The 27th episode of A Dream of Red Mansions, "Burying a Fragrant Tomb and Swallowing Tears", was improvised by Daiyu after she was turned away from Baoyu. "I happened to meet a flower, but I didn't let my ignorance out. It reminded me of the sadness in spring". A sad poem "Flower Burial" is sincere and shocking. No wonder Jia Baoyu "heard that the man who buried the flowers today was laughing. Who would know if he buried it?" "The phrase' once in spring, the beauty is old, and the flowers fall and people die' makes me feel afraid of falling from the hillside, and the fallen flowers in my arms are scattered all over the floor." Even Jia Shuben's comment on writing: "I read the Song of Burying Flowers again. After reading it at three or four o'clock, it was sad and sad, which made people forget their life experiences. I can't approve it if I start writing again. " Ming Yi, a contemporary of the author, said in a group of poems entitled A Dream of Red Mansions, "I feel sorry for a buried flower, but I don't know it", which shows the author's touch and admiration. Mourning poems can make the eavesdropper Baoyu "fall" on the hillside, make the annotator "raise the pen four times, but can't criticize", and make the latecomers "feel as if unaware". Its moving features are the word "love" and Daiyu's "whispering and choking".
The handkerchief poem was written after Lin Daiyu visited the flogged Baoyu, and Baoyu asked Qingwen to give her two old handkerchiefs. Daiyu's good intention is to "guess for a while and realize", so she thought for a while. I couldn't make love, so I ordered people to light lanterns. I couldn't remember the suspects and taboos, so I wrote them down with pen and ink. After writing three songs, I "feel hot all over and my face is hot", "but I don't know that the disease has started." Lin Daiyu, who has always been "caring at all times and being careful everywhere" in the Grand View Garden, can't remember that kind of suspicion and taboo, which shows that Lin's feelings can't control herself. After singing three songs, I found myself blushing when I was about to write it down. Lin's secular desires are condensed at the end of the pen, which is why "eyes are empty and tears are empty, who are you throwing at?" Cross-examination Lin Daiyu is writing a poem, and she is also disgusted. Poetry is the only way for her to vent her feelings. She "pined for the missing people in Iraq". Lin Daiyu is a poem, compared with a person's haggard. She is eulogizing with her life. Lin Daiyu's poetic activities are not conscious but spontaneous.
Rainy Night in Autumn Window is about when Lin Daiyu was ill. "Before sunset, the sky changed and it began to rain. Qiu Lin's "Pulse Meridian, Rain or shine", Lin Daiyu knew Baochai couldn't come, so she took a book casually under the lamp, but it was Yuefu Miscellanies, with words like Autumn funeral march and parting resentment on it. Daiyu couldn't help but feel something in her heart, so she wrote a poem "Farewell from generation to generation", which means the body of "Moonlit Night on the Spring River". " Autumn flowers are bleak and autumn grass is yellow, and Qiu Guang has a long autumn night; I feel that the autumn window is boundless, so it is as cool as wind and rain. ..... Luozhou can't resist the autumn wind, and the lingering sound makes the autumn rain urgent; Even at night, the pulse is blowing, and the lamp seems to be accompanied by tears. ..... I don't know when the storm will stop, but I have taught the window screen to be wet with tears. "This poem vividly expresses the feelings of parting between men and women through the description of the realistic scene in autumn scenery, Qiu Meng, especially the loneliness and sadness in the autumn window and the rainy night, which not only conforms to Lin Daiyu's mood and artistic conception, but also ensures the original flavor of Yuefu ancient poems. Hu Yinglin said in "Poems": "Poetry was not easy in ancient times. The author said five words, especially when he wrote ancient Yuefu. However, Yuefu is expensive, but it doesn't get its meaning. Although it is extremely copied, it will be copied in the end, and it is still a thousand miles without missing a word; If you get what you want, you can get it easily, and it is exactly what Zen says about enlightenment. "Lin Daiyu's Autumn Window is a masterpiece of ancient Yuefu. Lin Daiyu is a poet. She writes poems and lyrics to express her heart. "Autumn Window Storms" embodies Lin Daiyu's talent and wisdom, which is precisely her refined and lovely side.
Lin Daiyu's lyric poetry is closely related to Lin's life experience and situation. Lin Daiyu mourned her mother since she was a child, and later her father died. Living in her grandmother's house, she had to "pay attention step by step and always care", but she dared not "say one more word" or "take one more step". But her grandmother's family are all adults, and things are inevitably complicated. "The wind and sword force first frost", she is full of worries, joys and sorrows, and can only digest it by herself. It is rare to have a knowledgeable Baoyu. It happened that Mr. Bao's natural passion for love is good for all girls. Sister Lin, who was angry, was sad at the moon all day and cried at the flowers. The pain in her heart can only be vented through poems and songs, which leads to a large number of excellent poems in A Dream of Red Mansions. If you count, you will be surprised to find that there are so many poems by Lin Daiyu. Cao Xueqin's description of Lin Daiyu's temperament and character is almost a further sublimation of the characters through poetry.
