This is a phenomenon that most people study poetry in order to read some beautiful poems directly. They can't open the pattern, and once they try to hold it up, poetry will become fragmented and lose the feeling of integration. Because of their learning methods, they simply can't see the invisible subject hidden in the depths of poetry-the emotion of poetry, and most of them look at those seemingly beautiful poems.
To tell the truth, I'm not afraid of your ridicule. That's how I studied in those days, and I didn't change until one day I got bored. At that time, when I began to try to express my feelings and ignored those wonderful poems, I found that those thoughtful poems were so difficult and difficult to write. Only then did I find that my ability to write poetry was out of control, like a castle in the air, completely independent of my own will. So I decided to abandon all flowery words and try to write according to my own mind in ordinary words. The consequence of this is that the poems written are not very beautiful. Every time I write, my face turns black when I look at it. This is the real core of poetry.
The emotional component in poetry is the basis of poetry mode. This matter is hard to say clearly. In short, your poetry is not strong enough to support the big picture. As mentioned above, in a poem, emotion is the main body, and other image content is to unite the body for emotion. Just like painting Chinese painting, one object is outlined one by one. If you want to draw well, your mind must be very clear and active, so that you can outline its body with as few features as possible. The pattern of poetry and the distance between images are positively related, rather than simply depending on how great your feelings are. When your ability is insufficient, forcibly grabbing some jumping images will only lead to the fragmentation of poetry. When such a poem is written, only the words put forward separately look good, but it is not a poem as a whole, just a dead thing.
Therefore, people who have just learned to write poems, it is best not to learn those beautiful poems, nor to learn metrics. It is best to concentrate the illusory theme of poetry first, and add some gorgeous rhetoric as decoration to make the writing relatively simple. Moreover, many famous poems don't use flowery words. Gorgeous words are only used to replace words when rhyming is wrong or the level is wrong. What people show is the operation of image selection and the handling of the big pattern, which has nothing to do with words. You'd better not learn in the wrong direction. The images of many words are jumping, and their tracks are simply unpredictable. However, other people's poetic style is seamless.
The novice pattern is smaller. From what they see in front of them, they grab some closely related images to write poems, slowly feel the form of poems, and then choose further images to support the pattern after they are familiar with them. When you are familiar with the physical application of poetry, you can jump.
At this time, there is a small way to ignore these things, or make them familiar, so that they can naturally blend in without memory or thinking. Then follow the heart of the poem, it will bring your thoughts to some wonderful places and write wonderful poems. This is "the article is natural and wonderful."