1, understand the basic knowledge of The Book of Songs and cultivate students' ability to understand annotated poems.
2. Through repeated reading, learn the expression of Weeds, understand the role of detail description in poetry, and recite this poem.
3. Understand the emotional changes of the protagonist in the text, and initially cultivate the ability to appreciate the distinctive characters in the works.
Teaching focus:
1. Grasp the characteristics of repeated singing in Weeds.
2. Guide students to analyze the characters in Weeds and understand the artistic beauty of poetry.
Teaching difficulties:
Taste the language of poetry and accurately grasp the emotions of the characters in the poem.
Teaching methods:
1. Let students taste the conciseness of poetic language by reading aloud.
2. Let students understand the master's feelings and the artistic features of this poem by discussion.
3. Develop students' thinking by expanding classroom content.
Let the students talk about their understanding of The Book of Songs by combining the previous knowledge and information. The teacher added a summary.
The Book of Songs is the earliest collection of poems in China. It reflects the ancient social life during the 500 years from the early years of the Western Zhou Dynasty in BC 1 1 century to the middle of the Spring and Autumn Period in the 6th century BC. Originally called "Poetry", it is one of the Confucian classics. Confucianism has four books and five classics, which refer to the university, the doctrine of the mean, the Analects of Confucius and Mencius. The Five Classics refer to The Book of Songs, The Book of Rites, The Book of Changes, The Book of Music and The Spring and Autumn Period. It was written in the Spring and Autumn Period in the 6th century BC, with a total of 305 articles, so it is also called "Poetry 300".
Six meanings of the Book of Songs: wind, elegance, ode, fu, comparison and prosperity.
According to its content, The Book of Songs can be divided into three parts: style, elegance and ode.
Wind, also known as 15 national wind, is mostly folk songs with 160 articles. It and Qu Yuan's Li Sao are often called "coquettish" by later generations. Originally used to refer to two major literary schools, later generations mostly referred to literati such as "emigrants and poets". However, the meaning of coquettish is quite different in many literary works of later generations, such as "I cherish Qin Huang's Hanwu, but I have lost my literary talent, and I was a little coquettish in the Tang Dynasty", "I am slim and physically coquettish" and "coquettish".
"There are creeping weeds in the wild" describes a pair of young men and women who meet unexpectedly in the field and naturally combine, showing their infinite joy. Poetry is based on the periphery of the field and the thick grass, and it is also a symbol. It is full of affection, men and women meet, natural scenes blend, people meet unexpectedly, and love comes unexpectedly. In the Song Dynasty, Zhu said it well: "Men and women meet among the fields and weeds, so they are endowed with unique advantages, and each has its own place."
Book of Songs, National Style, Zheng Feng, Wild Creep.
Weed tendrils, dew shining on the grass. A beautiful woman is walking on the road, very beautiful. It's perfect for me to meet a real coincidence.
Wild weeds grow in rows, and dew is round and round on the grass. A beautiful woman is walking on the road, with clear facial features and beautiful and moving. I didn't expect to meet the real Joe, and she was both happy.
Man: Lush.
Zero: landing. Xun (Tuan): Describe dew.
Qing Yang: The eyes are clear and beautiful, and Yang is clear and bright, which describes the beautiful and vivid eyebrows. Wan: Beautiful.
Encounter: Meet unexpectedly.
Ráng: Describe dew.
Zang: "Tibetan" Tibetan. One said that it is pronounced as zāng, which means kindness, kindness and concealment: satisfying desires together. "Collection Biography": "If you combine, you will hide, and each has his own desires."
Translation 1:
The countryside is green and covered with dew. There is a beautiful girl looking forward to flirting. It was love at first sight when we met today.
The countryside is overgrown with weeds and dewdrops are crystal clear. There is a beautiful girl with beautiful and affectionate eyes. Today, I am destined to meet you hand in hand.
Translation 2:
Grass is spreading in the wild and dew is rolling around. There is a beautiful man with watery eyes. It's really my wish to meet happily.
