She began to appear in the background of the great turmoil of the times, and the first shot was the background of "chaos": Land Rover was powerful, wars were everywhere, and the people were in exile. At the end of the Han Dynasty, there was chaos in the world. Eunuchs, consorts, and warlords have taken control of state affairs, and peasant uprisings, warlord scuffles, and foreign invasions have broken out one after another. In the poem written at the end of the Han dynasty, "a louse is born, and the surname is dead." Bones are exposed in the wild, and there is no cock crow for thousands of miles. " And so on, are the true portrayal of the turmoil at that time. During the war, he was robbed to the west by Hu Qi.
Exile is the beginning and root of her painful life, so the second beat in the poem is devoted to describing her exile, while in the tenth beat, "Leaving is a hard life" shows that the unhappiness in her life stems from exile. During the twelve years when she was forced to stay in the southern Xiongnu, she suffered great pain in life and spirit. Alakazam's nature is harsh: Hu Fenghao is good, first frost, Yuan Ye Depression, and Running Water Sobs. The life of local conditions and customs is strange to her. Clothes made of fur are scary to wear: "Felt hair is shocking to your flesh and blood." Eating meat and milk smells bad and can't be swallowed. "It's a taste to contain my feelings." Living in a shack made of temporary grass rafts and dried cattle and sheep manure; When excited, they beat drums, revel, sing and dance all night. In a word, she can't adapt to the harsh natural environment in Alakazam, and she can't stand the different living habits of Hu people and Han people. So she sang "Who can talk to people with different desires?" And what she can't stand most is the spirit.
Mentally, she suffered double humiliation: as a Han nationality, she became a prisoner of the Hu people; As a woman, she was forced to marry the conference semifinals. The so-called "kindness and righteousness loss" in the first shot refers to this double humiliation. In the case of physical and mental suffering, missing and returning to her hometown has become the most important spiritual force to support her to live strong. The main content from the second shot to the eleventh shot is to write about her homesickness. The fourth beat, "I don't miss my hometown day and night", the tenth beat, "My hometown is dusty, and I will swallow it when I cry silently", and the eleventh beat, "I still hope to return to Sangban" are all touching words that directly express my homesickness. The fifth beat is the most touching one, which is about homesickness. In this shot, Cai Wenji carved a distant and profound scene with her persistent affection: in autumn, she looked forward to the blue sky and the geese flying south to bring her voice to the border; In spring, she looked up at the clouds and the sky and looked forward to the news of her native land brought by the return of wild geese in the north. But the geese have all flown away from the height of the factory, so it is difficult to find them. She couldn't help feeling heartbroken and ecstatic. In the eleventh shoot, she revealed her inner humiliation and the secret of drag out an ignoble existence: "I hate it, because I am not greedy for life, I can't donate my body." I am still eager to return to Mulberry, I have been buried in my bones. "Finally, she survived a long twelve years and realized her long-cherished wish to return to her hometown." Suddenly I met an envoy of the Han Dynasty, called him imperial edict, and sent his daughter to redeem my concubine. "However, this joy is fleeting. At the same time, a new melancholy cloud floated by. She thought that the day she survived was also the time to say goodbye to her two biological sons. In the twelfth beat, it says, "I'm glad to be alive, but I'm glad to meet a saint." I am happy to say goodbye to my children. "Nine times out of ten, two beats are both sad and happy, and it is difficult to live in two emotions." This is a frank explanation of this ambivalence. From the first 13, Cai Wenji turned to describe that he couldn't stand being separated from his son. As he spoke, he swallowed and his heart sank with grief. The thirteenth beat writes about other children, and the fourteenth beat writes about dreams, "Hugging Hu clothes." ..... step by step, never move, the soul will never move. ""the mountains are high and the seas are wide. I will see you all my life. In my dream, you came to Sri Lanka in the middle of the night. Holding hands in a dream, one is happy and one is sad, and it hurts after sleeping. "It's so touching, so touching. In the Song Dynasty, Fan said in "Talking about Bed at Night": "This must be returned to another son. When he experienced his suffering, his words were deafening. Resentment, mourning for the old, as new as a thousand years; Even if you use the holy pen, you can't bear to delete it. "Cai Wenji's sense of separation and the pain of separation have been with her, leaving Alakazam and returning to Chang 'an. The humiliating life is over, and a new misfortune: the pain of losing parents and children has just begun. "Hu is different, and the quilt of heaven and earth is separated from Mu Dong. I am suffering from heaven and complaining about others, although it is wide and unbearable. " It was here that the whole poem came to an end and stopped playing, thus completing Cai Wenji's tragic life journey of complaining to heaven.
