2. blazing: singing.
3. The old man in Tu Youyou's courtship: It refers to the merchants of Lu (namely Lv Wang and Jiang Taigong). "The Warring States Policy Qin Ce III": "I (Fan Ju) heard about it, and Lu Shang met Ye, and he was a fisherman and won't be heard." Qin Ce V: "King Taigong, Zhu Zhifu, Qi Qi, abandoned the slaughter".
4. Economy: "Book of Changes Tungua": "The gentleman helps the economy". Economy is governing the country.
5.3600 Fishing: It means that Lu Shang has been fishing by the Weihe River for ten years, * * * 3600 days. Appearance: demeanor and strategy.
6. Great Sage: refers to Lu merchants. I ching and ge gua (ninth five-year plan): "great men and making up" means that great men's behavior is unpredictable and their sudden success is very unexpected.
7. Levin drinkers: Western Han people eat their food. "Historical Records Biography of Lu Jia": "Those who eat the living, Chen stays in Lai. They love reading, and their families are poor and have no worries about food and clothing. But the virtuous men in the county dare not fight, and they are all crazy in the county ... Pei Gong went to Levin to preach. Then I won't worship for a long time. " Li Sheng once called himself a drinker in Levin. Long Zhun: High nose. Long Zhun Gong: Liu Bang. "Historical Records Gaozu": "Gaozu is a man, and the dragon is quasi-dragon." Trend of the wind: rush to meet him like the wind. Biography of Lu Jia in Historical Records: Chu.
8. Vortex: Grass floating in the air. Crazy: refers to the wolf eating it.
9. Climbing the Dragon: The History of Emperor Guangwu of the Later Han Dynasty: Geng Chun said to Liu Xiu: "The scholar-officials in the world fought with Wang Nan in the north, originally hoping to climb the Dragon Forest and attach a phoenix wing to achieve fame." Later generations used climbing a dragon and attaching a phoenix as a metaphor for the emperor's career.
10. Lei Gong: the legendary Thor. Bang Bang: It's very loud.
1 1. Throwing a pot at the emperor's side: "The Legend of Dongye" contains: Dong Chang plays a pot-throwing game with a jade girl, and every time he misses, the sky laughs. When the sky laughs, filariasis glows, which is lightning. At three o'clock, it's morning, noon and evening. Blink: Lightning flashes ..
12. Success: Tianmen in myth. Succession: Tianmen Shoujiang. "Li Sao" "I ordered the emperor to switch, lean on it and look at it." These two sentences refer to Tang Xuanzong's fatuity and disloyalty, which made talents serve the country.
13. Qi has nothing to worry about: "Liezi Tian Rui": "Some people in Qi are worried about the collapse of the world and send them to sleep and eat." The second sentence means that the emperor didn't understand me and thought I was worrying too much. This is self-mockery.
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16. Two words from a wise man: A wise man can endure temporary setbacks, but a fool is only arrogant. Secular people look down on me.
17. Li Pai's second sentence: Spring and Autumn Volume II "Advice" Download: There are three warriors, Gong, Tian Kaijiang and Gu Yezi, all of whom can fight tigers, but they don't know manners. Prime Minister Yan Ying suggested that Qi Jinggong get rid of them. He suggested that Gong Jing share two peaches to reward those who made meritorious deeds. So the three warriors fought for merit, and then committed suicide with humiliation. Zhuge Liang. Quot Walking out of the gate, I looked at the dark alley. There are three graves in the alley, about the same number. Whose grave is this? Tian yezi He can paddle the South Mountain by strength and learn from the Jedi. Once slandered, two peaches kill three scholars. Who can do this? Li Bai used this allusion to satirize Li Yong, Pei Dunfu and other ministers who were framed by Prime Minister Li at that time.
18. Wu Chu's sentence: During Emperor Jing of Han Dynasty, seven princes, including Wu Chu, rebelled against the Han Dynasty. Jingdi sent Zhou Yafu, a general, to lead a crusade. When he met Meng in Henan, he said happily: It is useless to fight against Han, and it is doomed to failure.
19. Zhang Gong refers to Zhang Hua in the Western Jin Dynasty. According to the biography of Zhang Hua in the Book of Jin, the magistrate of Fengcheng (now Fengcheng, Jiangxi) in the Western Jin Dynasty got a double sword, that is, the famous Gu Jian soldier Lei gave it to Zhang Hua and left it there. Later Zhang Hua was killed and lost. After Lei Huan's death, his son Lei Hua.
20. the feeling of the storm: that is, the meeting of the storm. The ancients thought that the cloud followed the dragon and the wind followed the tiger, and often described the storm as a great achievement. Adults: talented people. * Yan Ni: Uneasy. This refers to temporary difficulties.
This poem may have been written by Li Bai when he left Chang 'an in the third year (744). Through Lu Shang, Li Shiqi and some myths and legends, the author expresses his frustration and his desire to become a wise king's bosom friend. The whole poem is full of ups and downs, changing like a dream, dripping with sadness. Ge's "Autumn Rhyme" Volume 11: "The first word is to catch a lover. The meaning is clear, but the paragraph is vague. Zeng Guofan's Reading Record of Seeking Quezhai: "Taibai Poetry Donation International Conference". Wu Sheng's "Model Poems of Ancient and Modern Times" Volume 9: "Magnificent and handsome, the so-called radiant person in the Han Palace is also a metaphor, so it is scattered and deep." Some critics also think that "the writing is unstable and dense" and "the meaning of words is chaotic". "
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Song of Fu Liang is a folk tune used as an ode in ancient times, with a sad tone. The old saying is no longer passed down today. Among the Yuefu poems of Song and Guo Maoqian, there is a poem written by Zhuge Liang, which describes the story of "two peaches killing three scholars" in the Spring and Autumn Period. By mourning the dead, he condemned the slanderer's plot to hurt the good. Li Bai also has this poem, "It costs two to force the three strong men in Nanshan to kill each other."
