2009-02-02 1 1: 1 1
Du Fu's "Play is like six quatrains"
Ercao: pronoun, your generation, you.
Wang Yang, Luo Lu at that time, was thin and light.
Second, Cao's name is destroyed, and rivers will flow forever.
Note: ① Drama is drama. In fact, Du Fu's attitude in writing these six poems is very serious, and the discussion is also desirable. Six quatrains: six quatrains. ② Wang Luo:, Yang Jiong, Lu,. These four men were good at poetry and made contributions to the literary innovation in the early Tang Dynasty, and were called "four outstanding men in the early Tang Dynasty". Style: This refers to the style of poetry. Contemporary style: the style and genre of that era. E: Laugh. 3 Ercao: That generation refers to those frivolous people.
Translation of Original Poetry: Wang Yang and Luo Lu initiated a generation of poetic styles and schools, which were ridiculed by shallow critics. After everything in your generation turns to dust, it will never hurt the rushing river.
Analysis: The play is a six-line quatrain, which was written by Du Fu in response to some people's habit of respecting the past and ignoring the present, lofty and far-reaching in the literary world at that time. It embodies Du Fu's literary criticism view of opposing the good old and not the present. Some of these ideas, such as "Today's people should not be too thin", "Never lose one's identity", "Learn from others" and so on, still have reference significance today. This poem is the second of "Six Dramas". It not only clearly affirmed Wang Yang's literary contribution and position as "four outstanding figures in the early Tang Dynasty", but also warned those frivolous people not to laugh at Wang Yang, because their poems will be passed down through the ages and their historical position cannot be denied.
"Lu" and "Lu" are the highest achievements of their creation under the conditions of that time. After the life of your generation has all turned to dust, nothing will hurt the torrent flowing to the endless river.
Ercao pointed out: you people
For example: "The son of heaven values heroes, and the article teaches two Cao. Everything is worse, but reading is higher. "
The real intention of this poem is:
There are four outstanding figures in the history of literature, Yang Jiong, Lu and Luo, who are called Wang Luo in history. Their main activities were in the second half of the seventh century before the1980s. This is a group of talented young people, brilliant, high-spirited, and full of heroic spirit as soon as they appear; This is a group of short-lived poets, and the king with the shortest life is only 27 years old. This is another group of bad poets. Drowned, Lu drowned himself for a long time, and Wang Bin was killed. Although they are unlucky and have a hard life, they are determined to clean up the filth of the poetry world and eliminate Chen Xiangyin's court literature, demanding to write their own true feelings, portray a true self in poetry, and change the relationship between poetry and the times like oil flowers floating on the water, so that poetry is full of passion and vitality. Although their energy is limited, they take the lead and echo each other. After some rapid development, they finally prepared the necessary scenery and suitable atmosphere for the appearance of Tang poetry. The achievements of the four masters were limited, and they did not completely get rid of the influence of the elegant style of writing in the Southern Dynasties, so they were widely criticized by future generations. Du Fu is unfair to this. He once pointed out categorically: "Wang Yang and Luo Lu were thin and light at that time, and had no rest. Second, the name of the grass is destroyed, and the rivers are ruined forever!
During the Cultural Revolution, the last two sentences were often used by talented rebels to criticize their opponents. One is Japanese, the other is fluent, and the third is that it looks learned, so it is very popular. However, Du Fu's original intention is not political, but literary, and his purpose is to explore the theory of poetry creation.
Therefore, later generations also called these six poems "On Poetry".
Du Fu believes that the works of these four poets in the early Tang Dynasty are the products of that particular literary environment and can only appear in the early stage of such a social transformation. When studying these works in the ascendant, future generations must not be divorced from the background of the times, ignore the objective conditions, and laugh at their predecessors "for being frivolous."
Du Fu didn't arrange the word "Wang Luo", who comes first and who comes last, so it is estimated that he is not interested in this. Only those worthless, boring, petty, third-rate or fourth-rate literati who have mixed in some tricks but are uneasy about their status can weigh the weight before and after the ranking and the level of their seats, and then operate behind the scenes and stuff them into private goods. Du Fu's evaluation of Li Bai, "Bai Yi's poems are invincible", ended in one sentence. If you want to put it in the hands of this kind of goods, you must add, "slightly inferior to me." Therefore, every literary ranking is a villain's behavior.
