The mountains were desolate and silent for twenty-three years.
People come back. Like people in Michelle, I can only play the flute, and I am disappointed.
On one side of the boat, Qian Fan races; At the head of the sick tree, every year is a spring shower.
Today, listen to you sing a song, drink a glass of wine and cheer up.
(Introduction)
In Yong Zhenyuan (805), Liu Yuxi was demoted to Langzhou Sima because he failed to participate in the Wang Reform. In the tenth year of Yuanhe (8 15), someone in the imperial court remembered that Liu Zongyuan and others used him and were demoted at the same time. After returning to Chang 'an from Langzhou, he wrote a poem, "Yuanhe went from Langzhou to Beijing in ten years, giving a play to gentlemen who look at flowers." The poem says: "When the world of mortals comes to Ziyang, no one can fail to see the flowers coming back. There are thousands of trees in Du Xuan Guanli, which were planted after Liu Lang went. " The first two sentences of this poem, on the surface, describe the grand occasion of enjoying flowers, but secretly praise the prosperity and beauty of peach blossoms. The last two sentences are related to things and people's own situation, which seems to have a sigh of "how can a tree be so beautiful?" In fact, the poet in his bones regards Thousand Tree Peach Blossoms as an upstart who has become more and more proud politically in recent ten years because of opportunism. In the last sentence, he pointed out that these seemingly great upstarts were all promoted after "I" was squeezed out. His contempt and satire are bitter, which makes his political opponents feel very uncomfortable. So as soon as this poem came out, the author and his comrades-in-arms were immediately attacked and retaliated and demoted again.
It was 14 years later, that is, in the second year of Daiwa (829), that the poet was recalled to Chang 'an. The poet "Visit Du Xuanguan again" says: "A hundred acres of courtyard is half covered with moss, and peach blossoms are all in bloom. Where does Taoism return? Liu Lang came again today. " Deliberately bring up the past and challenge the powerful people who attacked him. Poets still use this method today, ostensibly writing about the ups and downs of peach blossoms, and writing about the unpredictable feelings of the world in Du Xuan's view, but in fact they still regard peach blossoms as more expensive than the nouveau riche, and Taoism refers to those in power who suppressed the innovation movement at that time. After more than 20 years, some of these people died, and some lost power, so the upstarts they promoted changed their original mysterious momentum and gave way to others, just like "the peach blossoms are all in bloom", and the reason why the peach blossoms are all gone is the result of "where are the peach farmers going?" At this time, the rejected "I" came back. The poet once again threw a contemptuous smile at those political opponents who stifled political innovation. (See Shen Zuyu)
After careful study, the metaphors of "ten thousand mu", "Qian Fan" and "a thousand peach trees" are the same. Only in the two "Peach" poems, the author shows more contempt and ridicule, while in front of his old friend Bai Letian, the poet opens his heart and is more angry and depressed. Of course. Liu Yuxi has always been bold, bold and determined, which can be seen in the fourth part, "Listen to your song today and rely on the spirit of a glass of wine for the time being."
2. Random thoughts on reading (Southern Song Dynasty) Zhu
As soon as the half-acre square pond is opened,
The sky is full of clouds and shadows.
Ask the canal so clearly,
Because there is inexhaustible living water for it.
3, "Hunting" Tang
In the wind, the horn sounded and the general was hunting outside the borehole.
The grass is yellow in autumn, and the eagle eye is sharper; When the ice and snow melt, the horseshoe is extraordinarily brisk.
It has passed Xinfeng City in a blink of an eye and soon returned to sunny Liu Ying.
Looking back at the eagle wilderness, thousands of twilight clouds spread to the horizon.
[Appreciation] These five laws are different from most of Wang Wei's pastoral poems, which are concise and concise. Comparing with Du Fu's style, Hua's sentence: "Faith does not diminish the beauty of children" can be said to be correct. The poet outlined a spectacular "hunting map" in a few simple sentences. The word "disease" was used to describe the fierceness of the eagle, and predecessors commented that it had the potential to seize power under the cloud; The swiftness of horse writing and the word "light" are extremely natural and unrestrained. The snow is gone and the grass is withered. First of all, it sets off a cold atmosphere. The eagle is high and the horse is ill, rendering a hunting momentum. There is not a word about the hunter, but the viewer sees the hunter's vigorous and comfortable manner through the movements of the eagle and the horse, and the painting is full of heroic spirit.