Eighteen Beats of Hu Jia not only reflects Cai Wenji's poor life, but also reflects her superb talent. Eighteen Beats of Hu Jia has a strong subjective lyrical color in shaping the artistic image of the protagonist, Cai Wenji himself, and even in narration. It is written that he was banished to the West, gave birth to two sons in Alakazam, and returned to Chang 'an, all of which are affectionate sighs. For example, "The Yunshan Mountains are all returned to Lu Yu, which is popular for thousands of miles and raises dust and sand. Many people are as violent as crazy snakes, and they are arrogant and extravagant, which shows Cai Wenji's clear feelings of love and hate everywhere-"Yunshan" is connected with the thought of homeland, and "flurry" is connected with the suffering of the journey. Strong subjective lyricism is mainly reflected in the suddenness of emotional expression. Cai Wenji's feelings, often come suddenly, go suddenly, jump and changeable, incredible. The so-called "thinking without orientation" is to rebuild the Yaochi at the seaside. And the poem points the finger at heaven and God: "Heaven is ruthless and chaotic, and the ruthless nature makes me encounter this." "Why don't you see me wandering alone? God, what happened? I live up to God. What makes me different? I failed my God. Why should I go to the desert state? "Send to the Earth" embodies Cai Wenji's feelings of "the sky is boundless and my heart is sad" and "I am bitter in the sky".
Eighteen Beats of Hu Jia is of great artistic value. Lu Shiyong, a Ming Dynasty man, said in A Review of Poems and Mirrors: "The wind fell in Tokyo, and Ying Ying, Cai Wenji, became a talent. Reading "Hu Yiyin" can make people feel shocked, and the wind and sand are flying, which is really fierce. "
The high artistic value of Eighteen Beats of Hu Jia is related to Cai Wenji's talent, and Cai Wenji's talent is caused by her family background and social background.
There was chaos at the end of the Han Dynasty, and it was a bonfire year after year. Cai Wenji was captured by Huns during his escape and lived in the Great Wall. Later, he married Zuo and gave birth to two children. She spent twelve spring and autumn years outside the Great Wall, but she missed her hometown all the time. Cao Cao pacified the Central Plains, made peace with the Xiongnu, and sent messengers to redeem Moon Hee with a large sum of money, so she wrote the famous long poem "Eighteen Beats of Hu Jia", describing the unfortunate experiences in her life. Qin Ge has editions such as Big Hu Jia, Little Hu Jia and Eighteen Beats of Hu Jia. Although the tunes are different, they all reflect the extremely contradictory and painful feelings that Cai Wenji missed his hometown and could not bear to be separated. Music euphemistically mourns and tears the liver and intestines.
Eighteen beats of Hu Qie is a lyric poem of the ancient Yuefu, with one beat and 18 chapters as * * *, hence the name, which embodies the theme of "Happy Moon Returning to Han". During the war at the end of Han Dynasty, Cai Wenji lived in South Xiongnu for twelve years. As Zuo's wife, she misses her hometown very much. When Cao Cao sent someone to take her back to the mainland, she had to leave two children behind. The joy of going home was overwhelmed by the pain of separation of flesh and blood, and her mood was very contradictory.
Guqin is said to be a vocal suite composed of 18 songs, accompanied by Qin. "Pai" is the "first" in Turkic, hence the name "Hu Jia", which is why the sound of the piano melted Hu Che's wailing. It shows Wenxi's homesickness, ionic sadness and awesome resentment. At present, Qin Le is the most popular one.