Because, good and bad, there is no contrast, good and good, there is no contrast. Who is better, Li Bai or Du Fu? Which is better, the difficult road, the river, and the three? Yan Yu, a poet in the Song Dynasty, made it very clear in his Cang Shi Lang Dialect. "Children can't be too white and elegant, and too white can't be depressed for children. Taibai's Sleepwalking in Tianmu, Farewell, etc. The beauty of a child cannot be said; Zimei's "Northern Expedition", "Military Vehicle Shop" and "Farewell the Old and Welcome the New" are too white to do. " Therefore, those who try to be among the best in the rankings and come to Huang Er have their own private interests and ulterior motives.
Yang Lu Luo by Wang is probably the earliest literary bibliography in China.
Scholars are sensitive, but narrow-minded. Yang Jiong, the commander of Yingchuan, was very sour. According to Biography of Yang Jiong in Old Tang Dynasty: "Yang Jiong is as famous as Lu and Wang Luo in the world, and he is also known as the Four Masters. Hearing this, Tang said,' Shame on the Queen in front of Lu.' The people who discussed it at that time also agreed. Later, Cui Rong, Li Qiao and Zhang Shuo all attached great importance to the works of the Four Masters. Cui Rong said,' There is a little dust in Wang Bowen and Zhang Hongyi, which is very popular. If Tim and Zhao's neighbors can start businesses, Yingchuan will believe them. He said: Our literary thoughts are like a surging river, inexhaustible, superior to Lu and no less than Wang. Queen's shame, believe it; I am ashamed in front of Lu, and I am also very modest. " "
At that time, the literary world, like today, was faced with a transitional period in which the whole society was governed by chaos and prospered from decline. Song Qi's "Preface to the Biography of Literature and Art in the New Tang Dynasty" said: "The people of the Tang Dynasty lived in the world for three hundred years, and the articles changed three times without worry. Emperor Gaozu and Emperor Taizong, when the disaster started, faced the wind along the river and drew chapters in the sentence, which was low and high, so Wang (Bo) Yang (Jiong) was an uncle. " The beauty of Sui and Chen is out of date, and the great weather of the prosperous Tang Dynasty has not yet begun. At this time, Wang Luo, who took the lead in leading the trend, sang first and changed his style of writing, becoming a refreshing star, widely welcomed in the ruling and opposition parties, and sought after from top to bottom.
People become popular too fast, fame comes too easily, money comes too much, TV, newspapers, internet and media are exposed too much, and its superficial aspects, negative factors, dark psychology and despicable nature are also quickly highlighted.
Envy is an emotion that can incite hatred, and literary jealousy is a double-edged sword, which not only harms others, but also harms itself. Because a poet and a writer begin to feel that others are better than themselves, feel threatened, feel out of breath, feel that there are not many good days, and feel that they are going to quit the historical stage, the fire of jealousy will burn in their hearts. Whenever a writer's jealousy appears, it is also a time when his creation is weak. This is an iron law.
Dogs that bite, dogs that don't bark or bark, don't bite. The same is true of writers.
If this person is wise, sober, not old, not an asshole, or catching up, or sharpening his sword, or burying his head in hard work, or charging and refueling, this is the right way. However, once suffering from this literary pink eye, it is usually difficult to remain rational. Scratching one's ears and cheeks, I can't stop. I can't sit down and write poetry, and I can't settle down to write novels. So I seek means other than literature to achieve the purpose of literary propaganda.
There are many such thrilling descriptions in the Oscar-winning work "Biography of Mozart" filmed a few years ago. He was jealous and perverted, and he was stabbed instead of * * *. But what happened? Mozart is forever. What about court musicians? Who remembers?
According to Old Tang Book, this Yang Jiong was a child prodigy at the age of eleven. Looks like a child prodigy is not easy to be. Nine out of ten child prodigies will be killed by name. Premature success, excessive boasting and excessive self-feeling are actually a dose of poison, which has deceived him. So this prodigy is obsessed with pursuing fame, not artistic perfection. I only know that I envy other people's talents all day, but I don't know that I am getting worse.