Poems of Burying Flowers, Handkerchiefs, Autumn Rain Window, Poems of Five Beauties and Poems of Peach Blossoms are all written by Lin Daiyu alone, and there are other works that are suitable for the occasion. Moreover, every time the poetry club starts to write poems, Lin Daiyu actively strives for a share, and there are couplets, totaling 25 256 sentences (lines), 1659 words. Let's compare them. Poem of Burying Flowers * * 20 words 140, Rain in Autumn Window 34 words 238 words, Peach Blossom Walk 106 words 739 words, Three Four-character Poems (Handkerchief Poems) 12 words 84 words, and Seven Wonders 20 words.
Lin Daiyu's poems are not only numerous, but also of high quality. It can be said that it is Lin Daiyu's talent.
Affection, which makes her different from other sisters in the Grand View Garden, competes with Xue Baochai and forms a "double moisture"
The general pattern of mobility. Looking at Lin Daiyu's poems, she won people with her heart. In the forty-eighth chapter of A Dream of Red Mansions, Lin Daiyu said, "What's so difficult that it's worth learning? It's just a connection, in which there are two pairs of connections, flat voice relative, virtual to real, real to virtual. There is a strange saying that even the truth is wrong. " "At the end of the day or matter, the first is the idea that matters. If the meaning is true, just don't modify the text. This is called' no harm to the meaning of words'. " She said so and did so, and the chrysanthemum poem is an example. "Write more in the frost, and the mouth is fragrant to the moon." ("Ode to the Chrysanthemum") "Who is hiding when the lonely label is proud of the world?" ("Ask Chrysanthemum") "Picking leaves splashes a thousand points of ink, and there are several frost marks on flowers." Painting Chrysanthemum and Saving Flowers and Dyeing Frost are the original creations of Lin Daiyu. "Who is harmonious and who hides" and "The end is late" ask a chrysanthemum really speechless! "(Xiangyun dialect) has a unique taste, which is in line with the old saying: find another way. This group of poems, which originated from Tao Yuanming's poems and surpassed them, can be regarded as the top grade of Lin Daiyu's poems, and "Shang" is under consideration. No wonder Li Wan commented on her poems and said, "The topic is new, the poem is new, and the thought is updated." In addition, the forty-sixth time Baochai commented on her "five musts": "The meaning of life is novel and unique. Back in the 37th Grand View Garden, everyone commented that her poem Ode to Bai Hai Tang was "as kind as others". All this shows that Lin Daiyu's pursuit of poetry is "originality" and "true interest".
Lin Daiyu's poetic pursuit and practice show that she admires the poems of poets in the Han, Wei and Six Dynasties, the early Tang Dynasty and the prosperous Tang Dynasty, and there is a passage that can best reflect this. On the forty-eighth session, Xiangling said, "I only love Lu Fangweng's' heavy curtains don't roll for a long time, but ancient inkstones are slightly concave and gather more ink'. It's really interesting." Daiyu said, "I have never read such a poem. Because I don't know poetry, I love it when I see it. Once you enter this mode, you will never learn again. " Then she listed some poems of Wang Wei, Du Fu and Li Bai for Xiangling. "These three people have laid a good foundation in my stomach first, and then look at Tao Yuanming, Ying, Liu, Xie, Ruan, Yu, Bao and others." "In less than a year, I won't worry about being a poet." Although Daiyu used the word "concave" in these two poems in the seventy-sixth chapter, Daiyu herself did not like Lu You. This personal preference is also manifested in Daiyu's 40th visit to the Grand View Garden with others. Baoyu advocated pulling out the broken lotus leaves in the pool. "I don't like Li Yishan's poems the most," said Daiyu. "I only like his sentence:' Residual lotus listens to the rain'." Don't keep the residual load. "It shows that Daiyu obviously doesn't like Li Shangyin, a poet in the late Tang Dynasty. In the thirty-eighth chapter of Lin Daiyu's "Chanting Chrysanthemum", "After Ling Tao commented on the chapter, Changfeng talked about today". These two poems are a compliment to Chrysanthemum, a compliment to Tao Yuanming's moral integrity, and an expression of her love and hate. The style of Autumn Window in Rain imitates that of Moonlit Night on a Spring River, which shows Lin Daiyu's appreciation of the poet Zhang. The above list shows that Lin Daiyu agrees with the view that "poetry must flourish in the Tang Dynasty" and denies poetry in the late Tang Dynasty and beyond.