the sword. ? Zhu Jishi's poems:? Holding the cold at night. ? Shi Shuo:? Fan Kui stayed in Taokan where the ice and snow accumulated over time. ? Ice and snow are still called frozen snow, and ice reads with sound.
5] Geography: Linyi County has a word to help water, and the water has a stone gate, so it is the door to help water. Spring and Autumn Annals: Zheng Qi joined forces with Shimen and Zheng Che helped him. Right here. Shao said he was in Pingyin County, Yanzhou. Today's press: Shimen doesn't have to refer to the place name, but the poem "Qiaoling" says? Shimen frost is white? , is just a general word. Xie Lingyun's poem:? Lying on the stone door in the clouds. ? Yin Keng's poem:? The sun will set in Liu Cui. ? Xie Huilian's poem:? The falling snow sprinkled on the hills of the forest. ?
[6]' Zuo Zhuan'. Zi Han said. I value not greed. ? (Zhu Note) The History of the South contains a story about a hermit, Liang's hermit, who knows how to communicate with the gods. He saw hundreds of treasures in Siming Valley and regarded them as tiles. Firewood people fight for it, and it becomes gravel when they start. Gold and silver are similar. "Ground Mirror Map": Anyone who looks at the golden jade sword is served by the rain sooner or later. The golden gas is red and yellow, weighing more than10 million kilograms, as big as a mirror plate. Historical records? Official book:? The defeated military field, the ruins of the country, the money accumulated under it and the treasure above it are all alive and must be observed. ?
Once "Yan Zi Chun Qiu:? It can be said that it can cause great harm. ? Historical records? Li sichuan:? Elk is swimming in North Korea. ? Guanzhong: Meng Xin, 70 years old, is in the same group as Elk, and is known as Luxian in the world.
Is saying: Wang Huizhi said:? I went on a whim. ? Zhuangzi? It's hard to say. ? Attention:? Ran Ran. Deep appearance. ? Shen Quanqi's poem:? The source of this mystery. ? Lu Zhaolin's poem:? The mysterious land of Taoyuan. ?
Levies Yu Xin's poem:? To the layman. ? Zhuangzi:? The ark helps the river, and there is an empty boat touching the boat, although it is not angry to worry about the people. ? Empty boats are meaningless. The Tang law is divided into four sentences, from the first sentence to the next sentence, each of which is related. For example, Cui Hao's poem Crossing Huayin shows the scenery of Huayin in the first half and the feeling of crossing in the second half. In front of the shrine in Liang Wudi? Two sentences are inheritance. North pillow of rivers and mountains? The second sentence is to turn down. The first half of Cui Shu's poem "Going to Sendai on the 9th" went to Sendai on the 9th, and the second half was sent to Liu Mingfu. Sanjin Yunshan? Two sentences are inheritance. Shut Yin's door? The second sentence is to turn down. Du's method of poetry is the same for all classes. The first sentence? Chunshan? First reading, second sentence? Logging tintin? Read four words, below? Is it cold on the road? Shimen oblique day? Read all four words? Not greedy? Far harm? Take advantage? Right, Jun? Read both words. Knowing that there is reading in the sentence makes the meaning easier to understand.
⑽ refers to Zhang Gong's son. Poetry:? His son. ? When Han became emperor, nursery rhymes said:? Yan Yan, Wei Xianxian, Zhang Gongzi, I met you late. ?
⑾ Du Shenyan's poem:? Holy love stays late. ?
Don't contribute to the pool, which means helping the water. Press: money? Lin Qiu? , this chapter cloud? Mountain road? You know you are not in the water. Ji comes to spring, tangent to the scenery. Poetry:? The snapper is getting fat. ? "Qi Feng? Shuoren's essay Justice takes snakehead in Jiangdong as yellow croaker. There are no such big fish in Jitan today. It is right to make carp according to Mao Zhuan. Hair, appearance.
