Five-character quatrains (one sentence and five words): pause: two sentences, three sentences/example: Red bean/Sheng Nanguo seven-character quatrains (one sentence and seven words): pause: four sentences, three sentences/example: suddenly smell the shore/step on the song, two sentences, three sentences/* */Han Yuefu 65438 Wei and Jin Dynasties The second is to make the poems praised by literati into music scores. 2. Sentence: Uneven, a sentence of Han Yuefu is dominated by miscellaneous characters (from two words to seven words) and gradually tends to five words. Length: Different lengths. The longest sentence in Peacock Flying Southeast is 35 1, and the shortest sentence is only 4. Rhyme: the method is flexible, with rhyming sentences, rhyming every other sentence and rhyming every two or three sentences. A. Oppose the war: The Battle of the South of the City reflects the tragic scene of corpses lying everywhere and being pecked by crows on the battlefield. The tenth five-year conscription describes a soldier who fought abroad for many years and could not return to his hometown until he was old. B. Singing the praises of love: Shang Xie wrote the passionate feelings and loyal vows between men and women in simple words. "Peacock Flying Southeast" eulogizes the spirit of lovers who would rather die than surrender and be faithful to love. C. Reflect people's life: Mulberry on the Stranger depicts a beautiful, hardworking and powerful Luo Fu woman. Pulling weeds on the mountain describes the unfortunate experience of a good woman being abandoned by her husband. A. Profile description: The author chooses the occasion that best reflects the essence of the event to describe it. For example, the beauty of Luo Fu's appearance in Shang Mo Sang is reflected from the perspective of onlookers. B. make good use of words: insert dialogue into poems to make life vivid. For example, "Evil" is the heroine's self-reported loyalty to love, and "East Gate" is mixed with couples' dialogue. C. The language is simple: for example, lotus picking in Jiangnan is basically in the form of spoken language. 3. A. Yuefu folk songs, like The Book of Songs, are realistic works inspired by sadness and joy and originated from events, which actually reflect the real life at that time. Both Du Fu's realistic poems and Bai Juyi's "New Yuefu Movement" were influenced. B. The forms of Han Yuefu are quite free and diverse, generally miscellaneous, and gradually tend to be five words. After the Eastern Han Dynasty, more and more people wrote five-character poems, so nineteen ancient poems appeared. In the Tang Dynasty, Li Bai and Bai Juyi were good at writing the free and unrestrained "Song Style", which was also initiated by Yuefu. Taoist Yuefu "Yuefu" was originally the name of the official music department in Han Dynasty. For the convenience of singing, Yuefu Jitang compiled a book of songs and poems that can be accompanied by music. People in Wei, Jin and Six Dynasties called this kind of songs and poems "Yuefu". According to the miscellaneous notes of Yuefu on Duanan Festival in Tang Dynasty, Yuefu songs and poems are closely related to songs, dances and music. Later, Yuefu, as a rhyme, collected and recorded music chapters and songs. In addition, songs and poems created by many literati imitating Yuefu style are also included in Yuefu. Taoist Yuefu belongs to Yuefu. From the author's point of view, Taoist Yuefu is a Yuefu song created by people of Taoist schools. During the Southern Song Dynasty, Taoist scholars compiled Yuefu Ya Ci, which can be regarded as a collection of Yuefu works of earlier Taoists. The book is divided into upper, middle and lower volumes, with a total of two volumes, which were compiled in the 16th year of Shaoxing in Song Dynasty (1 1 4 6). Thirty-four works including Ouyang Xiu were selected, and 1 6 works were selected, including 5 0 works. Genre-wise, Taoism teaching Yuefu refers to using Yuefu songs and poems to reflect Taoist thoughts and interests, and taking Daomen Yike songs as products. For example, Tao Gong Bo Mei, which was included in the Daqu category of Yuefu Ya Ci mentioned earlier, belongs to this category. In addition, Guo Maoqian's twelve kinds of Yuefu poems, such as Fairy Song, Buxuci and Shangyunle, also belong to Taoist Yuefu works. The so-called "immortal song" is a song that asks God to come down, and the "string" in it shows that this song is worth singing with an orchestra; The "Buxuci" is a kind of sacrifice when Taoist priests fast. As for Shang Yun Le, it is a dream poem written by Taoist scholars in the art world. The uniqueness of Taoism and Yuefu lies in its integration with the tunes of Daomen and Faqu, which embodies the mysterious world of Taoist people, and its wavy color tone is quite obvious.
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Yuefu is one of the poetic styles of China's traditional poetry. Together with classical poetry and modern poetry, Yuefu constitutes three categories of classical poetry. The name of Yuefu originated from the Western Han Dynasty. When Emperor Wu of the Han Dynasty established the Yuefu Order, Emperor Wu of the Han Dynasty established the Yuefu Department, which was the official Yuefu at that time. Since this official office collected the obituaries of Zhao, Qin and Chu, later generations took Yuefu or Yuefu poems as the names of folk songs. Before the Han Dynasty, folk songs were called "wind" and "ci", such as "national wind" in the Book of Songs and "nine songs" in Chu Ci. * * * Yuefu was originally called "Song Poetry", which is a poem that can be sung. Later, scholars also copied a lot of folk songs and wrote poems, so there was a difference between folk anonymous Yuefu and literati Yuefu. Since Yuefu is a harmonious vocal poem, all poems that can be sung in the future can be called Yuefu in a broad sense. Therefore, Yuefu is not only a poem with the same words and the same style, but also a poem with the same long and short sentences, such as Su Shi's Ci collection Dongpo Yuefu and Zhang Kejiu's Xiaoshan Yuefu. Ancient Yuefu is a poem composed of music. Now, some music scores have been lost, but the lyrics have survived. Today, from the title, you can still see the traces of Yuefu. Many Yuefu poems with words such as song, line, chant, ode, music, performance, practice and quotation are often composed of music. The characteristics of Yuefu poems in the two Han Dynasties are "feeling sad and happy because of something", so many long narrative poems have appeared, such as Mulberry on the Stranger, Journey to the Orphan, Peacock Flying Southeast and so on. The Yuefu poems in the Six Dynasties were mostly lyric poems, such as Midnight Song, Huashan Ji and Xiangyang Le. In addition, there are many works that look like Yuefu poems, but they were actually created by poets after the Tang Dynasty, and there are no Yuefu songs. The most famous poems, such as Du Fu's Two Poems for the Road, Bai Juyi's Car Shop, Song of Eternal Sorrow, Pipa Travel, etc., are often called "New Yuefu", but they are actually ancient poems without music to express appreciation.