1. What are the poems about "Kunlun"
1. There is no news from the Kunlun envoy, and the smoke and trees in the mausoleum are sad. "Kunlun Envoy" Tang Dynasty: Li He
Translation: The divine bird of the Queen Mother of the West has not yet brought back the message of immortality, but the smoke trees in Maoling are already deeply stained with sadness.
2. I am smiling towards the sky with my horizontal knife, leaving my liver and gallbladder intact. "Inscriptions on the Wall in Prison" Modern Times: Tan Sitong
Translation: With the sword coming out, he looked up to the sky and laughed, because those who left and those who stayed were sincere, upright, and as majestic as Kunlun Mountain.
3. As high as Kunlun there is snow, and as far as Penglai it is often cold. "Summer, Drought and Bitter Heat" Song Dynasty: Wang Ling
Translation: The high Kunlun Mountains have snow that never melts, and the distant Penglai Island has a coolness that never disappears.
4. The horse in the sky traveled far away, and passed away in Kunlun. Two Poems on Pegasus·Part Two of the Two Han Dynasties: Liu Che
Translation: I will ride on the Pegasus and fly high to a distant place for an indefinite period of time. Now that the Pegasus has arrived, the door to distant places has been opened, and you can go to Kunlun Mountain to meet the gods.
5. Emperor Hua Sheng of Guangling traveled eastward and first defeated the Kunlun faction. "Bianhe Pavilion" Tang Dynasty: Xu Hun
Translation: Yangzhou Flowers in Bloom Emperor Yang of the Sui Dynasty traveled eastward by boat, first diversion of the Yellow River originating from Kunlun. 2. Request: Poems and songs describing Kunlun Mountain
The flames in Kunlun Mountain have destroyed all jade and stone. ——"Shangshu"
I am traveling to Kunlun, and the road is built far away to circulate around. ——Qu Yuan's "Li Sao"
Kunshan's broken jade phoenix screams, hibiscus weeps and dew fragrant orchid smiles. ——Li He of the Tang Dynasty, "Li Ping Konghou Yin"
The explanation of Yinhan Yingxu Qu was not clear until he left Kunlun. ——Luo Yin's "Yellow River"
There is snow at the height of Kunlun, and it is always cold as far as Penglai. ——Wang Ling, Northern Song Dynasty, "Summer Drought and Bitter Heat"
Dreaming about the road to China. The autumn wind is sad, the camp is drawing corners, and the Forbidden City is leaving. At the end of the day, Kunlun is the mainstay, and the Yellow River in the Nine Lands is chaotic. ——Zhang Yuanqian's "Congratulations to the Bridegroom and Send Hu Bangheng to Xinzhou to Wait for the System"
I smiled at the sky with my horizontal knife, leaving my liver and gallbladder intact. ——Tan Sitong's "Inscription on the Wall in Prison" 3. Sentences about Kunlun
The Southern Song Dynasty was a blessed period for martial arts, and many excellent works began in that era, such as Jin Yong's climax "The Condor" trilogy , Wen Ruian's "Shenzhou" series that moved the world, and Huang Yikai's "Shattered Void".
Internet martial arts set in that era also showed a high standard, not to mention the amazing Xiao Zhen's "Ye Yu Da Jin He", such as A Fei's "Shuo Yue Gaiden", Yang Yu's "Hujia Kuangge Lu" and Feng Ge's "Kunlun" are also the pinnacle of online martial arts. Among them, "Kunlun" is one of special significance.
In fact, "Kunlun" attracted attention with the appearance of Liang Xiao, the protagonist of the second "Flower Rain Jiangnan". The first part, "Iron Blood", is not as good as the other works mentioned above, and the exciting parts of the second part also feel isolated from the background of the times.
However, the creative progress of "Kunlun" is particularly thought-provoking. In fact, the first film "The Hero" didn't have a high level of martial arts content. It was basically a legendary story.
The protagonist finds a dramatic destination from three set scenes. No matter in terms of language, characters, plots, or scenes, the immaturity is obvious and has the characteristics of practicing writing.
"The singing was clear and heroic, like a long wind blowing through the mountains and forests, gradually drifting away, but still curling up." This sentence was originally very powerful and literary, but the last word was used a bit badly.
There are many sentences and paragraphs with such characteristics in the works, which shows that the author is still stuck in creation and the expression is not smooth enough. So much so that at the end, the protagonist's Liang.
