What are the names of celebrities, representative works of dynasties and major events in Xiangyang?

Song Yu (290-223 BC) was born in the Warring States Period (now Yicheng, Xiangyang). According to legend, he is a student of Qu Yuan and a great romantic poet after Qu Yuan. He used to be the king's assistant. Hao Fu is a writer of Ci Fu who is as famous as Le Tang and Jing Ke after Qu Yuan. According to legend, there are many Ci-Fu, and there are 16 articles in Volume 30 of History of Han, History of Arts and Literature, which are mostly lost today. His works include Nine Arguments, Feng Fu, Gao, and The Ode to a Disciple, but some people suspect that he didn't write the last three. The allusions of the so-called "Xialiba people", "Yangchun Baixue" and "Qugao and Widow" all come from him. Chu Ci writers at the end of the Warring States Period. According to Han Art History and Literature, there are 16 articles. Today, according to legend, his nine arguments and evocation are found in Wang Yi's Songs of the South. There are five articles in Xiao Tong's Selected Works, namely Feng Fu, Gao, Goddess Fu, Disciple Fu and Ask the King of Chu. There are 6 pieces of Fu for flute playing, Fu for big eyes, Fu for small words, Fu for satire, Fu for fishing and Fu for dancing, which can be found in Zhang Qiao's Guwenyuan. Three pieces of Gaotangdui, Wei Yongfu Dui and Ying Zhong Dui were found in Wen Guangxuan by Liu Jie in the Ming Dynasty. However, these works are mixed with authenticity, and only one "Nine Arguments" is credible and has no objection. Evocation of Soul is controversial, and it is generally believed that it was written by Qu Yuan. There are still some people, such as Gao, Goddess Fu, Disciple Fu and Feng Fu, who think that it was not written by Song Yu, but their position in the history of literature is still quite important. Although Song Yu's achievements are difficult to compare with Qu Yuan's, he is the direct successor of Qu Yuan's poetic art. In his works, the description of things tends to be delicate and meticulous, and the combination of lyricism and scenery writing is natural and appropriate, which plays a connecting role between Chu Ci and Han Fu. Later generations often called Qu Ode, which shows Song Yu's position in the history of literature. (5 BC-March 29th, 57 AD). Baishui Township, Nanyang County (now Zaoyang City, Hubei Province). The founding emperor of the Eastern Han Dynasty, a famous politician and strategist in the history of China. In the last years of Xin Mang, the sea fell apart and the world was in chaos. As a civilian, Liu Xiu, who is of former dynasty descent, took advantage of this situation to fight in his hometown. In AD 25, Liu Xiu openly broke with the regime that started a new stove and proclaimed himself emperor in Hebei. In order to show Liu's revival, he still takes "Han" as his country name, which is called "Eastern Han" in history. After 12 years of unified war, Liu Xiu eliminated the separatist forces in Kanto, Longyou and Xishu successively, ending the warlord melee and separatist situation that lasted for nearly 20 years since the end of Xinmang. In his thirty-three years in office, Liu Xiu vigorously promoted Confucianism and respected honesty. The Eastern Han Dynasty was once praised by later historians as "the most beautiful and prosperous period of Confucianism" (Sima Guang and Liang Qichao) in China history. Liu Xiu also has anecdotes and allusions, such as "When an official is a golden servant, when he marries a wife, he becomes Yin Lihua", "When he loses his corner, he gains mulberry trees" and "Knowing each other is not a servant". Zhuge Liang (18 1-234), a native of Yang Du, Xuzhou (now yinan county, Linyi City, Shandong Province), was a prime minister in Shu and Han Dynasties, an outstanding politician, strategist, essayist and inventor. When he was alive, he was named Hou of Wuxiang, and after his death, he pursued loyalty to Hou of Wuxiang. The Eastern Jin regime made him the King of Wuxing. Zhuge Liang devoted himself to the Shu-Han regime until he died. Representative prose works include An Example and A Book of Commandments. He also invented the wooden ox and the flowing horse, the Kongming Lantern and so on. And