horsetail
Author: Yuan Mei
Don't sing the song of everlasting regret, the world also has its own galaxy.
In Shihao Village, the husband and wife say goodbye and shed more tears than in the Palace of Eternal Life.
Ma Wei is a seven-character quatrain written by Yuan Mei, a poet in Qing Dynasty. This poem examines the love tragedy of Tang Xuanzong and Yang Guifei in the tragic experience of ordinary people, emphasizing that the suffering of ordinary people is far from comparable to that of Guifei. The first two sentences show the poet's deep sympathy for the suffering of the lower classes; The last two sentences reveal the reality that various misfortunes in society force many couples not to reunite.
This poem was written in the 17th year of Qing Qianlong (1752). On the way to work in Shaanxi, the author also wrote three other works of the same name. In the 14th year of Tang Tianbao (765), An Shi Rebellion occurred. When Emperor Xuanzong fled from Chang 'an, Kyoto, to Sichuan and passed through Majipo, the imperial army mutinied and killed Prime Minister Yang, forcing Emperor Xuanzong to order Yang Guifei to hang himself.
Poets of past dynasties have many questions about this historical event. The most famous is Bai Juyi's narrative poem "Song of Eternal Sorrow". Poets cherish the memory of history, naturally think of "Song of Eternal Sorrow", create this poem, and express their feelings.
Yuan Mei (17 18-1798) was born in Qiantang, Zhejiang Province (now Hangzhou), whose real name was Jianzhai. Jishi Shu, a scholar in Qianlong four years (1739), was awarded to the academician courtyard. Later, Jiangpu, Muyang, Jiangning and other counties all knew. He resigned at the age of forty and settled in Jiangning (now Nanjing). He built a garden on Xiaocang Mountain, specializing in poetry and writing.
He is one of the important poets between Gan and Jia. Poetry advocates expressing temperament and creative spirit. Dissatisfied with Confucian "poetry teaching", some poems attack Confucianism in Han Dynasty and Neo-Confucianism in Zhu Cheng, claiming that "the six classics are all dross" (accidental works); Most of the works express their leisure and leisure. Works, Bell's Ci and Fu Pride. He is the author of Fang Shan's Poems in Kokura and Poems in Suiyuan.