(1) The content is plain and natural, close to life, cordial and sincere, and full of true feelings. The scenes and things described are familiar to people. Through the description of simple and natural pastoral scenery, he is good at describing life scenes and the author's feelings about life by using simple strokes, simple language and unadorned techniques. This has formed fresh and natural features, such as "returning to the garden", "more than ten acres of square houses, eight or nine thatched houses", "warm and distant villages, and the smoke from the yiyi market" are all simple and natural. These life scenes, the poet's interest and mood are all the poet's real feelings and are written very cordially.
The author is good at creating artistic conception, and there are many wonderful scenery descriptions in his pastoral poems, both objective and intentional. The natural scenery permeates the poet's subjective feelings, which is seamless and memorable. It is often organically combined with specific scenery and the sincere feelings of poets, and it is based on scenery and leads people to a more beautiful place. This high integration of emotion, scenery and reason, that is, the combination of poetry and reason, makes the artistic conception of Tao poetry lofty, fresh and unconventional. For example, the phrase "picking chrysanthemums under the east fence and seeing Nanshan leisurely" is very simple, but it also contains a charm. It is a very friendly relationship between man and nature, expressed in plain language. "mountain"
(3) Seiko and natural language. The language of Shi Tao's poems is simple and straightforward, without any trace of chiseling, plain, natural, concise and easy to understand, but it is by no means shallow and vulgar. The seemingly ordinary "Tianjia dialect" in his poems is actually refined by art and the result of the poet's painstaking efforts. Many of them are very vivid and vivid. "Fortune" "When the south wind comes, the wings are new."