The first two sentences: "When will I see Yangchun?" "Long whistle" is a more harsh emotional expression than singing. This poem comes straight to the point, which shows that the poet is in a very uneasy mood at this time and sets the emotional tone for the whole poem. There is a saying in Song Yu's Nine Arguments that "I am afraid of death but don't see Yangchun", so "seeing Yangchun" means being reused from burial and showing my ambition from depression. The following poem
Then put forward two historical stories with two groups of "I didn't see you". One is that Lv Wang (that is, Jiang Taigong) in the Western Zhou Dynasty buried people for a long time. At the age of 50, he worked as a peddler, at the age of 70, he worked as a butcher, and at the age of 80, he fished for ten years on the bank of Wei River (once a day, three thousand six hundred years), and then he met King Wen, which showed his lifelong ambition. The other is the end of Qin dynasty. However, the Confucian scholar who claimed that "wine is in Levin" not only changed Liu Bang's attitude with eloquent eloquence, but also persuaded the King of Qi to lead 72 cities to the Han Dynasty and became a man of the hour in the struggle between Chu and Han. By quoting these two historical stories, the poet actually conveyed his ideal and ambition: "The Great Sage Tiger became stupid, which was quite normal in those days", "The fanatic is still down and out, let alone a hero".
Since the sentence "I want to climb the dragon to meet the Lord", the poet has suddenly fallen into pain from optimism. In addition, he changed it to rhyme, and his tone was angry and urgent, which made people feel like a sudden storm. This passage is very similar to Qu Yuan's Li Sao. The poet puts himself in a dreamy and changeable mythical realm and reflects his real life by describing strange experiences. The dragon attached to Yao Jiao came to the sky. However, the fierce Lei Gong beat gongs and drums and threatened him with deafening drums. The "democratic leader" he wants to inquire about only cares about a female pet of the same class who plays pot-throwing games. When they were laughing happily, the sky flashed with dazzling lightning, making the world dark and stormy. Nevertheless, the poet was desperate to knock on his forehead and risked his life to inquire. Unexpectedly, he was angered. The poet's feelings are so strong, just like the mighty river suddenly entering the canyon rapids from the wide riverbed, swirling and rushing, unstoppable. The poet's experience in heaven is actually his experience in real life. With the help of imaginary mythical realm, he poured out his anger and injustice in his chest.
The following sentence 12 is another paragraph, in which the poet expresses his inner worries and pains through various allusions, either explicitly or implicitly, and lashes out at the unreasonable phenomenon in real life: the emperor can't observe my sincerity to the country, but instead calls me "alarmist". Are traitors like evil beasts? Gritting one's teeth hurts people, but the poet's ideal is to govern the world with benevolence. He is confident that he has enough talent and courage to rectify Gan Kun, just like the ancient warriors caught flies with their left hands and beat tigers with their right hands. Although he is in danger, he still doesn't feel bitter. His poem seemed to fall down, but it fell down heavily at once. In real life, only mediocre people can hold their heads high, and truly talented people can only put them away. The world regards me as light as a feather. In the ancient state of Qi, three valiant warriors were killed by Guo Xiang Yanzi, which shows that talents are often suspected. It is really unimaginable that the country abandons talents like drama Meng. The remarkable feature of this passage is that the arrangement of sentences breaks through the convention. If the meaning is required to be coherent, then after the words "flying hand in hand", it should be followed by the words "Li Painan Mountain" and the words "Wu Chu makes soldiers" should be written. However, the poet deliberately arranged them up and down to avoid straightforward narration. The poet's surging emotional torrent has become a circuitous trend, especially in sturm und drang. The tone and rhythm of this paragraph have also experienced ups and downs with the development of feelings, suddenly rushing and slowing, suddenly stretching, suddenly calming down and suddenly changing.
"Fu Liang's voice is sad" at the beginning of the last paragraph directly echoes the first two sentences, with a painful and sad tone. Suddenly, the poet took a new turn, and the four sentences behind "Zhang Gong and Two Dragons" still answered the question "When will I see Yangchun" with confidence. The poet is convinced that just like the two swords of Lieutenant and Mo Xie won't be dusty for a long time, I am with the "Democratic Lord", so just wait for the day when the storm comes. Although frustrated poets are immersed in confusion and pain, they are still comforting themselves in various ways and never give up their pursuit of ideals.
The most taboo in writing long storytelling is dullness and dullness. The greatest artistic feature of this poem lies in its peculiar and unpredictable layout. It uses allusions throughout, but its expressions change with time. The two stories of Lv Wang and Li Shiqi are positive descriptions, which play the role of "taking history as a mirror", and then rely on various fairy tales to entrust their own suffering. In the third paragraph, several unrelated allusions are intertwined, as Shen Deqian of A Qing Dynasty said. Sometimes words are simple and profound, sometimes vague and unfathomable. Coupled with the constant fluctuation of language rhythm, the poet's strong and complicated thoughts and feelings are vividly expressed.