In fact, his famous sentences basically do not need to be classified.
There are only two characteristics:
1 Sorrow for yourself and the country
2 Heroic atmosphere
Qu Yuan's Famous Sentences (Typical Interpretation)
0 1, the bird flies home, and the fox will die first. From Qu Yuan's "Nine Chapters of Mourning", in 278 BC, General Qin attacked Ying, the capital of Chu, and poets wrote poems to mourn. These two poems are convenient for mourning and show nostalgia for the old country. Birds looking for a place to live in their hometown, even dead foxes facing caves, are the embodiment of the poet himself.
02. Drinking Mulan in the morning reveals water, and drinking Qiuju in the evening reveals British autumn. Qu Yuan's Li Sao. "Luolu" and "Luoying" are noble and fragrant things. The poet said that eating them is spiritual and has nothing to do with the literal meaning. This sentence is exquisite in image and ethereal in realm, which makes people feel clear.
03. Don't be sad, don't be sad, be apart, be happy, be happy, and be new to each other. This is about the sadness of lovers after parting. The first sentence is about the sadness in reality, and the second sentence is about the infinite attachment in the aftertaste. Although it is true, it is also wonderful to sing and sigh.
04, the world is turbid, I am alone, everyone is drunk, and I wake up alone. Qu yuan's fisherman. These two poems not only reflect the poet's unusual personality, but also reveal the reasons why he was devastated. In the poet's view, the world he lives in is at best a den of evil people and practices, a place full of drunkards. Poet, anger and desolation reveal infinite loneliness.
The characteristics of Qu Yuan's poetry creation;
05. Many women are jealous of Yu's beauty and say that Yu is a good prostitute.
The literal translation of this sentence "My daughters are jealous of my beauty, and they say I am good at adultery" and the implication that "all traitors framed Qu Yuan" is hard to express in a poem.
They are jealous of the beautiful woman and spread rumors that she is dissolute. That would be great.
Qu Yuan's works express strong and tragic feelings with unrestrained writing style. Han Confucianism once said that Li Sao and Xiaoya in The Book of Songs are both works of no pain. Yuan Hongdao, a poet in the Ming Dynasty, refuted in Xu Xiaoxiu's poems that Li Sao was "extremely angry" and "bitterly criticized" his henchmen and the king of Chu, and "was content with the so-called resentment without harming others." It is pointed out that "vigorous, steep and exposed" is the characteristic of "Chu style" His opinion is obviously correct. Moreover, Qu Yuan's praise of his personality is spontaneous and true. Sing the love of the gods, passionate and incisive; Celebrating the sacrifice of martyrs is passionate, generous and tragic. In a word, compared with the restrained and gentle emotional expression in The Book of Songs, Qu Yuan's creation shows emotional liberation to a certain extent, thus creating a brand-new poetic style full of vitality and strong appeal. Due to the need of this kind of emotional expression, Qu Yuan can't be satisfied with plain writing techniques, but borrows a lot of mythological materials from Chu and uses absurd fantasies to greatly expand the realm of poetry and show magnificent features. This opened up a new path for the creation of China's classical poetry. Poets with strong personality and emotion in later generations, such as Li Bai and Li He, were greatly inspired.
Qu Yuan is a poet who loves beauty. He does not deny the beauty of all kinds of art with a narrow utilitarian view. In "Nine Songs" and "Evocation of Soul", there are warm scenes of music, songs and dances and the feelings caused by them everywhere. In Qu Yuan's works, it is a beautiful scene of "forcing prostitution to entertain people, and the viewer forgets to return". Similarly, his poems also like a lot of colorful words. He also developed the figurative techniques in The Book of Songs, endowing plants, fish, insects, birds and animals, Yun Ni and other natural things with human will and life, so as to pin their thoughts and feelings and increase the aesthetic feeling of poetry. Generally speaking, the schools of literary beauty in China ancient literature can be traced back to Qu Yuan.
In the form of poetry, Qu Yuan broke the short and pithy system of The Book of Songs, and created a "Sao-style poem" with long or short sentence patterns, grand length and rich and complicated connotations, which is also of great significance.
In a word, Chu Ci, which was initiated by Qu Yuan, together with The Book of Songs, constitutes the two major sources of China's poetry and even the whole China literature, and has exerted an infinite influence on later literature. However, due to the development of the times and the cultural differences between the north and the south, the Songs of the South has made remarkable progress compared with the Book of Songs. Therefore, its influence on later literature is more on the Book of Songs.