4. Yu Meiren (Five Dynasties Tang Dynasty) Li Yu
When is the spring flower and autumn moon, how much is known about the past. The small building was easterly again last night, and the old country could not bear to look back on the moon.
Carved fences and jade bricks should still exist, but Zhu Yan changed them. Ask how much sorrow you can have, just like a river flowing eastward.
"Ask how sad you are? Just like a river flowing eastward, this sentence is the title of the whole word and an eternal quatrain, which is widely circulated. Li Yu's worries can only be answered by himself, because there is really no one to accompany him to "cry in the new pavilion", which shows the author's loneliness. Like a river flowing eastward. It's not like Stephen Chow's A Chinese Odyssey, nor is it like Shi's Da Jiangdong Going to the Waves, nor is it like Li Qingzhao's Flowers Gone with the Wind. " Stephen Chow is called vulgar culture, and he only likes coke so much, and then there is nothing ... At this time, Su Shi is "wandering the motherland" and "heroic", and this river is also heroic. Li Qingzhao is a daughter's home and can only be a stream of sadness. Li Yu used synaesthesia perfectly. "Spring water" with petals, tangible and colorful, the word "worry" three-dimensional. An "eastward flow", the latest association is "A hundred rivers go east to the sea, when will they return to the west?" However, the meaning of "east flow" is deeper. The water flowing eastward can be understood as Confucius' saying that "the deceased is like a husband", and it can also be added with the meaning of "tears flow into the Yangtze River", which can be described as "eternal sorrow".
5, "A short message to a friend in the north on a rainy night" Don Li Shangyin
When you ask about the return date, it's hard to say, evening rain, Manqiuchi.
When * * * cut the candle at the west window, but talk about the rain at night.
The first question and answer, first pause, then turn, ups and downs, very expressive. Translated, it is: "You asked me the date of going home; Hey, the date of going home is still uncertain! " The sadness of his journey and the pain of not coming back flooded his mind. Next, I wrote the eye scene at this time: "It rains at night in the autumn pond", which has vividly shown the sorrow of the journey and the pain of not returning. It is intertwined with the rain at night, falling and falling, rising all over the autumn pond and filling the night sky of Bashan. However, this sadness and pain is only a natural expression through the prospect of the eyes; The author didn't say anything about bitterness, but set out from this prospect, galloped his imagination and opened up a new realm, expressing his wish to "cut the candle at the west window, but talk about the rain at night". The novelty of its conception is really a bit surprising. However, if you put yourself in the other's shoes, you will feel sincere and sincere, and every word will naturally flow from your heart. The word "when can be" expresses the wish, which comes from the reality that "the return date of the gentleman is uncertain" in generate. "* * * scissors ..." and "Nothing to say ..." Is the desire for future happiness inspired by the current hardships? Looking forward to "cutting the candle at the west window" when you get home, it is self-evident that you are homesick at this time. I hope I can reunite with my wife one day, but saying "rain at night" means "listening to rain at night alone". No one can speak * * * language, which is not obvious. Cutting candles alone, staying up late, reading his wife's letter asking about the return date in the rain of Bashan, it is not difficult to imagine that his mood is depressed and lonely. The author, on the other hand, crossed all this to write about the future, hoping to catch up with everything tonight in the joy of reunion. Therefore, the joy of the future naturally reflects the bitterness of tonight; The bitterness of this evening has become the material for cutting candles in the future, adding to the joy of reunion. Four poems, as clear as words, so tortuous, so profound, so implicit and meaningful, memorable!
In Li Yishan Poetry, Yao Peiqian commented on Notes for a friend in the North on a rainy night, saying: "You are expected to sit in a boudoir in the middle of the night, and you should talk about people who travel far away" (Bai Juyi's "Missing Home from Winter to Morning"), which means that the soul flies home. This poem also flew home in advance, which is amazing! "This view is good, but only said half. In fact, the "soul" is "pre-flying home", flying back to the place of detention before going home, and going back and forth once. This kind of back and forth not only includes the reciprocal comparison of space, but also reflects the cyclic comparison of time. Gui Fu said in the sixth volume of Miscellaneous Spectrum: "Seeing the future rather than thinking about it has a deeper meaning. "As far as space is concerned, this refers to the comparison between here (Bashan), there (West Window) and here (Bashan). Xu Dehong said in Li Yishan's Poems: "If you look back at him and talk about this night, you will feel deeply if you don't start writing at this time. "As far as time is concerned, this refers to the comparison of this night, another day and this night. In the poems of predecessors, there are many examples of people writing here and thinking about other places. There are many people who want to remember today when writing. However, the combination of the two forms such a perfect artistic conception, but Li Shangyin is not only good at learning from the artistic experience of his predecessors, but also brave in making new explorations and exerting his original spirit.
