Then, the poet painted a snow scene in the south of the Yangtze River, full of youthful vitality. Its artistic conception is beautiful and profound. At sunrise, the river is redder than fire, and in spring, the river is as green as blue? . The spring scenery in Jiangnan is charming, and the snow scene in Jiangnan is equally lovely. The poet wrote a sketch here, which not only pointed out its "gorgeous" appearance, but also pointed out its "moist" texture. For the snow fields in the south of the Yangtze River, poets are good at choosing things that best reflect the news of youth, thus presenting a picture full of vitality and spring. Through this colorful painting, we not only saw the gorgeous winter flowers, but also seemed to smell the rich fragrance. What a wonderful paradise it is for butterflies who love flowers and bees who pick flowers! At this point, the poet's mood is flying and his imagination is spreading, which adds an extreme stroke to the original beautiful picture: although "butterflies do exist", because it is still winter, I don't remember whether bees will come or not, but I seem to see the sound of "many bees are busy flying" and "buzzing" in front of me. As a result, this snow scene in Jiangnan is vivid, moist and silent, and the scene is touching, more and more full of vitality and spring breath.
The snow scene in the south of the Yangtze River is so beautiful that it will inevitably add infinite fun to people's lives. What the poet writes here is mainly the perspective of children, which makes this kind of fun more lively and pure. The children "hold their hands red with cold, like ginger with purple buds", and are not afraid of the cold in winter, so they come together to shape the snow arhat. Is this a unique pleasure for children? No. It is also attractive to adults. I can't see "whose father came to help." This is indeed a wonderful pen: it extends the joy brought by snowy days to the hearts of adults. Thanks to the enthusiastic help of adults, a Lohan who is "much taller than a child" and "small on the top and big on the bottom" can't tell whether it is fenugreek snow with a thin waist or a big belly, and it will soon take shape. However, children's interests are limited and changeable. The beautiful scenery of Xueluohan is pitifully short: not only did it finally "sit alone", but it was quickly eroded in a strange way under the invasion of sunny and cold nights and the natural elimination of ice and snow. Although the author is in a harsh "winter", he has an ideal of "spring" in his heart. Writing about the beauty of the snow scene in the south of the Yangtze River and remembering my hometown childhood shows the poet's yearning for beautiful things. On the other hand, the snow scene in the south of the Yangtze River is a symbol of spring and light, which embodies the poet's yearning for a beautiful spring. In addition, the description of the snow scene in the south of the Yangtze River expresses the poet's "nostalgia for his hometown scenery" or "nostalgia for his hometown and childhood". All of the above, or inevitably lost generality, or is not exact.
Mr. Lu Xun, who was fighting in the winter in Shuofang at that time, paid close attention to the situation of the southern revolution and was fascinated. There is no doubt about it. However, because he was far away from the revolutionary center at that time, he didn't have much contact and understanding of the forces of the workers and peasants revolutionary movement; Considering the victory of the October Revolution with the strength of the people, it took three months after the snow to realize that the people had been oppressed to "follow the cattle and horses" and would form a brigade like bison to "fight against the strong enemy". Therefore, it is impossible for the poet to see the bright future of the victory of the workers and peasants struggle on the basis of the rising flood of the workers and peasants revolution at this time. However, as Mr. Lu Xun said: "I look at things too carefully, and if I look carefully, I will have more doubts"; "I have a bad habit of refusing to believe in superficial things." Even after the success of the Northern Expedition and the resumption of the Shanghai-Nanjing War, he "still thinks about this matter, and his good intentions can't be recovered like a kite with a broken line", but he wants to say a word of "disappointing". Therefore, we believe that in Snow, Mr. Lu Xun's yearning for the southern revolution will never be very enthusiastic, nor will he say anything "shy", let alone praise it lightly with beautiful words. Gu is a poet who knows that "revolution is painful, inevitably mixed with filth and blood, and it is by no means interesting and perfect in the poet's imagination"; And "eulogizing" and celebrating "will turn the revolutionary spirit into slippery". Because of its own characteristics of "moist", "sticky" and "material", the snow in Congjiang South could not fly like Shuoxue. It was piled up, frozen, dissolved, teased, forgotten and left out in the cold, and finally sat alone, which reflected the poet's understanding of Jiangnan Snow. Although the snow in the south of the Yangtze River enthusiastically adorns the land of the south of the Yangtze River with faint news of youth, it has the fatal weakness of "moistening", "sticking" and "sticking things". Therefore, it is both cute and needs warm and serious criticism. Mr. Lu Xun combines realism, painting scenery, expressing ambition and feeling of expression in one furnace, creating a new beautiful and distant artistic conception of urchin playing with snow, and conveying a profound and realistic thought: people who don't fly on the broad horizon of social revolutionary struggle can only be played and abandoned by historical dialectics in the end.