Yang Jiong felt that the literary world was not enthusiastic about him at that time, ranking behind Wang Bo, which was a snub to him. A child prodigy is used to it, and something goes wrong. As long as no one is around him and singing praises to him, he can't live. Under the control of this morbid psychology, this gentleman actually made it himself and loved himself. For example, some people like to brag, feel sorry for themselves and be narcissistic in newspapers, on the Internet and on blogs. "Old Tang Book" said: "There are many people living in the house, and pavilions are all titles, and people from far and near laugh." At that time, if there were all kinds of media hype, it would have saved Yang Jiong so much trouble.
So he especially hated the king, and putting it in front of his name made him breathless. To tell the truth, the accomplishment of this public poem is the least original among the four outstanding poets. Although the rhetoric is gorgeous, the content is very poor. Because of poverty, I have to repeat myself wearily. Shen Deqian chose two of his five-character poems in Tang Poetry, but the meaning and technique are the same. Critics say he can't jump out of the legacy of Chen and Sui. In today's words, it's the same old story, no fresh breath, right?
I think he is probably tortured by this jealousy.
He wrote in the Book of Military Service: "Being a centurion is better than being a scholar." That means that even if you go to the army as a company commander, you won't write any more. This is probably the feeling of losing and fighting in the competition of literature, right? If you can't write anything, especially nothing good, it is futile to force people to admit that you are a poet, a writer, a great poet and a great writer. Even if Shangguan Waner, who was in charge of literature at that time, gave Wu Zetian a book and named him a seed writer, would readers buy it?
Yang Jiong, who became famous later, was really a little abnormal. As soon as he writes an article, he draws celebrities to accompany him. Zhang, a person from the Tang Dynasty, said in the Book of One Governance: "Yang Zhi is an article, so it can be used with the names of the ancients. For example, Zhang's brief conversation and Liu's notes show that Pan Anren should be modest, but he knows nothing about it. The number is' ghost book' ".
Now it is impossible to find out how his personality eager for fame was criticized. However, one thing is certain: those who are obsessed with their achievements, those who care about their fame, but can't write anything, or even if they have been cooking, they can't write anything that makes their eyes shine. It is really hard to compare famous people. Such literati will make trouble, make trouble, be confused and make jokes.
This used to be the case, and it is inevitable now.
Therefore, the word "at that time" in Du Fu's Contemporary Wang Luo clearly tells us that a writer and a poet can do, should do, do well and do badly in your long or short life. Do more or less? Is it worthwhile or meaningless? Leave time to judge, leave it to future generations to evaluate!
You have done everything you should and can, and it is enough to fulfill your responsibility of "keeping pace with the times". Then, it was a great pleasure to see that the waves behind the Yangtze River pushed the waves ahead, and I had an epiphany that "the son said Sichuan, and the deceased was like a husband."
These four men are the "four outstanding men in the early Tang Dynasty":, Yang Jiong, Lu,.
Poetry in early Tang Dynasty. Poetry in the early Tang Dynasty was still in the afterglow of Sui Chen's period. The poems of Li Shimin, Emperor Taizong and the literati around him are gorgeous and soft. Shangguan Tiqi was wrong and charming. Only a few people, such as Wei Zhi, Wang Ji and Wang Fanzhi, can get rid of this custom.
It was not until the four outstanding poets in the early Tang Dynasty that the content and form of poetry were developed. However, it still has not got rid of the influence of "adopting beauty and competing for differences" in the late Six Dynasties. It was Chen Ziang in Wuhou period who really expounded the influence of Chen Liang's poetic style. He advocated "Han Wei style", took retro as innovation, and resisted extravagant poetic style. Shen Quanqi, Song and four friends of the article (Li Qiao, Cui Rong, Su Weidao and Du Fu) have similarities with him in different genres. Most of their works are based on harmony and embellishment, but there are also some excellent works in their other poems. Especially Du Fu's poems. But their main contribution lies in the perfection of the law. Shen, Song and Du are called the founders of five-character poems and seven-character poems by later generations.
To tell the truth, Baidu searched this, not I wrote it myself. In fact, Baidu can find a lot of things, so there is no need to waste points here.