The originality of the above artistic conception is reflected in the originality of the composition structure. The word "period" can be seen from two aspects, one is to ask your wife and the other is to answer yourself; The wife asked to urge her to come back early, but lamented that the date of her return was not accurate. "Late Rain" re-emerged, one is a real scene among the guests, and it is a tight answer; One is to talk about help after going back, and the wife should ask from a distance. And with "how to do" in the middle, connect the past and the future, turn reality into nothingness, open up the realm of imagination, and make the cycle control of time and space blend seamlessly. Modern poetry generally avoids literal repetition, but this poem deliberately breaks away from convention. The two views of the word "period", especially the reappearance of "late rain", just constitute a wonderful cycle of timbre and composition, which just shows the artistic beauty of the cycle of time and space and achieves the perfect combination of content and form. Wang Anshi, a poet in the Song Dynasty, wrote in "Waiting for Longhua Courtyard with Baojue": "When will the water and the moon be returned to me?" Asking for the moon:' When will you take care of me in Zhongshan? Yang Wanli's "Listening to the Rain" says: "Returning to the boat, I stayed in Yanling last year, and the rain hit the awning and I heard the light. Last night, it began to rain under the thatched eaves, and the dream was called the sound of the sky. " These two poems are handsome and lively, each with its own new ideas, but they are also obviously inspired by "Notes to a friend in the North on a rainy night" in terms of conception and writing.
6. Li Ning's Seclusion (Tang) Jia Dao
Living leisurely here, few neighbors come, and the overgrown path leads to the wilderness.
Birds are freely perched in the trees by the pool, and monks are knocking at the door.
Walking across this bridge, you can see the charming scenery of Ye Yuan, and the feet of clouds seem to be moving on the floating rocks.
I will leave here for a while, but I will come back and retire with my friends on the appointed date.
appreciate
One day, Jia Dao rode a donkey in the street of Chang 'an, the capital of China, and casually recited a poem, including two sentences:
"Birds perch on trees by the pool, and monks push the moon down the door."
Jia Dao felt that the word "push" in the poem was not properly used. He wants to change the word "push" to "knock", but he doesn't know which word is good at the moment. So, while thinking, I repeatedly pushed the door and knocked at the door with my hand. Pedestrians in the street were surprised to see Jia Dao's expression.
Han Yu saw it and said angrily to Jia Dao, "Why don't you ride a donkey with your head down and look ahead?"
Jia Dao was surprised, hurriedly got off the donkey, saluted Han Yu, and said the poem he had just got from the donkey again. Because he thought of the words "push" and "knock", he concentrated on thinking, so he avoided answering.
After hearing this, Han Yu turned anger into joy. After thinking for a moment, he said, "Good typing! When everything is asleep and quiet, knocking at the door is even more dead of night. "
Jia Dao repeatedly thanked him with a poem entitled "Monk Knocking at the Door".
The word "scrutiny" comes from the story of Jia Dao, a poet in the Tang Dynasty, who tempered his poems, meaning to ponder repeatedly.
7, "Make it in the fortress" (Tang) Wang Wei
Riding a bike to visit the border and passing through Juyan County.
Pengpeng also floated out of Korea, and the geese heading north also flew into the sky.
The vast desert is lonely, and the Yellow River sets the yen.
When I arrived at the small pass, I met a spy waiting for the knight and told me that Dou Hu was in Yan.
Distinguish and appreciate
When the poet wrote this poem, his friend and mentor Zhang Jiuling was rejected by Li. This is a sign that Xuanzong's politics changed from Qingming to fatuity. Therefore, the poet is not blindly excited, but lonely in the process of comforting the defeated army.
In the first four sentences, the poet wrote a lonely mentality. All the way from "cycling" to "border", one person looked up and saw Hu Yan flying back, which made the poet sad and felt like a broken-rooted floating tent, far away from his hometown. In the last four sentences, the poet saw the wonders of the desert in Hu Tian, "The desert is lonely, and the long river sets the yen". Such a magnificent scene inspired the poet, making him gradually get rid of his lonely state of mind, giving birth to heroic feelings, and triggering patriotic enthusiasm for defeating the enemy and making contributions.