[13] Xie Lingyun's poem:? Spring grass is flourishing. ? Poetry? Yo yo Luming Literature? . Su Wushi:? Deer sing and think of weeds, which can be compared with guests. ?
[14] Urgent note: The ancients changed emperors to make wine mash, while Du Kang made wine. Wei Wudi Yuefu:? Du Kang is the only one who can solve the problem. ? Du wine: Du Kang makes wine, hence the name; This also means that Shaoling boasts.
⒂ Pan Yue's Leisure Fu: Zhanggong Dagu Pear. ? It can be seen that Zhanggong pear was a famous product at that time; This refers to a pear produced by Zhang. Xie Lingyun's poem:? The day after tomorrow is not external demand. ?
[14] Shen Jiong-shi: The torch was issued in front of the village. ? Yang Jiong-shih:? The mountain road goes around the sheep intestines? .
⒄ Full Note: "Zhuangzi": The meaning of drunkenness is not in the wine, but in the car. ? The last sentence uses its meaning implicitly. Public "Kuizhou" poem? Riding on a horse drunk? , is to forget the good law. Poetry:? Go home drunk. ?
Appreciation background of Zhang's two reclusive poems;
This group of poems was written in 736 AD (the 24th year of Kaiyuan), and Du Fu traveled in Qi and Zhao. Zhang may refer to Zhang Jun and Du Fu's Zhang Bie Collection in his later years. Zhang Jianfeng was born in Yanzhou (now Shandong). Zhang Jun is his father.
Theme appreciation of Zhang's two reclusive poems:
This poem describes Zhang's secluded beauty, mentions Zhang's extraordinary virtue and eulogizes their close friendship.
Appreciation of two reclusive poems by Zhang;
There are two poems. The first one is the Seven Laws, which I almost wrote when I first met Zhang Jun and described him as a person. The last four sentences are about scenery, and the last four sentences are about love, which are roughly divided into several sections. If subdivided, the first sentence is Zhang, and the second sentence is seclusion. Three or four sentences cut seclusion, saying that the road is far away, and five or six sentences cut Zhang, saying that people are quiet. The last two sentences are forgotten, and the feelings and environment are very harmonious. Zhu Han said: Look at this poem, it is divided into two parts: oblique sun, night, dynasty, arrival, departure, begging, power and picturesque.
The second song is the Five Laws. I know Zhang well, so I opened a sidewalk? See you when you're a son? , "Du Jingquan" thought? When is the question after counting? , "Du Fu detailed note" thought? Isn't it just once? , both.
Although it is a social work, it can be seen that the author is human and funny. This poem is both straightforward and allusive. Straightforwardness and allusion are two common expressions in ancient poetry. If you can't tell them apart, you won't understand poetry. Here, it is very close to each other. If you look directly, it is almost close to the vernacular; If you look at it as a classic, most of them are allusions, and the so-called words have no source. But this is a sign, and it is not surprising that Du Fu's poems often do this. It is really rare to be funny.
Like what? Son? Translate into vernacular? This guy? Or? This gentleman? , but? Son? But look at Shi Mao. The third sentence, there are many carp swimming around in the pool; The fourth sentence deer is eating grass over there, twittering; But? Hey (zhān felt) Hey (bō dial)? ,? Yo yo Luming Literature, wild apple? See also Shi Mao. Every time I use classic idioms, they are stiff and pedantic, but I don't feel anything here, so my predecessors commented: 34 banished six arts, but it was exquisite. ? Moreover, Luming Literature's original poem is intended to entertain guests, so although this fourth sentence was written in a real scene, it is already full of affection in the scene, connecting the preceding with the following.
? Du wine? A couplet, almost colloquial, uses allusions to properly describe the surnames of guests and hosts. Du Kang was the inventor of wine. ? Zhanggong Otani pear? , see Pan Yue's "Idle Residence Fu". He said, the wine belongs to our Du family, but you just came to persuade me; Pears belong to your family, so you can eat them while picking them in the garden, instead of looking outside. The clever use of allusions once again shows the master's feelings. It's already a natural article, especially when it's so light and natural. Du's sutra says:? Yeah, but it's hidden. ? Comfort is a kind of humor.
