Oracle Bone Inscriptions-shaped, like breathing and exhaling through the nose. Original meaning: number.
Three plus one. Fourth, the number of yin is also.
Four quarters. -Shuowen 1. Several names, three plus one (usually the capital "Si" on banknotes and certificates): ~ Fang.
~ side. ~ preface (that is, "Four Seasons").
~ body (a. refers to human limbs; B refers to four fonts: regular script, cursive script, official script and seal script). ~ library (synonymous with four parts of ancient books: classics, history, volumes and collections.
Also known as "four"). ~ Gentleman (a general term for plum, orchid, bamboo and chrysanthemum in Chinese painting).
2. The notation of China's ancient music score is equivalent to the bass "6" in the notation. Common phrases: four sides, four sides, four sides, four sides, four sides, four virtues, four truths, four sides, four corners, four corners, four treasuries, four books, four corners, four corners, four corners, four corners, four corners, four corners, four corners, four corners, four corners, four corners, four corners.
2. What are the four-character idioms in calligraphy works, such as total annihilation, snake in the pen, swallowtail butterfly with silkworm head, strong tendons and strength, iron-painted silver hook, fairy pearls, quiet and far-reaching, vivid charm, bold and unrestrained, straightforward and simple, unique, hearty and chic, natural and interesting, tight in the middle, elegant and elegant. Steep and sparse, thunderous, Rowen Tiger Shock, vigorous, vigorous, flexible and clumsy, round and smooth, full of bones and muscles, self-interested, wrong, moderate, beautiful and sparse, tight and steep, leaning on the side, elegant and handsome, forceful, vigorous and powerful, compact in structure, dancing while flying, charming in style.
China's calligraphy is an ancient art, which develops with the development of Chinese civilization. In the world, there are only a handful of nationalities with calligraphy art, and China's calligraphy has a long history.
Calligraphy, as an artistic creation, is deeply mysterious. From Oracle Bone Inscriptions, inscriptions on bronze to Da Zhuan, Xiao Zhuan and Li Shu, and then to the Eastern Han Dynasty and Wei and Jin Dynasties, cursive script, regular script and running script were basically shaped, and calligraphy always exuded the charm of ancient art.
Huifeng often refers to soft wind, which makes people feel warm and comfortable.
Dragon and phoenix dance originally described the grandeur of mountains, and later described the grandeur and agility of calligraphy.
The sweeping army described poetry and calligraphy as magnificent and full of charm.
A long snake used a brush to describe calligraphy as vivid and magnificent.
Silkworm head and phoenix tail describe calligraphy as dignified and light.
Abundant strength means that the font structure is solid and full, and the brushwork is strong.
Jiao Ruo Jing Long is often used to describe vigorous calligraphy or graceful dancing.
Through the back of the paper, calligraphy is described as vigorous and powerful, and the strokes simply penetrate the back of the paper.
The incisive description of calligraphy is very powerful. Now, many metaphors are profound.
Tie Hua Yin Gou describes the softness of calligraphy.
Fairy dewdrops describe calligraphy as elegant and mellow.
Powerful and vigorous to describe the strength and intensity of calligraphy.
3. Calligraphy four-character idioms, complete works of dragons and snakes at the bottom of the pen. Describe calligraphy as vivid and imposing.
Source: Xiao Xiaosheng of Ming Lanling's "Jin Ping Mei Hua Thorn" The thirty-first chapter: "Wen Gong is knowledgeable and knowledgeable, and the dragon snake at the bottom of the pen is really talented."
A long snake described calligraphy with a brush as vivid and magnificent.
Source: Tang Libai's "Cursive Song": "Always seeing dragons and snakes, the left side is shocked."
Silkworm head and phoenix tail describe calligraphy as dignified and light.
Source: Song Zhao's "Xuanhe Painting Spectrum Yan Zhenqing" "Only he is loyal to heaven and knows the world, so the spirit is seen in the table of calligraphy, which is unique and inclusive. ..... After the popularization of science, it is to seek the end of its shape, which is called the silkworm head dovetail, and it is just. "
Sink fast, firm and smooth, vigorous and hearty. Describe the fluency of poetry and calligraphy.
Source: The law book should be recorded. Volume one quotes an ancient cloud from Yang Xin's Who's Who: "The emperor of Wu is like grass, and the world calls it joy."
Calm, happy, strong and smooth, energetic and hearty. Describe the fluency of poetry and calligraphy.
Source: Song's Cang Shi Debate: "There are probably two things, saying that you don't want to travel far, you are calm and carefree."
Endless strength: fullness and fullness; Tendon: a ligament in a tendon or bone; Many: redundant. Calligraphy has bones and muscles, and its brushwork is vigorous. Metaphor font structure is solid and plump, and the brushwork is more than enough.
Source: Song Yiming's "Xuanhe Pu Shu": "At the beginning of the Three Kingdoms, the study of Chinese characters was lacking, so it became a family law. Commentators said that its strength was endless and it had the potential to travel in the rain."
Lu 'an Drifting Park: Go with the flow. Calligraphy originally described elegance and elegance, and later it was compared to the separation of husband and wife or the frustration of literati.
Source: Tang Hanyu's poem "Gashen Mountain": "Ke Dou's fist cover is upside down, the phoenix floats, and the tiger flies."
Phoenix dances, dragonfly describes calligraphy as powerful and flexible.
Source: "Biography of Heroes of Children" The tenth time: "Only this calligraphy can be written like this, which is really admirable."
Phoenix flies back to Hong Kong: fly high. Metaphor calligraphy strokes flying and stretching.
Source: Jin Fu on the Floating Clouds: "Luan Xiang, Hong Fei, whales catch the waves, thrush crocodiles run."
Ancient fat is barren now, which means different calligraphy styles.
Source: Tang Yuanyan's handwritten book Volume 2: "Impermanence is called ancient fat, and amethyst is called today's barren. Different from ancient times and modern times, fat and thin are the opposite. "
Crane knee and bee waist (1) This refers to two kinds of eight diseases of poetic temperament. Generally refers to the faults made in the melody of poetry. ② Two kinds of sick pens in calligraphy.
Source: Wei Songqing's "Poet Jade Scrap, Poetry Disease, Poetry Disease has Eight": "Three words are called bee waist, and two words cannot be synchronized with five words ... four words are called crane knees, and the fifth word cannot be synchronized with the fifteenth word."
Zhong You and Hu: Bell in the Three Kingdoms Period: Bell in the Three Kingdoms Period. Zhao Hu's fonts are thick, while Zhong You's fonts are thin. Describe the beauty of calligraphy.
Source: Zhang Tang Yan Yuan's "Fa Shu": "The Three Kingdoms are famous for creating running scripts, and Zhong You learns its methods. Hu Shu is fat and thin, and each has its own advantages."
A calligrapher who paints sand and ink, figuratively speaking, uses a pen.
Source: Liang Lun Shu: "Brush the sand like a cone and print the sand like mud."
Graffiti describes poor calligraphy or writing. Used as a word of modesty.
Source: Song Minglian's Time Series of Meeting Han Bo: "Grain Rain is insensitive and it is useless to teach. He responded with empty words, doodling every day and giving it every day. "