Zhuan Xu: It brings a separated heart and long-term consideration at night.
Necklace: Although I blew out the candle, it didn't get dark, although I put on my coat, it didn't get warm.
Tail joint: So I left my message to the moon and then turned to my bed, hoping to have a dream.
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"Looking at the Moon and Thinking of a Distance" was written by the author when he was away from home, looking at the moon and missing his distant relatives and wife.
The ancients had deep feelings for the moon and rich associations. The full moon is often the theme of ancient ci, but Zhang Jiuling's works are so quiet and affectionate, which is rare. Poetry expresses the poet's yearning for people far away through the description of the ups and downs of the protagonist's thoughts when he looks at the moon.
"The bright moon is in the sky, and the horizon * * * crosses the sea at this time." Two sentences are lyrical about the scenery, one is about the scenery, and the other is from the scenery. The poet painted a picture in simple and natural language: a bright moon rises from Ran Ran on the other side of the East China Sea, presenting an infinitely vast, magnificent and moving scene. It is precisely because the bright moon is so mysterious and unpredictable that it naturally evokes the endless thoughts of the people in the poem. He imagined that people who are far away from the world may be thinking about the moon at this time. In the poem, people don't say they miss each other at the full moon, but imagine they miss themselves at the full moon. The conception is ingenious and meaningful, which vividly reflects the profound sustenance of this poem. This poem with the word "sheng" is very vivid, which is similar to the word "sheng" in Zhang's poem "The bright moon on the sea is born with the tide". At this time, the phrase "Tianya * * *" comes from Xie Zhuang's Yuefu. These two sentences are composed of the sea, the bright moon and the horizon. Looking at the moon is a real scene, and looking at it from a distance is an artistic conception. The poet skillfully combines scenery writing with lyricism. While writing * * * to each other on the bright moon, it also contains homesickness, leaving room for association and imagination. The first couplet caught this problem, and the following sentences came into being.
This sentence means that many lovers hate this long night, miss the moon and can't sleep all night. This is the expression of people's ambivalence from imagination to reality and from full moon to sleep. Here, many lovers' chain action process from longing for the distance to thinking hard, from thinking hard to falling asleep, and from falling asleep to complaining about the long night also includes their subjective feelings. What deep feelings this "night resentment" contains!
According to the requirements of phonology, couplets should be neat antithesis, but this poem adopts the format of flowing antithesis, which of course shows that there is no strict requirement for phonology in the early Tang Dynasty, and to some extent, it still retains the style of ancient poetry. On the other hand, this couplet is in the form of flowing couplets, which is closer to the first couplet in content, flowing naturally and giving people a pure sense of charm.
"It's not dark to blow out the candle, and it's not warm to put on your coat." Writing a poem is because people are far away in Philip Burkart, and they have been lovesick all night. After blowing out the candle, especially the moonlight is full of lovely light, so he puts on his clothes, walks out of the room, looks up at the moon alone and meditates. I don't know how long it took him to wake up until the dew wet his clothes. This is an image suffering from lovesickness. This couplet seems to be about enjoying the moon, but in fact it contains profound thoughts. The brightness of the bright moon is the easiest way to introduce lovesickness. The poet leaps forward in thinking, imagining that the moonlight can become the embodiment of the person he misses, and the body can rely on it as a companion. How the poet wants to make this fantasy come true! Therefore, "extinguishing the candle" is precisely to follow the moonlight; "Get Dressed" is to spend more time with Yue Hua, and the scene inside is very similar to "I don't know each other at this time, and I hope flowers will shine on you every month" (Zhang's "Moonlit Night on the Spring River"). Poetry is about the loveliness of moonlight and the poet's profound meaning. This correlation is neat and depressing. The two verbs "pity" and "feeling" in the sentence are well used, which fully expresses the feelings of people in the poem who miss people far away. This is a kind of situational writing that looks at the moon because of it. It is more profound and enlightening to outline a candle with a dark moon. People are single-minded and bitter, and they look at the moon and think about the peace of mind.