Poetry is also written through layers. It is a universal law that articles should be closely related to the real feelings at that time. But this reality cannot be ignored. In some places, it is better not to conform. There is more than, more than, not very consistent here. Only when they are not very consistent can we express our emotions perfectly, which is a further reality. Is this poem over? Qiancun mountain road is dangerous, don't worry about getting drunk? . I think the mountain road in Qiancun is very dangerous. I am drunk again and stumble back, as if the blind man was blind in the middle of the night, and there is no reason to worry. So the last sentence of this poem should really be regarded as? What should I worry about when I'm drunk? Yes, but he won't say anything? Should I be worried? Inverted? There's nothing to worry about. . What the hell? Should I be worried? Is it realistic, or? There's nothing to worry about. Reality? What should we say? Should I be worried? Is true; We should know better? There's nothing to worry about. Although it is not a real feeling, it can further express this theme-the host is affectionate, the guests are grateful, and the host and guest are extremely happy.
This kind of situation, then regardless of Lao Du, he was not worried that night, but he must say it anyway? There's nothing to worry about. Yes Therefore, in addition, there could have been a more natural and reasonable explanation. I am drunk, so I don't know how to worry; But it has long been denied by the predecessors. Li Tiansheng was quoted in Du Fu's Poetry Review as saying: The last two sentences refer to the Covenant with Zhang Shen, so it is drunk to forget the danger of mountain road. Clouds are shallow if they are drunk and don't know it. ? What Li said is quite right. Du Fu was about to express his dumping and gratitude to his master with worry. If he describes himself as a drunken fool first, his poems will be completely lost, not only ruining the scenery. This sentence has the meaning of the first couplet again. Invite someone to stay overnight? Is the main sentence of this poem.
About the author:
Du Fu (7 12-770) was born in Gong County, Henan Province (now gongyi city, Henan Province) in the Tang Dynasty. He was a great realistic poet in Tang Dynasty, known as Li Bai? Du Li? . To compete with two other poets, Li Shangyin and Du Mu? Little Du Li? The difference is that Du Fu and Li Bai are also called together? Big Dooley? Du Fu is also often called? Lao Du? . Du Fu had a far-reaching influence on China's classical poetry and was called "Du Fu" by later generations. Poet saint? His poem is called. History of poetry? . Later generations called him Du Shiyi and Du Gongbu, and also called him Du Shaoling and Du Caotang.
Du Fu lived in the historical period from prosperity to decline in the Tang Dynasty. Du Fu was born in a generation? Be an official Confucian? Our family is very knowledgeable in family research. The early works mainly show the ideal, ambition and expected life path. On the other hand, show him? To the monarch Yao Shun, and then make the customs chun? Many works in this period reflected the sufferings of people's livelihood and political turmoil at that time, and exposed the ugly behavior of the rulers. Since then, they have embarked on a life and creative road of worrying about the country and the people. With the increasingly corrupt politics in the later period of Tang Xuanzong, his life became increasingly impoverished and disappointed. During his wandering life, Du Fu created such famous works as Spring Hope, Northern Expedition, Three Officials and Three Farewells. In 759, Du Fu abandoned his official position and went to Sichuan. Although he fled the war and lived a relatively stable life, he still cared about his life and managed state affairs. Although Du Fu is a realistic poet, he also has a wild and unruly side. It is not difficult to see Du Fu's heroism and dry clouds from his masterpiece Song of Drinking Eight Immortals.
The core of Du Fu's thought is the Confucian thought of benevolent government. What does he have? To the monarch Yao Shun, and then make the customs chun? Grand ambition. Although Du Fu was not famous during his lifetime, his fame spread far and wide, which had a far-reaching impact on China literature and Japanese literature. About 65,438+0,500 poems of Du Fu have been preserved, most of which are collected by Du Gongbu.
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