Finally, the poet wrote the characteristics and strange scenery of Shuoxue with affectionate and stern words. The poet used the word "but" to turn around. First, he wrote the unique texture and shape of Shuoxue, which is completely different from the snow in the south above: it will always be "like powder and sand" and "never touch", and it will not melt anywhere without "the warmth of the house fire". This is determined by the harsh winter climate in Shuofang and the characteristics of Shuoxue itself. In Shuofang, snowflakes are just scattered on the lifeless "house, ground and hay" in the cold. Because there are no gorgeous winter flowers, butterflies and bees that love flowers; Because severe cold, especially snow, can't "bond with its own moisture" like snow in the south of the Yangtze River, children's fun of playing with ocean snow is lost. However, Shuo Xue can create another spectacular beauty: "Under the clear sky, a whirlwind suddenly came. It flew vigorously, shining brightly in the sun, like a fog with flames, spinning and rising, permeating space, making the sky spin and rise, flickering." Only a master's degree can create a magnificent spectacle, which is a magnificent battle map drawn by the poet with vigor and infatuation. Only when the snow is "like powder and sand, it will never be touched" can it "fly vigorously" with the power of a huge whirlwind; Only when he eagerly pursues the light can he be "brilliantly illuminated" by the sunshine under the clear sky; Only when there is snow on the house, on the ground and on the hay, and each of them flies vigorously towards the same bright goal, can there be both the beautiful spectacle of "like fog and flame" and "rotating and rising" and the majestic atmosphere and strength of "infiltrating the space and making the space rotate and rise"! Here, the poet is a true description of the scene where the universe is filled with the fog of silver flame and snow, and also a warm praise for the fighting spirit and style symbolized by Shuoxue. The poet's inner fighting passion and the objective and magnificent scene of Shuo Xue reached a high degree of artistic unity. This gives people a seamless, magnificent and powerful impression, and gives people a great inspiring force to pursue light and truth. Compared with Xue Hanluo's "I don't know what it is" and "Sitting Alone", the poet's telling, praising and denying people in "Snow" is not very clear?
At the end of the article, "dead rain" and "the spirit of rain" are used to praise the snow in Shuofang, which makes the theme of the poem sublimate to a philosophical realm, implicit and meaningful. In these two natural sections, the snow scene described above is expressed in the form of judgment. The poet clearly points out here that snow is the soul of rain. The relationship between snow and rain is like "spirit" to the body. If the spirit doesn't get rid of its heavy body, it can't travel freely in space. It's raining heavily. Only when we are completely liberated from the drag of tradition can we "fly vigorously." Shuoxue is said to be "dead rain" and "the spirit of rain", that is to say, it is a "warrior" freed from the heavy drag of old consciousness and human bondage. The "death" here is not the "extinction" in the negative sense, but the transformation and sublimation in the positive sense, just as the "Nichao" of the phoenix in the fire is a complete denial of the old self and then rebirth. Obviously, only Shuo can be called "Rain God"; And only when rain turns into snow is true happiness. The snow in the south of the Yangtze River "sticks" to each other and can only perish together. Of course, it is still unfortunate. The tragedy of Juansheng and Zijun in the novel Regret for the Past, which was written shortly thereafter, is precisely the description of this emotion conveyed in Snow. The snow in the north is "solitary snow". It vaguely reveals a sense of desolation. The poet called it "the sorrow of fighting alone." This is a typical emotion under specific historical conditions. It is full of twists and turns, which reflects the poet's hard search but not yet on the road of productism, and his mood of "looking for new strength and adding more saboteurs" but not yet getting a fight. Can't be confused with depression and love. Therefore, the tone of the whole poem is high-spirited and full of vitality. The author uses a very apt and inspiring metaphor to enhance the image and uniqueness of this poem, thus deepening the artistic conception of this poem. For example, the poem uses "a very strong virgin's skin" to compare the snow in the south of the Yangtze River and describe its moist, clean and healthy beauty, which makes people imagine its incomparable youthful vitality. Compared with children's little hands that are red with cold when playing with snow, Purple Bud Ginger not only shows the delicate state of those little hands, but also reminds people of their great interest in pursuing a better life. Using "fog as flame" as a metaphor for the "rain god" that glows, twinkles and permeates the space not only renders the majestic momentum of Master's "vigorous flight" and rise, but also reminds people of its great impact and resistance to the dark reality. The poem depicts the snow in the south of the Yangtze River and the snow in the north of the Yangtze River in great detail, which not only makes people deeply impressed by the characteristics of the two kinds of snow, but also denies the fatal weakness of the snow in the south of the Yangtze River, praises the advantages of the snow in the north of the Yangtze River and has convincing thinking power. The clever use of metaphor and contrast deepens the artistic conception of this poem. Thirdly, mastering lyric writing is also the artistic feature of this prose poem. Poets do not express their feelings directly with philosophical argumentative words, but indirectly with the help of poetic images. In this way, only when the image of poetry inspires the poet's thoughts and emotions can readers sing with the poet.
