Seven-character quatrains are a genre of China's traditional poetry, which belongs to the category of modern poetry. There are four poems in this style, each with seven words, and there are strict metrical requirements in rhyme and adhesion. The poetic style originated from Yuefu songs in the Southern Dynasties or Yuefu folk songs in the Northern Dynasties or folk songs in the Western Jin Dynasty, and its stereotypes matured in the Tang Dynasty. Representative works include Wang Changling's Two Farewells to Furong Inn and Xin Qiji, Li Bai's The First Generation of Baidicheng, Du Fu's Downstream Meeting Li Guinian, and Yanjiao's Feeling of Watching the Tide. Early in the morning, I bid farewell to Jiangling city, which is high into the sky, thousands of miles away, and the boat is only one day away. The cries of apes on both sides of the strait are still unconsciously crowing in their ears, and the canoe has passed the heavy green hills.
I planted willows in Jiang Nanan, and I bid farewell to Jiangnan twice in spring. Looking back at the green river, I don't know who Pan Zhe is. When you ask about the return date, it's hard to say, evening rain, Manqiuchi. When * * * cut the candle at the west window, but talk about the rain at night.