The fifth and sixth sentences of this poem, "The desert is lonely and straight, and the long river sets the yen", are particularly worth mentioning. In the vast desert, a wisp of solitary smoke on the beacon tower goes straight into the sky; The long river is like a belt, and the setting sun is extremely round. These two poems highlight the roughness and strength of the desert and condense the poet's mentality. Judging from the wording of the poem, the language is not surprised and unpretentious, but it can describe the unspeakable scene in front of us, with endless implication, reaching the realm of muddy success and showing the profound skill of the poet.
8, "Will Into the Wine" (Tang) Li Bai
Have you seen how the water of the Yellow River flows from the sky to the sea and never returns?
Have you seen the lovely hair in the bright mirror in the high room, although it is still silky black in the morning, it turns into snow at night?
Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the moon empty! .
Since God has given talents, let them be used! As for the money, although it is scattered, it will get together again.
Cook a sheep, kill a cow, sharpen your appetite, and let me, 300 bowls, take a big drink! .
Master Cen, Dan Qiusheng can drink and drink endlessly.
Let me sing you a song! Please listen to me.
What are bells and drums, delicacies and treasures? I hope I will never wake up.
Ancient sober people and sages were forgotten, and only great drinkers can be immortalized.
Chen bought a barrel of wine with 10 thousand gold coins at a banquet in the temple, and everyone laughed and said one-liners
Why do you say, my master, your money is gone? , to buy wine, we drink together! .
Five flower horses, Hsi Chin, give them to the boy in exchange for good wine. Whatever you want, sell eternal sorrow.
9. Untitled Tang Li Shangyin
It was a long time ago that I met her, but since we separated, the time has become longer, the east wind is blowing, and a hundred flowers are blooming.
Silkworms in spring will weave until they die, and candles will drain the wick every night.
In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song.
There are not many roads to Pengshan. Oh, Bluebird, listen! -Give me what she said! .
10, "When will there be a bright moon?" Su Shi (Northern Song Dynasty)
When is the bright moon,
I take my glass from a distance.
I don't know the palace in heaven,
What year is tonight?
I want to go home in the wind,
I'm afraid of Qionglou Yuyu,
It's too cold at the top,
Dance to see the shadows,
What is it like?
Zhuge,
Low-level families,
Take a sleepless photo.
There should be no hatred,
What road is there to go?
People have joys and sorrows,
The moon is cloudy and sunny,
This matter is ancient and difficult to complete.
Wish people a long time,
Thousands of miles * * * ChanJuan.
1 1,<& lt book anger >> Lu You (Southern Song Dynasty)
I don't know the difficulties in the world at an early age, and the Central Plains looks like a mountain.
On a snowy night, the boat crossed Guazhou, and the iron horse dispersed in the autumn wind.
Stuck on the Great Wall and make an empty promise, the sideburns in the mirror have long faded.
"Introduction" is a real name, and it can't compare with anyone in a thousand years.
12, crossing Ding Yang (Southern Song Dynasty) Wen Tianxiang.
Once the effort comes, there will be fewer stars around.
The mountains and rivers are broken and the wind is floating, and life experiences are ups and downs.
The beach of fear says fear, and there is a sigh in the ocean.
Since ancient times, no one has died in life, leaving a heart that shines through history.
"Dan Xin" refers to a burning heart. Generally speaking, "loyal heart" is used to describe a person who is loyal to his country.
"History" refers to historical classics. In ancient times before the invention of paper, military events could only be recorded on bamboo slips; However, the water in bamboo slips must be evaporated with torches first, which is convenient for carving and can prevent insects from eating; Based on this, later generations collectively refer to ancient books that record history as "history books".
The meaning of these two poems, "since ancient times, no one has died in life, and keeping the heart of Dan is the mirror of history", means that since ancient times, people are bound to die! But to die meaningfully, if you can be loyal to your country, you can still shine and go down in history after death.
Yue Fei, Wen Tianxiang, Shi Kefa and Tan Sitong are all martyrs who are willing to give their lives and shed their blood for the country and people. Their heroic feelings are consistent with the poetry of these two poems. Who wrote these two poems?
