The first question:
Educational content:
Point 1: No matter what occupation you are engaged in, you must be determined and not afraid of hardship.
Point 2: Pursuit, persistence, diligence and no slack.
Education mode:
Point one: artistry, admonishing children with poetry, not boring preaching.
The second point: visualization, taking selling cakes as an example to inspire children.
The second question: (omitted)
Zhang Lei (1054-114), a native of Huaiyin, Chuzhou (now Qingjiang, Jiangsu), was a native of Qiaoxian County, Bozhou, and a scholar of Shen Zongxi Ning, a poet in the Northern Song Dynasty. He has always been the chief writer and author of Linhuai. Living late, together with Huang Tingjian, Qin Guan and Chao, they are also called "four sons of Su Men". His works include 50 volumes of Keshan Collection, Shi 12 volumes, Continued Shi 1 volume, Wan Qiu Ji, Keshan Poems and so on.
Zhang Lei's poetic ideal advocates the natural aesthetic thought of "being formed by mouth" and "being beautiful without carving", which is the embodiment of the concept of "natural inaction" advocated by Taoist philosophy in Poetics. The natural aesthetics in Song Dynasty emphasized the naturalness of the mind and advocated the free expression of thoughts and feelings. In artistic creation, as an ideal style, "plain nature" has been established and formed theoretical consciousness, which affects Zhang Lei's poetic ideal and embodies the indifferent and sincere "nature" characteristics. This concept is distributed and permeated in all levels of Zhang Lei's poetic thought. Zhang Lei's poetic ideal of "nature" had a far-reaching influence on the poetic thought and aesthetic thought of the Southern Song Dynasty, and it was developed in practice and theory.
Zhang Lei's poetry creation has made remarkable achievements. Wang Zao said that his poems are "poor in system and bright in syllables, and those who learn from the public in the future cannot be compared" (Keshan Zhang Wenqian Collection). "History of Song Dynasty" also said that in his later years, his poetic style was plain and simple, his Yuefu effect was simple, and his poems were widely used, which reflected the life of the lower classes at that time in many poems.
Zhang Lei's poems are characterized by simplicity, beauty and vividness, and seldom use blunt language. Su Shi praised him for his "vigorous charm and dense density" (Volume 5 of Old News of Quyi), and Chao also said that "Jun's poems are easy to surprise and suddenly seem to open" (after the Book of Songs, Postscript). His poems like to learn from the Tang people, and there are many imitations of Du Fu in the collection. Lv Benzhong's Poems of Monks for Children said: "The poems written by Qian Wen are natural and unique, which can't be achieved by others, such as" The sky is beyond the trees in autumn ","The guest lights are blue against the wall, and the corners of the city are frosty ","The shallow mountains are full of water, and the dry days are white ","It rains at midnight in Sichuan dock, and it is cold in autumn "and so on.
However, Zhang Lei's poems put too much emphasis on "doing whatever one wants", so some of his works are rough and straightforward. Zhu Zeng criticized that "his poems have many good backgrounds, but they are quite frank". He said that "it is beneficial and excellent to write only one poem, emphasizing meaning and words" (Yu Saito Subclass, volume 140).