Poetry transfer

In traditional literary theory, literary interest is authoritatively defined as "language art" that reflects social life with images. However, in poetry creation, many "images" have actually broken away from the shackles of objective forms and merged into the author's subjective ideas or emotional contents, and even used these subjective contents to transform, deform and recast objective events; Whether in China's ancient poems or in the new poems after the stylistic revolution, this image, which is subjective and objective, has both form and spirit, and is intertwined with thoughts and emotions, is the main carrier of poetic thoughts and the most prominent unit of poetic expression. Many poems are easily forgotten by people, but the image they create may linger in people's minds for a long time, always surprising, inspiring and sighing. This is also a unique form of poetic charm. It is a modern poetic pursuit for modern poets in China to pay attention to image expression, which also determines that the image of China's modern poetry is closely related to the influence of modernist poetry. China advocates images in modern poetry, which is the first result of encouraging imagination. In the history of world literature, romanticism has made great contributions to mobilizing people's imagination. At least in this respect, symbolists are followers of romanticism, and the resulting modernism often attaches great importance to the development of creators' imagination. No modernism is not the result of the wonderful development of modern imagination, so no modernist works are not won by generate's amazing imagination. In concrete works, the poetic factors that embody this imagination cannot be objective and ready-made images, but only images that condense the poet's subjective thoughts. French symbolist poet Baudelaire said, "Imagination is the queen of truth". Imagination here not only creates "analogy and metaphor", that is, it not only introduces the objective world, but also "creates a new world and produces a fresh feeling", that is, it leads to subjective images. Li Jinfa, a symbolist poet in China, pointed out more directly that beauty is completely in imagination and depends entirely on the creation of imagination: "There is no great beauty in reality, but beauty is included in imagination, symbol and abstract scrutiny." The way to get the beauty of this imagination is to create images, so "the need of poetry is images (images, symbols), which is the need of human blood". Li Jinfa interprets images as images and symbols, and symbolic images are images. Reference:/oooooo/blog/item/fbdd60ecc73fafd12ee21c8.html.