At the end of the Southern Song Dynasty, Wen Tianxiang was captured by the Yuan Army after the defeat in Guangdong, and was taken to the north to be imprisoned. On the way, he passed through Ding Yang and wrote a poem "Crossing Ding Yang" to express his frustration at the country's demise. The second half of his poem reads as follows-
"Fear beachhead says fear, and there is a sigh in the ocean. Since ancient times, no one has died in life, leaving Dan's heart to shine. "
Since then, Wen Tianxiang has never been moved by any threats and inducements, and has gone to justice generously!
13, Du Fu's "Spring Hope"
Chang' an fell, the country was broken, and only the mountains and rivers remained; Spring has come, and the sparsely populated Chang' an city is densely forested.
Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate.
The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold.
Twisting with melancholy, scratching my head and thinking, the more I scratch my white hair, I can hardly insert a hairpin.
From Tang Suzong to Deyuanzai (756), in June, An Shi Rebellion captured Chang 'an, Tang Dou. In July, Du Fu heard the news of Tang Suzong's accession to the throne in Lingwu, and made his home in Qiang Village, Zhangzhou, and went to Su Zong. On the way, he was captured by rebels and taken to Chang 'an. He was not imprisoned because of his humble position. Hope in Spring was written in March of the following year.
The first four sentences of the poem are about the defeat of the spring city, full of sighs; The last four sentences are about the situation of relatives, full of feelings of separation. The whole poem is calm, sincere and natural.
"Although the country is divided, the mountains and rivers remain forever, and the vegetation turns green in spring." At the beginning, I wrote what I saw in spring: the capital fell and the city was broken. Although the mountains and rivers are still there, there are grass everywhere and the trees are gray. A word "broken" makes people stunned, and another word "deep" makes people sad. Sima Guang said: "The mountains and rivers are all there, and there is nothing in the Ming Dynasty." : the vegetation is deep and no one is there. "("Wen Gong Xu Shi ") The poet here clearly wrote about scenery, but in fact he expressed his feelings. He entrusted his feelings to things and scenery, creating an atmosphere for the whole poem. This couplet is ingenious, mature, natural and poetic. "The destruction of the country" is opposite to "the spring of the city". The ruins of "National Destruction and Death" are in sharp contrast with the wealthy businessmen in "Spring in the City". "The country is broken" followed by "there are mountains and rivers", which means the opposite and is unexpected; "Spring in the City" was originally a beautiful scenery, but the suffix "deeply planted" is ridiculous and contradictory, one after another. In the Ming Dynasty, Hu Zhenheng spoke highly of this couplet, saying that "duality is not implicit, but it changes vertically and horizontally, making it more stereotyped, more implicit and deeper, and taking justice from nature." ("Tang Yin Gui Qian" Volume 9)
"Petals fall like tears, and lonely birds sing their sorrows." The general explanation of these two sentences is that flowers and birds are originally recreational things, but they hate parting because of their feelings, which makes the poet cry. Another explanation is that flowers and birds personify people and feel sad when they leave. Flowers also splash tears and birds are heartbroken. Although their theories are different, their spirit can be interlinked, one is touching the scene and the other is feeling deeply, which shows the richness of good poetry.
The first four sentences of the poem are all in the word "Wang". Poets look at it from near to far, from far to near, from cities to mountains and rivers, and from cities to flowers and birds. Feelings are from hidden to obvious, from weak to strong, step by step. In the change of scenery and emotion, it seems that the poet gradually turned from longing for the scenery to overlooking and thinking about the scenery, and naturally transitioned to the second half-missing his loved ones.
"After three months of war, a letter from home is worth a ton of gold." From the Anshi Rebellion, "the war was fierce and the countryside was broken", and the war continues until the end of March and spring. How I look forward to hearing from my relatives at home. At this moment, a letter from home is really better than "tiger balm"! "A letter from home is worth a ton of gold" wrote the long-awaited urgency of news isolation. This is the idea in everyone's mind, which naturally makes people * * * sound, thus becoming a famous sentence that has been told through the ages.
"I stroked my white hair. It has become so thin that it can no longer hold hairpins. "There are bonfires everywhere, and my family doesn't trust me. I miss the tragic image in the distance, and I look at the scene of decline in front of me. I don't feel bored and hesitant, but my hair is sparse and short. "White hair" is caused by worry, "scratching" is an action to relieve worry, and "shorter" indicates the degree of worry. In this way, in addition to the grief of national demise and death, sighing and aging will add another layer of sadness.
This poem reflects the poet's good sentiment of loving his country and his family. The meaning is not straight, the scenery is not free, the emotion is strong but not superficial, the content is rich but not miscellaneous, the meter is rigorous but not rigid, and it is written clearly, so it has been circulated for more than 1,200 years.