The Southern Song Dynasty was a blessed period for martial arts. Many excellent works began in that era, such as Jin Yong's "The Condor" trilogy, which reached its peak, Wen Ruian's "Shenzhou" series that inspired everyone, and Huang Yi's Kaizong "Shattered Void" by Li Pai. The online martial arts set in that era also showed a high standard, not to mention the amazing Xiao Zhen's "Ye Yu Da Jin He", such as A Fei's "Shuo Yue Gai Zhuan" and Yang Yu's "Hu Jia Crazy Song Record" , Feng Ge’s "Kunlun" are also the pinnacle of online martial arts.
Among them, "Kunlun" is one of special significance. In fact, "Kunlun" attracted attention with the appearance of Liang Xiao, the protagonist of the second "Flower Rain Jiangnan".
Compared with the other works mentioned above, the first part of "The Hero" is not as good as the other works mentioned above. The exciting parts of the second part also feel isolated from the background of the times. However, the creative progress of "Kunlun" is particularly thought-provoking.
In fact, the first film "The Iron-Blooded Hero" did not have a high level of martial arts content, and was roughly a legendary story. The protagonist finds a dramatic destination from the three set scenes.
Regardless of the language, characters, plots, and scenes, the immaturity is obvious and has the characteristics of practicing writing. "The song is clear and heroic, like a long wind blowing through the mountains and forests, gradually drifting away, but still lingering."
The last word of this originally very powerful and elegant sentence is a bit bad.
Sentences and paragraphs with such characteristics appear quite a lot in the works, which shows that the author is still stuck in his creative work and his expression is not smooth enough.
So much so that at the end, the transformation of the protagonist Liang Wenjing promoted changes in the plot, and sudden jumps also fall into this category of failures. From a performance perspective, it is also worth discussing whether the representation of the Mongolian army on Boyan's side is necessary.
On the whole, this type of expression does not have much internal reflection, and the expression method is too jumpy, which damages the coherence of the text. In addition, there is war, which has been considered a trap in online martial arts fantasy creation.
From the perspective of martial arts, the best writers are Jin Yong and Huang Yi. It should be said that Feng Ge did a good job of describing the people in the war, but after all, the siege and defense war is a side war, which is easier to write, and it is difficult to express the charm of war.
"The Prodigy's Iron-Blooded Man" was so broken that I couldn't even clean it up. When martial arts on the Internet reach this level, it is often difficult to continue. The author should also be aware of this.
However, the author Feng Ge, at this time, broke the existing pattern and established a new chapter. He started a new story from a completely different perspective and with another character. The original protagonist was directly gameover Lose. In the process of writing, it is a process to discover what you are good at writing and what you are not good at writing.
This process has its long and shortcomings, and it is difficult to grasp how to adjust after the experience. Feng Ge neither gave up completely nor deliberately adjusted the existing characters. Instead, he passed on the old plot and passed on the old plot.
At least for readers, this approach is a very reasonable solution. The second part, "Hua Yu Jiangnan", makes people's eyes brighten from the appearance of Liang Xiao. When they reach the hinterland of Huajia Mountain, it becomes even more enlightened. Compared with the previous part, there is a qualitative change.
If the character of Liang Wenjing is written with spirit but not outstanding, then when it comes to Liang Xiao, he is full of spirit and both action and spirit. There are many things that are remarkable about Liang Xiao's majestic bones and horns, his clever mind, his cleverness in changing his moves, and his magical encounters.
As for the written text, it is also very fluent and free, and the disadvantages of unclear writing are rarely seen. When Liang Wenjing in the court became Liang Xiao in the world, the whole world was different.
The Mountain Mansion on Kuocang Mountain is majestic and wonderful, and embodies extraordinary imagination and expressive power, far exceeding the conceptual world of inferior fantasy works. The descriptions of classical mathematics and mechanics are vivid and natural, with many wonderful features.
As for the mathematical and mystical scenes, they are used in Jin Yong's "Shooting the Condor" very wonderfully, and it feels like they can be easily used. But when it comes to the specific and subtle, positive description of change and reproduction, Sima Ling's description in "The Golden Float" imitating the plot of "The Condor Shooting" has to be considered. In it, the fierce battle between the central plot and the strange changes in the plot are also included. It allows readers to have a brain-stimulating experience, but "Golden Float Pictures" is poor throughout and is not recommended for overall reading.
In "Flower Rain Jiangnan", it is an exhaustive personal reflection. The protagonist seeks to break through the wall in a difficult situation. Although the plot is not solidified and lacks the sense of interactive reading, it has a biographical element. But because the author handles it very well and grasps the text well, reading it has a unique feeling. However, behind the success of "Flower Rain Jiangnan", there are also risks.
One is the sense of isolation from the times, after all.