transformed the crossbow, which can make ten arrows with one crossbow. He died in Wuzhangyuan (now Qishan, Baoji) in 234. Zhuge Liang was highly respected in later generations, becoming a model of loyal ministers and the embodiment of wisdom. Chengdu, Baoji, Hanzhong, Nanyang and other places have Wuhou Temple, and Du Fu wrote Shu Xiang to praise Zhuge Liang. Meng Haoran (689 ~ 740) was a poet in the Tang Dynasty. Xiangyang Xiangzhou (now Xiangyang, Hubei Province) Xiangyang is known as Meng Xiangyang in the world. In the first half of my life, I mainly stayed at home to study and adapted my own poems. Once lived in seclusion in Lumen Mountain. At the age of 40, you should travel to Beijing and return to Xiangyang. I made friends with Zhang Jiuling and Wang Wei when I was in Chang 'an. There is a poem title. After roaming in wuyue, the landscape is extremely poor, so as to solve the frustration of official career. He died of overeating. Meng Haoran's poems are mostly five-character short stories with limited themes. He writes more about landscapes, pastoral areas, seclusion and travel. Although it is not without cynicism, it is more of a poet's self-expression. He and Wang Wei also said that although his poems were not as broad as Wang's, they had unique artistic attainments, and he was the pioneer of the pastoral poetry school in Tang Dynasty after Tao Yuanming, Xie Lingyun and Xie Tiao. Meng Ke's poems are unpretentious, cordial and true, full of life breath and wonderful and complacent interest. Such as "Autumn Boasts Send Zhang Wu", "Passing the Old Village" and "Spring Dawn", which are light and elegant, integrated and elegant. Meng's poems are based on broad-mindedness and broad-mindedness, but there is also a vigorous and free spirit, such as Dongting Lake Newspaper, Clouds and Clouds, and Yueyang City Trapped, all of which are vigorous and free, overlooking everything. But this kind of poem is rare in Meng's poems. Generally speaking, the content of Meng's poems is thin, and it is inevitable to be embarrassed by the length. Meng Haoran's Popular Collection contains 263 poems, but some of them are the works of others. All the old and new books in the Tang Dynasty have been circulated. Mi Fei used to be a school bookseller, a doctor of calligraphy and painting, and a foreign minister of the Ministry of Rites. Good at poetry and calligraphy, good at seal script, official script, regular script, running script, cursive script and so on. And he is good at copying ancient calligraphy, reaching a chaotic level. At first, he was a scholar at that time, then Ou Yangxun and Liu Gongquan, with tight fonts and strong strokes. Later, Wang Xizhi and Wang Xianzhi, with developed figure and vigorous brushwork, called themselves "writing brushes", and were called the four great calligraphers in Song Dynasty together with Su Shi, Huang Tingjian and Cai Xiang. His paintings are good at dead wood and bamboo stones, especially ink and wash landscapes. It is very creative to express the changes of mountains and rivers in the south of the Yangtze River with brush strokes, which is called the Yunshan of rice. Mi Fei's calligraphy ink handed down from generation to generation includes Mourning the Empress Dowager, Shu Su Tie, Tiaoxi Iron Stone, Bai Zhong Yue Ming Tie, Hong Xian Shi Juan, Cao Shu Jiu Tie, Duojing Lou Iron Stone and so on, but no paintings have been handed down from generation to generation. The book Mountain Forest Collection has been lost; His theory of calligraphy and painting has been dabbled and recorded in books such as History of Calligraphy, History of Painting and Zhang Bao. Since the Song Dynasty, Mi Fei's calligraphy has been admired by later generations. His calligraphy is called "writing brush", which means that his writing method is different from that of his predecessors. "History of Song Dynasty" says: "When Mi Yuanzhang first saw Hui Zong, he wrote a letter on the royal screen saying" Zhou Guan ". When he finished writing, he threw his pen on the ground and said,' Wash away the bad letters of the two kings and shine on the emperor and the Song Dynasty forever.' Huizong stood behind the screen and sniffed, but he went out to have a look. 1 107, Mi Fei died at the age of 57.