(Tang) Yellow Crane Tower 14
The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower.
The yellow crane never revisited earth, there have been no long white clouds for thousands of years.
Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.
But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy.
Comments:
This poem is a masterpiece of nostalgia. The poet boarded the historical site Yellow Crane Tower and got a panoramic view of the scenery before him. His poems are full of emotion, blurted out and beyond words. It is both natural and magnificent, full of personality. Poetry is not harmonious, but the syllables are clear and not awkward. It's really one step at a time, and it has become a treasure admired by all previous dynasties. Legend has it that Li Bai boarded this building and witnessed this poem, which impressed him deeply. He said: "There is a scene in front of me, with Cui Hao's poems on it." Yan Canglang also said that the seven-character poems of the Tang Dynasty should be the first. It shows that poetry is precious to nature, even if it is metrical.
This poem is a seven-character poem written by Cui Hao, a poet in the Tang Dynasty. The main points are:
"The fairy has gone by yellow crane, leaving a yellow crane tower here for nothing. After the yellow crane left, it never came back. White clouds floated in the air for thousands of years and did not change because of the departure of the yellow crane. On sunny days, the trees along the Chuanjiang River in Hanyang are clearly visible, and Nautilus Island is also covered with green grass. At night, I can't see where my hometown is, and the vast river waves on the river in the distance are really worrying. 」
The main idea of the poem is to describe the loneliness and homesickness when climbing stairs and looking into the distance. The author points out the Yellow Crane Tower from the beautiful myth that the immortal came here by yellow crane for recreation, and then the immortal left and never came back, leaving only the Yellow Crane Tower and thousands of years of Qingchuan, Cao Fang, Hanyang Tree, Nautilus Island and Baiyun * * * for homesickness.
There are three different stories about this beautiful fairy tale over the years. The first thought the fairy was Huang Zi 'an, the second thought it was Fei Yi, and the third didn't have the fairy's name. They are described as follows:
At first, I thought it was the fairy Huang Zian:
According to the "Southern Zhou County Records", "According to legend, there are immortals driving yellow cranes here, hence the name. It is pointed out that the origin of the naming of Yellow Crane Tower is that there was once a fairy named Zi 'an who passed by this place by yellow crane, so it was named Yellow Crane Tower.
Second, I thought it was a fairy fee:
According to "Atlas", "I went to visit immortals, but I took a test drive of the Yellow Crane and still rested here, so I became a famous building. It is believed that the origin of the naming of the Yellow Crane Tower refers to the fact that after Fei Yi's corpse became immortal, he returned with a yellow crane and rested in this building, so he was named the Yellow Crane Tower.
"Taiping Universe" said: "Shu Fei Wenxian ascended the immortal and wanted to drive the Yellow Crane to rest here." This points out that Fei Heng is a native of Shu, and he has an extra word "Wen" with Fei Heng in front. In Biography of the Three Kingdoms of Shu, there was a man named Fei Heng, whose body was Fei Heng and Heng. Is this Fei Wenwei, a Shu person? Because there is no other record,
Third, say it's a fairy:
This legend is recorded in detail, and it comes from karma. The original text is: "Xin used to sell wine as a business. When a gentleman came, he was tall and in rags. He said quietly to Xin, "Can you drink? Xin didn't dare to quit and drank a big glass. When I was half a year old, the Xin family enjoyed it. One day, Mr. Xin called him and said that he owed wine and he couldn't pay you. So he took a small basket of orange peels and drew a crane on the wall. It was yellow. The sitter clapped his hands and blew, and the yellow crane danced with the law. Everyone paid money to see it. 10 years later, when the Xin family was exhausted, Mr. Hou came to the table. Xin thanked him and said that he was willing to provide him with the best. Mr. Wang said with a smile, "Why did I suddenly take a flute and play a few tricks for it?" After a while, white clouds fell from the sky and painted cranes. The king rode over the crane and built a building in Xin's house, named Yellow Crane. " 」
The general idea of this myth is that there used to be a Mr. Xin who sold wine on weekdays. One day, a guest came. He looked poor, but he was dressed in rags. He calmly asked Mr. Xin if he could give me a glass of wine. Mr. Xin didn't neglect each other's rags, and quickly filled a large glass of wine. After half a year, Mr. Xin didn't seem bored because the guests couldn't afford the drinks, and he still invited the guests to drink every day. One day, the guest said to Mr. Xin: I owe you a lot of money for drinks, and I can't pay it back. So I took out the orange peel from the basket and drew a yellow crane on the wall. Then I beat my hands and sang a song. The yellow crane on the wall dances with the song and the beat. Other guests in the hotel paid to watch this wonderful event. Ten years have passed and Mr. Xin has accumulated a lot of wealth. One day, the ragged guest drifted to the hotel again. Mr. Xin came forward to thank him and said, I am willing to support you according to your wishes. The guest smiled and replied, Where did I get this? Then he took out his flute and played some songs. Before long, I saw white clouds falling from the sky, drawing cranes in Bai Yunfei for the guests. The guests climbed onto the crane's back and went to heaven by Bai Yunfei. In order to thank and commemorate this guest, Mr. Xin built a building here, named Yellow Crane Tower.