There was chaos at the end of the Han Dynasty, and it was a bonfire year after year. Captured by the Hungarian Empire and exiled to the Great Wall, he later married Zuo and gave birth to two children. She spent twelve spring and autumn years outside the Great Wall, but she missed her hometown all the time. Cao X pacified the Central Plains, made peace with the Huns, and sent evil messengers to redeem Moon Hee with a large sum of money, so he wrote the famous long poem "Eighteen Beats of Hu Jia", describing her life's misfortunes. Qin Ge has editions such as Big Hu Jia, Little Hu Jia and Eighteen Beats of Hu Jia. Although the tunes are different, they all reflect the extremely contradictory and painful feelings that Cai Wen missed his hometown and could not bear to be separated. Music euphemistically mourns and tears the liver and intestines.
Huang, a pianist in the Tang Dynasty, was famous for being good at playing this piece. Li Jie's "Listening to Dong Da's Exalting" has a saying: "Mrs. Cai wrote this song for 18 verses for a long time, and the Tatar shed tears and grass, and the Han made him sad." In Qin music, Wenxi empathizes with sound, borrows Hu Jia's music which is good at expressing homesickness and sadness, and blends into the timbre of guqin, showing a noble resentment.
There are two kinds of biographies at present. One is Qin Song in Qin Shi (16 1 1 year edition) in Ming Dynasty, whose ci is Cai Wenji's narrative poem of the same name; First, the solo music recorded in the piano score of Chengjiantang in the early Qing Dynasty and its later scores, the latter is widely circulated in the piano world, especially the notation in Wang Zhizhai's piano score is the most representative.
The eighteen passages of the whole song * * * use three modes: Gong, Zheng and Yu. The contrast and development of music are distinct and divided into two levels. The first ten beats mainly describe the author's homesickness when he was in Woody. The latter level expresses the author's hidden pain and sadness when bidding farewell to young children.
The whole song of this song is inseparable from the word "sadness", which has been adapted into a wind solo. When playing a wind instrument, the sad voice penetrates people's hearts, the high one is sad, and the low one is deep and sad.
Cai Wenji's Eighteen Beats of Hu Jia was praised by Guo Moruo as "the most enjoyable long sentence since Qu Yuan's Lisao".
The whole poem consists of eighteen paragraphs and eighteen complete sets of songs. Guo Moruo said that in Turkic, the word "first" is called "beat", and eighteen beats are eighteen songs. Because this poem was written by Hu Jia for crying, it was named "Eighteen Beats of Hu Jia" or "Hu Jiaming". Originally A Qin music, it gradually evolved into two different instrumental music after Wei and Jin Dynasties, called "Dahujiaming" and "Xiaohujiaming". The former is a direct biography of Eighteen Beats of Hu Jia.
Huang, a pianist in the Tang Dynasty, was famous for being good at playing this piece. Li Jie has a poem "Listen to Dong Da's Blowing an Essay": "This song was written by Mrs. Cai. In ancient times, 18 verses were sung one by one, and even the Tatars shed tears on the grass, which made Han feel sad and returned home." It is a summary of the content of the song. The existing music scores were first found in the book The Secret Book of Magic published by 1425, which is called "Hu Jia Da Xiao". They are all instrumental music without lyrics. Singing piano music "Eighteen Beats of Hu Jia" was first written by Sun Pixian in the thirty-ninth year of Wanli in Ming Dynasty (A.D. 16 1 1), and it is the most widely circulated music book now. Its lyrics are Wen Xi's "I didn't do anything at the beginning of my life ...". Music basically adopts the method of one word and one sound, which has the characteristics of early songs. From the first beat to the ninth beat, as well as the twelfth and thirteenth beats, the ending is the same, influenced by the Han Dynasty and Daqu. The whole song is a six-Otoha tone, and the rising intrinsic sound (up to 5) and the high note formed in the mold (up to 1) are often used as tone external sounds. I feel sad and happy, which is quite touching.