So I left my message to the moon, and then turned to my bed, hoping to have a dream. Because I miss people far away and can't meet each other, I can't help but have the idea of giving the moon to people far away. There is a saying in Lu Ji's ancient poem "Bright Moon He Jiao" in the Jin Dynasty: "There is afterglow in it, which is not enough to capture." The sentence, "So I leave my message to the moon" in the poem is transformed in this way. Then came the dream of finding a dream. This is a helpless delusion. But this set off the poet's deep affection for the people who miss him from afar, making the poem more concrete and meaningful. Poetry comes to an abrupt end at the intersection of disappointment and hope, and it is particularly meaningful to read.
"Full Moon Philip Burkart" is a work pregnant with people on a moonlit night. The whole poem centers on "hope" and "bosom" and takes "moon" and "far" as lyric objects. Therefore, everywhere in the poem can not be separated from the bright moon, and every sentence can not be separated from homesickness. It writes the moon so gently, so calmly and so beautifully. Looking at the full moon in Philip Burkart and meeting each other in lovesickness dreams are all common scenes in the world. The poet told a touching story. Guo Yun was quoted in Zheng Sheng, a Tang poem: "It's not clear or light, and it's more memorable than Du Fu's Full Moon Map." "General Comment on the Pulse Selection Meeting of Tang Poetry Magazine" says: "The whole article wins with bone strength, that is, the words" out of the candle "and" full of light "are the gods of the moon. Using the word' poor' means something and you can't help but think about it. "
The emotion expressed in this poem is calm and lingering, but not sentimental, and the language is naturally muddy without showing traces. This style has a far-reaching influence on later poets such as Meng Haoran and Wang Wei.
Li Bai's "Drink Poison to Quench Thirst"
When does the bright moon rise in the sky? I stopped my glass and asked now.
The moon will never reach the moon, but it is very close to the people.
Green smoke as bright as a mirror is flying in the palace, emitting cold light.
I only see the clouds rising from the sea every night, and who knows the clouds in the morning?
The moon is on the white rabbit's back, autumn and spring, and who is the neighbor of Chang's lonely life?
Now people are not seen in Gu Yue, but in this month they took the ancients.
The ancients said, if people are running water, they look at the bright moon.
Just look at the glass and sing loudly, and the moonlight can grow in a golden cup.
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This is a song about the moon written at the request of a friend. There are sixteen sentences in the whole poem, and every four sentences rhyme. The eternal bright moon is a miracle in eternal time and space, which often causes infinite reverie of human beings. The first two sentences control the whole article with inverted sentences, and express the poet's confusion with interrogative sentences, which is very imposing. The poet stopped to have a cup of meditation, a little drunk, looked up at the sky and asked: When did this ancient moon exist? This search and confusion about the origin of the universe is actually a reflection and exploration of his own life value, and the word "stop drinking" vividly shows his yearning and confusion. Three or four sentences write the subtle relationship between human beings and the bright moon. Throughout the ages, how many people want to soar to the middle of the moon in order to live forever, but in vain, and the bright moon still shines on the world with the brilliance of Wan Li, accompanying people who have lived and multiplied for generations. The two sentences describing the personification of the bright moon are ruthless and affectionate, intimate and mysterious, and contain the poet's yearning and helpless complex state of mind. The words "as bright as the moon" describe the beauty of moonlight. The thick clouds gradually dispersed, and the moon hung in the sky like a mirror, scattering clear light and shining on the scarlet palace door. The poet used "flying mirror" as a metaphor, "Danque" and "green smoke" as a lining, and wrote the bright moonlight charming and dazzling. "But see" two sentences, use the bright moon to dawn the future and lament the speed of time passing. The bright moon rises in the East China Sea at night and disappears in the sea of clouds in the west at dawn. This cycle is endless, and the earth is derived from repeated hauntings. The two sentences not only express surprise at the elusive trace of the bright moon, but also imply deep regret that people don't know how to cherish the good times.