These three myths not only explain the origin of the naming of the Yellow Crane Tower, but also give us good enlightenment. Because Mr. Xin, the owner of the hotel, doesn't care much about poverty, loves money and doesn't judge a book by its cover, he got help from the gods and became a rich man.
It is through these beautiful myths and legends that Cui Hao, the author of this poem, wrote that he climbed the Yellow Crane Tower at dusk and looked out at the countryside. He saw that water and sky were the same color and boundless, which added to his melancholy and blurred sadness. He thought that the immortal who sat on the crane here would never come back. Even if the author wants to let go of all the troubles in the world, he can't return with the fairy. Facing the misty haze of a river, looking up at the eternal white clouds, lamenting that life is short and impermanent, but homesickness is insoluble, the day of returning home is far away, and fairyland is hard to find. Thinking that there is nowhere to go in this life, all kinds of feelings are surging, and the sadness in my heart is like smoke on the river, which is too thick to melt.
After Cui Hao wrote this poem, poets in the Tang Dynasty competed to sing and imitate it. Li Bai, a great poet, once came to Yellow Crane and wrote a poem "Nautilus Island" to compete with Cui Hao. It is said that Li Bai felt that his writing style was not as good as that of Cui Hao, so he wrote a doggerel on the Yellow Crane Tower: "One punch breaks the Yellow Crane Tower, two feet." There is a scene in front of me in which Cui Hao wrote a poem. "He left the Yellow Crane Tower and became more and more unwilling when he came back. He wrote a song" On Boarding the Phoenix Tower in Nanjing ". This interesting legend is introduced in another article.
15, Shu Xiang (Tang) Du Fu
Where is the temple of the famous prime minister?
In a pine forest near the Silk City.
The green grass in spring dyed the steps red,
Birds are chirping happily under the leaves.
The third summons asked him to deal with state affairs,
He gave his heart to two generations.
But before he conquered, he was dead,
Since then, heroes have been crying on their coats.
16, met you Huan (Nantang) Li Yu.
Go to the west wing without saying a word,
The moon is like a hook,
Lonely phoenix tree deep courtyard locks clear autumn.
Keep cutting,
The reason is still confusing,
It's sadness,
Especially the general taste is in my heart.
17, Wang Song Yucheng Village Line
Horses wear yellow chrysanthemums, and people believe that horses grow in the wild.
Listen to the sound of thousands of valleys at night and watch some peaks silent in the sunset.
The leaves of huanghuali are as red as rouge, and the fragrance of buckwheat flowers is as white as snow.
To my dismay, the village bridge is like my hometown!
18, Ji Hai's Miscellaneous Poems (Qing) Gong Zizhen
Great sorrow tilts the day,
A whining whip means the end of the world.
Falling in love is not heartless,
Turn into spring mud to protect flowers.
Literally, flowers are not heartless things, but fall into the soil and become green manure, which can also feed flowers. The author takes flowers as a metaphor, which means that although the situation is difficult, the loyalty to serve the country remains unchanged; I believe its Gao Shangzhi Festival will attract the younger generation.
This great sentiment of "sacrificing the ego and achieving the big ego" is awe-inspiring. This is better than Mahayana compassion and eternal altruism; Whether it is blooming flowers, falling flowers, or the soil on the ground, it is actually an organic whole, but it is in different positions with different fates. ......
The popular interpretation of these two sentences:
The fallen flower did not forget the nurturing of the root, and bid farewell to the root with infinite attachment, preferring to turn into spring mud to protect the root in return for the kindness of the tree.