Objective image is an artistic image created by the unique emotional activities of the creative subject, which is mostly used for artistic communication. According to the interpretation of Chinese characters, image is the image of meaning. For better understanding, it can be said that it is a meaningful image in the brain. Images produce deeper images through abstraction and communication. Images are the product of conscious activities of the human brain.
Schools of modern western literature. At the beginning of the 20th century, young poets from Britain, America and other countries were formed in London. Influenced by oriental classical poetry, they advocate a "solid" style of writing and emphasize the use of objective and accurate images instead of subjective emotional catharsis.
Pound published a program in Poetry Magazine, claiming that "image" should be described as "a collection of rationality and sensibility displayed in an instant", and that "accurate image" can enable the suspect to find its "counterpart", which requires accurate observation, concrete and concise expression, no exaggeration, no generalities and simple words.
The theme is not limited. Metric liberation is a refutation of the stale and vague poetic style in Victorian England. Its characteristics of conciseness, poetic conciseness, concealment but susceptibility have had a great influence on the creation and criticism of modern European and American literature. However, the formality of its image in capacity and depth limits the expression of feelings.
origin
China had the theory of image long ago, and I ching said that "viewing things and taking images" and "setting images and taking images" long ago. The image in Zhouyi is a divinatory image, which is represented by two combined symbols of Yang and Yin. These two symbols are combined into sixty-four hexagrams, which were originally used to record the universe and its changing laws.
Later, it developed into the category of history and philosophy. Poetics borrowed and extended the principle of "setting an image to the best of its meaning", but the "image" in poetry is not a divinatory image, not an abstract symbol, but a concrete and sensible object image. "This ability to create images will always be the symbol of the poet.