Poets are good at unifying the color changes of language and music melody with their own ideological content. The adaptation of the two is the easiest to stimulate readers' thoughts and emotions. There is a hint of youth in the snow scene in Jiangnan, and the description of her highlights the beauty and magnificence of the images in the poem; In that beautiful scene, the sound of bees and the laughter of children seem to be playing extremely harmonious and beautiful spring music. Shuoxue symbolizes the fighting spirit of a real warrior, and her description highlights the grandeur of the image in the poem; In the scene of "flying vigorously", "Rain Spirit" shows the fighting momentum of "shining brilliantly" and "rising in rotation and permeating space". It is a poet's passionate criticism of comrades and people's weaknesses that children tease the ocean's snow. Therefore, it is quite sympathetic and humorous to describe the children's plastic snow arhat, visit it, play with it and write its unfortunate ending. The color sense and musicality of poetic language enhance the distinctiveness of poetic images and the musical beauty of emotional ripples, thus deepening the artistic conception of poetry.
Finally, the poet used symbolism to create a series of symbolic and suggestive poetic artistic images, conveyed his interest and expressed the theme of the poem in a subtle and tortuous way, which made the artistic conception of this poem novel and memorable.
On the other hand, from the perspective of rhythm, rhythm is the soul of poetry. Guo Moruo said in On Rhythm: "Rhythm is her appearance and life for poetry. We can say that there is no rhythm without poetry, and there is no poem without rhythm. " The emotional rhythm of snow is based on the relationship between paragraphs and paragraphs. Its course is not smooth sailing, but full of twists and turns. The "monotony" of "the rain that warms the country" in the poem is caused by the "cold and steep" pen, which is short and irrelevant, giving people a feeling of confusion and curiosity, which is "inhibition". Then, the poet jumped into Snow Scene in the South of the Yangtze River and described the beauty of the snow scene in detail by using image arrangement and exaggerated association, so he woke up from the confusion. This is Yang. The rhythm of the first paragraph first restraining and then promoting laid the emotional tone for the full text. The second and third paragraphs are self-contained and describe the whole process of children's "plastic ocean's snow" But the second paragraph is a continuation of the emotion caused by the first "beautiful" snow scene in Jiangnan. The poet wrote about children's fear of cold and the "burning" of "snow ocean", which showed the creative vitality of human beings. However, because the poet intends to suppress this emotion with simple sketches, the emotional amplitude of this paragraph belongs to the "second promotion". This brings regret to the third paragraph of Lohan's Snow, and then makes a soothing transition to "suppress" the reader's mood. In the last three paragraphs, the poem bursts with "but" and enters the passion of describing "snow in the north" After making readers experience many emotional twists and turns, the poem ends with the simplicity of "Yes, it is lonely snow, dead rain and the soul of rain". In the end, the poet's praise resonated strongly with readers and poets. Li, director of Lu Xun Museum and director of Lu Xun's research office, said: "This is a very beautiful poem about the snow scene in Jiangnan and Jiangbei. It is not only a description of the scenery, but also lyrical and symbolic. The beauty of words and thoughts and feelings have reached a high level, full of poetry and painting, giving readers a rare enjoyment of beauty. "
Professor Li Guanyuan of China Modern Literature: The description of the snow scene in the south of the Yangtze River and Shuofang shows the author's memory of the beautiful things in life and his denial of the cold reality. Moisturizes the beautiful Xue Nan and embodies the ideals and longings of tourists. The flying snow in the north expresses the author's fighting feelings. Both Nanxue and Beixue have their own misfortunes, but the coldness of reality cannot stifle the author's yearning for a better life. Although the poem reveals a touch of sadness, its theme is bright and optimistic. It can be seen that the author pursues spring and light despite the cold winter.