The poem "Chang 'e" is unconstrained and unconstrained, asking questions about the white rabbit and Chang 'e in the moon, which is the second time for the poet to ask questions about the moon. The white rabbit pounded the pestle in the middle of every month, and Chang 'e lived alone in the Moon Palace. Who will accompany her? In sympathy for the lonely fate of the gods and fairies, the poet's own lonely and lofty feelings are revealed. The phrase "modern man" expresses the sigh that life is limited and the universe is infinite in a sigh. "Today's people don't see Gu Yue" is actually saying that "today's people don't see the ancients"; This month, according to the ancients, it means "Gu Yue still shines today". The bright moon is in the sky, but human beings have changed from generation to generation. Today, where can people be, before me, in the past? Behind me, where is the next generation? Precious life is fleeting. The last four sentences are collected from the above, which further expresses the thoughts and feelings about the universe and life. Countless people have passed away like running water through the ages. Facing the same eternal moon in the sky, maybe they all had similar feelings! I only hope that when I sing and drink, the bright moonlight can shine in the cup for a long time, so that I can enjoy the wonderful life at present. Man is a reed, but he is a thinking reed. The poet thinks that the moon is long and life is short, and human beings can't change this natural law, so we should cherish every bit of this life and grasp the eternity of the moment. Although the conclusion implies carpe diem, the overall tone is still positive, showing the poet's broad-minded and adaptable mind.
The whole poem is full of unrestrained feelings, fluent and natural language, and full of intricate and round beauty. Poets write from wine to the moon and return to wine from the moon. He repeatedly compared the bright moon with life in a lyrical way like flowing clouds, and expressed his deep thinking about the universe and life philosophy in his subjective feelings of time and space. His conception inherited Qu Yuan's Tian Wen, and inspired Su Shi's When Is the Bright Moon, which is both reasonable and full of strong artistic appeal.
Bai Juyi's "Mu Jiang Yin"
A sunset gradually sank into the river, half green and half green.
The loveliest thing is the ninth day of September. The bright pearl's bright crescent moon is shaped like a bow.
To annotate ...
& lt 1 & gt； Dusk on the River: It was made by the river at dusk. Yin, an ancient poetic style.
& lt2> Sunset: Sunset.
& lt3> Se Se: The original meaning is bright blue treasure, which means bright green.
& lt4> poor: cute.
& lt5> Zhu Zhen: That is, pearls. What is said in the poem is true, not a treasure of pearls.
& lt6> The moon is like a bow: the moon on the first winding is bent like a bow.
& lt7> The third day of September: the third day of the ninth lunar month.
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A touch of afterglow sprinkled on the river, shining in the sunlight. Half of the river is dark green and the other half is deep red.
What makes people fondle admiringly is the first moonlit night when the dew falls in September. Dewdrops are like pearls, and crescent moons are like delicate bows.
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This seven-line poem is a masterpiece of scenery writing. Beautiful and fluent language, fresh style, vivid, detailed and true picture. The poet chose two groups of scenery from the sunset to the rising of the new moon to describe it, and used novel and ingenious metaphors to create a harmonious and peaceful artistic conception. The whole article uses the word "poor" to sort out the deep feelings and love for nature. The subtleties of his scenery have always been praised. Comment on Yang Shen's Poem of Sheng 'an in Ming Dynasty: "The poem is full of rhyme. It is said that the sun is spreading water, and the blue of the river is like the color of rustling; Half the river is red, and the sun is reflected. It can be described as micro-painting. " Comments on Tang and Song Poetry and Wine: "Qiu Jiang writes wonders, which are colorful scrolls". In the Qing Dynasty, Wang Shizhen commented on "Selected Poems of Tang Poetry": "The beautiful are beautiful and fascinating."
Xue Tao.
Little press the hook, little press the hook.
Whether it is a tiny shadow or a full moon, where are the people staring at the world?
To annotate ...
Soul: the shimmer of the moon at the beginning or end.
Fan: Pass on Ban Jieyu's Resentment: "Fresh cracks are as clear as frost and snow. Cut it into a acacia fan and reunite like a bright moon. "
translate
The thin moon is like a hook, becoming round day by day, like a woven round fan.
Whether it is a faint shadow or a full moon, where are people staring at the world?