How do you understand Yu Xiuhua's poetic aesthetics?

Yu Xiuhua's poems, like Van Gogh's poems, can reflect the splendor of the sunflower of life, like the haystack in the wasteland written by Monet, which shines brightly in different mornings and evenings in four seasons. Judging from the characteristics of his poems, the painful gaze seems to be the source of his poems. Maybe for her, life doesn't need to return, because her poems represent the true colors of life.

First of all, the characteristic of pain becomes beauty.

Yu Xiuhua writes with his left hand pressing his right hand, and every word in the poem is permeated with pain. She can't stand her body. She always swings and leans. Her voice is not gorgeous, but it is more beautiful than gorgeous, even like crying. It is this kind of pain that brings her the beauty of poetry. Her eyes not only explore the inner world, but also look at the outside world. I hope that through the long journey of poetry, I can end the suffering and endless loneliness of my soul. Her poems were written in a state of inner pain and contradiction. Characterized by symbolic aesthetics. The poet hinted at the subtle world inside with various images. Material images are expressed in her channels of suggestion, contrast, rendering and association. In the description of poetry, she is always in winter, although poetry often takes her to the road of spring. Her cloud-like years may collapse at any time, and her dew-like heart can only be in a daze under the breeze. She is a grass that has been dazed in the wind for a long time, twisting her body occasionally. She is also a ship with a leaky bottom on the deserted shore, which is both wood and water. Her pain is covered up, buried and exposed naked, as vast as the earth, and she is pleasing the world with pain. Love is like a snow in her heart, because it is too white and close to spring, so she holds the snow in her heart again and again, longing for the next heavy snow. For her, love is not a poem, but more like a heart of fear, or love is just passing by, like autumn wind walking around the yard and passing by.

Secondly, the wilderness village is full of poetic background.

Yu Xiuhua's poems have their own unique scenery. Riverside, yard, threshing floor, orchard, wheat field, etc. have all become the scenery she pursues. Love in poetry, she hides herself and exposes herself. Her life track is monotonous and poor, and the environment is simple and closed, but she has created a grand and rich poetic background with nature as the background. She put her thoughts under this background and devoted herself to casting the art of poetry. In a limited space, get the freedom of mind and create your own paradise.

Third, the contradiction between fullness and lack of poetic heart

Yu Xiuhua's creative enthusiasm and inspiration are abundant. She loves the romance that she can't cry. Yu Xiuhua's most valuable thing is that her understanding and expression of poetry is straightforward. Her view on poetry: all the confession about poetry is redundant and is my deepest need. The poet Liu Nian once commented that everyone else was dressed neatly, painted with powder and sprayed with perfume, and there was no sweat in black and white, while she was smoky and confused, and there was obvious blood between her words. Her poems are not whitewashed, not carved, not a living room full of gorgeous decorations, but as simple as the faint lights in the village at midnight. Her poetry represents the development of new poetry, and it is also a scarce product of an era.