The porch curtains are covered with swallows chirping, elegant paths are clear, and singers are happy.
Several stacks of springs sound like jade dew, and the golden autumn is full of geese.
The drunken butterfly chases the green horse, and the chrysanthemum lights up the Tong Mu Bai Niu.
I don't know where the farmer can escape, and it's hard to know the foothold of the West Building.
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Seven-character metrical poetry refers to seven-character and eight-sentence poetry, which conforms to the norms of metrical poetry. Referred to as "Seven Rhymes", it is a kind of metrical poem. Metric poetry belongs to the category of modern poetry, which is named because of its rigorous meter. The rise of seven-character poems is later than that of five-character poems. It originated in the Southern and Northern Dynasties, sprouted in the new style poems of Qi and Liang Dynasties, and was shaped between the early Tang Dynasty and the prosperous Tang Dynasty.
In the early Tang Dynasty, Shen Quanqi, Song, Du, Li Qiao and others began to write articles. In the prosperous Tang Dynasty, Wang Wei, Li Qi, Cen Can and Jia Zhi all made efforts to master the system, while Cui Hao and Li Bai still had mixed, semi-ancient and semi-French works. Although there are some masterpieces of Gao Hua Xiulang in the seven-character poems of this period, most of them belong to the content of giving and receiving, which is narrower than the five-character poems.
At the same time, in the prosperous Tang Dynasty, most of the seven laws of poets such as Li Bai, Wang Wei and Gao Shi were wrong, sticky and emphasized. It was not until Du Fu that the seven-character rhythmic poem showed its poetic potential and opened up the artistic world. Du Fu opened up the realm of metrical poetry in an all-round way, and current affairs, politics, life experiences, customs, cultural relics and historical sites were all integrated into strict metrical style, which raised the value of this poetic style to the level of being juxtaposed with ancient poems and quatrains.
From Du Fu to the Middle Tang Dynasty, the seven-character law system failed to innovate. Seven-character rhythmic poems in the late Tang Dynasty opened up a new situation. Wen, Li Shangyin, Du Mu and other Seven-Rhythm Masters not only trimmed the form of Seven-Rhythm Poems, but also reformed the rhythm of Seven-Rhythm Poems, pushing the art of Seven-Rhythm Poems to a new stage.
The lack of seven-character metrical poems in the Five Dynasties. The creation of the Seven Rhythms in Song Dynasty continued the innovative efforts of Du Fu and poets in the middle and late Tang Dynasty, and gradually took shape in the hands of "Jiangxi Poetry School", and embarked on a new road of emphasizing reason and interest and taking discussion as poetry, with many excellent works. After the Yuan, Ming and Qing Dynasties, the seven-character rhythmic poetry gradually declined.