"Huatang spring? Lotus seeds in the outer lake vary in length.
Song? Zhang Xian
Lotus seeds in the outer lake are uneven in length, and seagulls fly in the green area of Lushan Mountain. Water and sky are overflowing, painting is delayed, and Byakki Smoker is moving.
Peach leaves are shallow and apricot red is deep and light. The obstacle surface of the river avoids the oblique light and gets the shade.
Make an appreciative comment
This word is written about the beauty of natural scenery and the spiritual beauty of Jiangnan characters. The first two sentences of the film, "Lotus seeds outside the lake are uneven, and seagulls fly in the green area of Mount Ji", describe the beautiful scenery of lakes and mountains. Jiangnan water town, rivers and lakes all over, connected with each other. The author stood on the shore and looked at the lakes and mountains. I saw that the water was covered with lotus flowers, which were high and low, uneven and patchy. This is a close-up description, and the next sentence is a vision. After the rain clears, the castle peak looks particularly green after being washed by the rain. Just between the shadows of the green hills, a few Bai Ou flies lightly, which is particularly white. Du Fu said, "The birds in the river are not only white, but the mountains are blue and white." It is this bright color and contrasting scenery that he wrote. Although Zhang Xian has no intention of contrasting, it also gives people such a strong visual impact. The following two sentences lead to personnel activities and write the scene of water and sky.
The next film changed from writing about scenery to writing about people, focusing on the singer's appearance and the beauty of singing. The shallow voice of peach leaves writes a woman's song, reflecting its gentle and graceful turn; "apricot red and dark color" describes the beauty of women's clothing, reflecting its high rhyme and refined; "Xiao He's Obstacle Face" is a woman's action and behavior, which embodies her spiritual beauty. In the Song Dynasty, Wu Chaoqiu praised: "Ye Zi has a high rhyme."
Further reading: a brief introduction to Zhang Xi' an's life
Zhang Xian's father, Zhang Wei, likes reading and reciting poems. Zhang, Tiansheng eight years (1030) Jinshi. The first year of Ming Dow (1032) belonged to Suzhou. In the first year of Kangding (1040), Zhijiang County was the judge of Jiahe (now Jiaxing, Zhejiang Province) the following year. In the second year (1050), Yan Shu became the general of Yongxing Army (now Xi 'an, Shaanxi). In the past four years, Yuan Wailang and I have known Yuzhou. The fourth year of Jiayou (1059) is well known. Anlu is known for its taste, so it is called Zhang Anlu. In the first year of Zhiping (1064), Shangshu was an official and a doctor. From then on, I often traveled between Hangzhou and Xing Wu to amuse myself by fishing and writing poems, and climbed mountains and sang songs with Zhao Bian, Su Shi, Cai Xiang, Zheng Yi and Chang Li. Yuanfeng died in the first year at the age of 89.
There is no biography in History of the Song Dynasty, and the book Wing of the History of the Song Dynasty contains its 26-year story. He is the author of Zhang Ziye Ci (Anlu Ci), with more than 80 poems/kloc-0.
Zhang Xi 'an, a poet in the Northern Song Dynasty, was praised for his beautiful poems. "Ancient and Modern Poetry Talk" said: "A guest named Zi Ye said:' Everyone is called Zhang Gong No.3 Middle School, which means things in the heart, tears in the eyes and people in the heart." Zi Ye said,' Why not call it Zhang Sanying in the future?' The guests don't know. People say that' clouds break the moon and flowers make a shadow',' soft and lazy curtains make a shadow' and' willow path is empty and Liu Xufei has no shadow', which I am proud of all my life. "Later, people called him Zhang Sanying.
Extended Reading: Zhang Xian's Literary Artistic Conception
Zhang Xian's "Poetry and Yuefu will last forever" (Shi Lin Shi Hua). The contents of his ci mostly reflect the life of men and women of letters, as well as the life of urban society. Skilled in language. He amused himself by climbing mountains and writing poems. Ci is as famous as Liu Yong. He is good at poetry and also makes slow words. His writing is subtle, skillful and full of emotion. The themes are mostly men's and women's love, lovesickness and parting, or reflect the leisure life of feudal literati. Some fresh and profound fine print, written with emotion. There is a saying in Conghua Order, which is novel and interesting. It can be said that the psychological activities of resentful women in the boudoir are extremely delicate and vivid, so there is the nickname "Peach and apricot marry Dongfeng Langzhong" (see the story of Ayuan in Song Dynasty-the only thrill wants to be a flower shadow). The monk commented that this word is especially "unreasonable and wonderful" in "Wrinkled Shuixuan Flower Thorn". His poems were also famous at that time.
His words are plain in meaning, rich in images and concise in nature, which has a great influence on graceful words in Song Dynasty. He is a hero who can not be ignored in the transition from poetry to slow words. An important artistic feature of Zhang Xi 'an's ci is that he is good at expressing hazy beauty with skillful brushwork. He is good at using the word "shadow". Song Qi appreciates his poem "Clouds break the moon to make a shadow", which he calls "Clouds break the moon to make a shadow doctor" ("Fast fasting and leisure" is quoted in the previous volume of "Tiaoxi Fishing Hidden Cong Hua"). Chen Tingzhuo, a Ci theorist in the late Qing Dynasty, commented on Zhang Ziye's Ci Yun: "I have little talent, but I am more than enough. Different from Qin, Liu, Yan and Ou, it is unique. It is indispensable in the word world. " Chen Tingzhuo also said: "Zhang Ziye's Ci is a great turning point from ancient times to the present. The former are Yan, Ou, Wen and Wei. Although the festival is there, the melody is not open. After that, Qin and Liu, Su and Xin, Mei Cheng and Baishi made great efforts to make a comeback, but the ancient meaning gradually lost. Foliage purple suits it, it has influence and excess. But the implication is not like Wen and Wei, and the hair is not like the greasy willow in the pen. Although the scale is narrow, the gas lattice is close to ancient times. In the thousand years since Ye Zi, the wind of Wen and Wei has stopped. This also reminds me of Ye Zi. " Zhang Xian's position in Ci is appropriately pointed out.