Poetry between man and nature

China ancient poets can vividly and perfectly describe nature with excellent language. There are paintings in poems and poems in paintings, which is a major feature of traditional art in China. Almost every poem describing nature in the book is landscape painting, flower-and-bird painting and genre painting, which makes us relaxed and happy. "There is moonlight in the pine forest and crystal stone in the stream" (Autumn Night in the Deep Mountains by Wang Wei) is a beautiful landscape sketch; "Wild birds have leisure when sleeping on the shore, and old trees have flowers without ugly branches" (Mei's Dongxi) is an elegant flower-and-bird freehand brushwork; "The city bridge is slippery and the village is covered with pods and manure" (Walking on the Waterway in Early Summer by Lu You) is a rural New Year picture. Moreover, their poems can go beyond the visual aesthetic experience provided by the picture: "Two orioles singing green willows and a row of egrets soaring into the sky" (Du Fu's quatrains) is an auditory aesthetic experience; "Far knowledge is not snow, but fragrance" (Plum Blossom by Wang Anshi) is the aesthetic experience of sense of smell.

China ancient poets transformed their emotions and personalities into nature, which not only wrote objective beauty, but also wrote rich souls and natural humanity. "The autumn wind is bleak and the waves are rough", which is the intense projection of the poet (Cao Cao's view of the sea); "Birds live in the mountains, but the water is quiet" (Chang Jian's "Zen after Broken Mountain Temple") is the poet's epiphany on self-nature; "Never tired of looking at each other, only Jingting Mountain" (Li Bai's "Sitting alone in Jingting Mountain") is the tacit understanding between the poet and Qingshan; "Frost birds steal their eyes and want to go down, butterflies know each other and break their souls" (Lin Bu's "Xiaomei in the Mountain Garden") is the contrast of the poet's lofty personality; "Spring tides bring rain late and rush, and no one crosses the boat in the wild" (Wei's Xixi Chuzhou), which is the poet's endless loneliness and disappointment.

The ancient people's understanding of the relationship between man and nature is very philosophical. As early as more than 2,000 years ago, China's Laozi had the idea of "Taoism is natural". From a philosophical point of view, "nature" not only refers to the non-artificial natural universe and its movement process, but also refers to the essence and nature of the universe itself and things in a speculative sense. In China culture, the harmony between man and nature is also called "harmony between man and nature", and the concept of "heaven" is very broad: the universe is the "heaven" of all things, men and women are the "heaven" of ethics, and body qi and blood are the "heaven" of self. A harmonious and beautiful ecology, a harmonious and friendly society and a harmonious and happy body and mind are all in a state of "harmony between man and nature". So I see how charming Castle Peak is. Besides a lot of landscape poems and frontier poems that praise nature, there are also pastoral poems and custom poems that praise returning to nature and warm people's hearts. Tao Yuanming yearns for the free life of farming and studying: "I have cultivated, planted and read my books when I was young." A poor lane is separated by a deep road, and it is quite difficult to carry an old friend's car "("Reading the Classic of Mountains and Seas ")" I will make wine when I am ripe. The weak child is playing on my side, and the learning language is not sound "("He Guo Master Book "). Meng Haoran and Lu You indulge in the pastoral scenery of "We open your window across the garden and talk about mulberry and hemp with cups in our hands" ("Passing by the Old People's Village") or "Xiao, Gu Suichun Club, simple clothes". Of course, "I am a madman of Chu people and sang a crazy song arguing with Confucius." Holding a green jade staff in my hand, I have crossed it. Since I was at the Yellow Crane Tower in the morning, "Crazy Song (Li Bai's" Lushan Ballad "sent a message to wait for an empty boat)", "I am a fool, but I am busy with public affairs, and I will rely on yat sen villa. Qian Shan is vast in sky and clear in the river "(Huang Tingjian's" Boarding Express Pavilion "), which is the indulgence and pleasure when the soul returns to itself.