Judging from the rating given by Douban to the domestic dramas being broadcast, it is obvious that some of them have reached the passing line. Zhao Baogang, the father of youth drama, scored only 4.6 points in "Escort Youth Fight"; Romance of the Gods, a remake of many old dramas, can be said to have subverted the classic original, and only got a score of 3.6. Unfortunately, this big production. The drama I want to vomit here is the urban sadistic injury drama "If I can love like this" with a slightly higher score of only 5.4.
This TV series is based on Chihiro Chihiro's novel of the same name, starring three online celebrity actors, Liu Shishi, David and Jianfeng Bao. It mainly tells the love and hate between the radio host Bai Kaul (Liu Shishi), the talented and famous pianist Geng Mochi (David) and the ruthless and overbearing president Qi Shuli (Jianfeng Bao).
Aside from the plot, in fact, the actors' acting skills are quite good, and they have maintained a consistent standard to a great extent. Liu Shishi, Jianfeng Bao and Yang Yitong have to be mentioned here. Liu Shishi's acting skills have been criticized by many people, who think that she is always dull, paralyzed and expressionless. In this play, not only does the original sound appear, but the audience can also see her different side, sometimes naughty and funny, sometimes domineering and sometimes sad;
Jianfeng Bao, who challenged the overbearing president for the first time, became the movie's viewing guarantee. His tall and handsome appearance, handsome face, but a fiery heart under the cold appearance often bring nonsense black humor to the audience.
Milan, the best friend played by Yang Yitong, is also a high-quality supporting role, and successfully performed a transformation from positive to negative.
Although these leading actors have exhausted their acting skills, they can't escape the fate of being spit out and abandoned by many audiences. There is a simple reason. The script itself has three irreversible injuries. It can be said that the writer's blame is the fundamental reason for the decline in the reputation and score of this play.
Bai Kaur's husband Qi Shujie and Geng Mochi's wife Ye Sha had an affair and committed suicide together. Bai Kaul and Geng Mochi are both two people who suffered from betrayal and great harm from their lovers, but they fell in love without much sadness. How can two people in such an awkward relationship be relaxed together without any scruples? Qi Shuli is Qi Shu Jie's elder brother, that is, Bai Kaul's elder brother, but he happened to have different feelings for his younger brother's widow, and also competed with Geng Mochi for Bai Kaul. The relationship between these three protagonists is really tangled and complicated, and it is really unreasonable to arrange emotional lines on these people with different relationships.
Then there is Xiao Jing, who is obviously Qi Shuli and Qi's sister, but was quietly sent away by Qi's mother. It is almost impossible that the world is so big and the population is so large, but it happened that a circle turned out to be the sister of rival Geng Mochi. It happened that the author became inevitable here.
The audience is not stupid. Why is the relationship between people so hard? The operation of this wave of character lines is really the core point of tucao.
After the story is finalized and the characters are arranged, why spit out the story? Abuse for the sake of abuse is really disgusting!
It is not enough for Qi and Ye Sha to be unfaithful in marriage. They have to endure depression, mental breakdown and the collapse of their inner defense lines and embark on the road of suicide.
The hostess and KINOMOTO SAKURA and Milan are such good girlfriends. They share weal and woe and are unfair to each other. They want to escape from the fire, from the theft, and from their girlfriends. They just hacked Milan, a high-quality female companion. Can't they be positive?
The two were also full of slots, and Geng Mochi had a heart attack. Qi Shuli was finally found dead of liver cancer, so she gave her heart to Geng Mochi and saved him. Finally, two men became one person to take care of this woman.
A drama must gather so much negative energy, no wonder it is called a sadomasochistic drama, and it can hardly find positive energy. The screenwriter used all the abuse, but there was no worst abuse, but the audience had long since stopped buying the routine of sad Korean dramas more than ten years ago.
Criticism of the protagonist's shallow and destructive views on human creation mainly focuses on Bai Kaur and Geng Mochi.
To put it mildly, Bai Kaul is a man who dares to love and hate. In fact, she is a narcissist or even a deviant at heart. Two men just think she is a silly girl and love her too much. No wonder Milan, which took the initiative to fight in vain, will be hacked. It is estimated that the audience will be outraged.
Bai Kaul is a well-known female anchor of provincial radio station, and she also shines in the workplace. Such a person with strong working ability knows nothing about the depression suffered by her bedside person for more than ten years, knows nothing about her husband's assets, and doesn't know where her real estate license is. She can sneak into Geng Mochi's apartment to steal flowers, throw shoes at the guests at the music conference in full view, and take away Qi Shuli's important business phone at will.
For an ordinary person, all legal knowledge, moral accomplishment and basic work quality should be possessed, but in a well-known female anchor like Bai Kaul, these are all gone. It can be said that the integrity is broken all over the place, which is completely out of line with this identity.
Geng Mochi is a famous pianist, and his talent is self-evident, but why is he so impulsive, brainless and heartless? The way to solve things is not to think calmly and rationally, but to use violent fists and swear; Especially at the wedding, reading the divorce statement in public in front of everyone and without the knowledge of the parties is really excessive and completely destroys his calmness and cultivation as a pianist.
These two people are so shallow that many things they do can be called destroying the three views. However, Qi Shuli's practice is very consistent with his wily and overbearing president.
The above three hardcore monsters really shouldn't blame the actors for their poor acting skills. In fact, they are all caused by screenwriters. The success of any drama is not casual. The script, actors, culture, music and post-production are all made by the concerted efforts of Qi Xin. The script can be said to be the basis of a play, and a good script is half the battle. If the script itself has a lot of criticisms, then no matter how hard you try in the later period, you can't reach the other side of success. Just like building a house, the foundation is not firm. How can you resist its lateness?