There are grass vines and dewdrops in the wild. There is a beautiful person with clear eyes. Touch happily, and I will hide with you.
Translation 3:
The wild ivy is long and dense, and the dew falls on the leaves. There is a beautiful girl with fine features. It's nice to meet unexpectedly on the road.
Wild Parthenocissus tricuspidata is green, and its bare leaves are wet and difficult to dry. There is a beautiful girl with fine features. We met unexpectedly on the road, and we both liked it.
Translation 4:
Weeds grow in the wild, and dew turns round and round. There is a beautiful person who looks around and smells delicious. It makes me very happy that fate meets me unexpectedly. Weeds are lush and dewdrops are dense and crystal clear. There is a beautiful person, pure as water waves, who met unexpectedly and shared with me happily.
Appreciation 1:
This poem is about very romantic and free love: its beautiful moment, meeting a beautiful woman; Love at first sight, and then hand in hand into the depths of Fanglin. Just like a pair of free and happy birds, as long as they are harmonious, they are both fly with me.
Frank love, pastoral style, beautiful words, picturesque. This poem is divided into two chapters and repeated. Six sentences in each chapter, two sentences in one layer; It can be divided into three levels: scenery writing, character writing and lyric writing. Typical environment, typical characters and typical feelings can be described as unintentional and natural cooperation.
From the young man's point of view, the environment is beautiful, and the girls are beautiful, exquisite and particularly moving. "There are creeping weeds in the wild, and there is no dew." Spring morning in the countryside, lush spring grass, branches and leaves stretch, full of green; The bright green spring grass is covered with dew, and Ming Che is crystal clear under the light of the first day. In this beautiful and quiet spring morning country, "there is a beautiful person, young and graceful"; A beautiful girl came up without saying a word, and her beautiful eyes, clear as dew, looked around, charming and moving. Write the scenery first, then the people. There is a picture in the poem, and there is someone in the picture. Four poems are like a picture of a beautiful woman in the spring suburbs. However, there are subtle metaphors between slender creeping weeds, crystal dew and the image of girls, which can trigger rich associations. The finishing touch of Yang Qingwan Xi shows the amazing beauty of the girl. When young people see all this, how can love and joy not gush out? "When we meet, it suits me." Here, there are surprises for girls, unexpected surprises, and the happiness and satisfaction of Cupid's sudden arrival.
The gap between the first chapter and the second chapter can be understood as that when girls and boys stare at each other, more static fields are told in silence than in sound; The overlapping of the first five sentences in the second chapter can be understood as the love and affection that young men confide to girls after their emotions are slightly settled. However, in this era of simple human nature, and on the occasion of the Spring Festival, there is no need to make a long speech, let alone red tape. "I met each other late, with my son." As long as two feelings are willing, they will be good for a hundred years; Without parents' orders and matchmakers' words, we can always be soul mates.
Hegel, a German aesthete, said: "Where does the whole soul appear as a soul in a special organ? We can immediately answer: in the eyes; Because the soul is concentrated in the eyes, the soul should not only see things through the eyes, but also be seen through the eyes "(the first volume of aesthetics). In fact, this aesthetic principle of artistic description was mastered by China folk poets more than 2,000 years ago. From "Qiao Xiao Qian Xi, beautiful eyes look forward to Xi" in Shuo Ren to "Yang Qing Wan Xi" and "Wan Ru Qing Yang" in Weeds, the beauty of girls is written by looking forward to beautiful eyes. In short lyric chapters, it is possible to write vivid characters only through vivid "finishing touch" pen; When strangers meet, it is also the most natural expression to look at each other. Therefore, the "finishing touch" pen here, although focused, can be said to be very natural.
This idyllic love for freedom is a poetic imagination of good wishes and a true portrayal of our ancestors' marriage and love. Mao Xu thinks it is the former, saying that "there are creeping weeds in the wild", and it is time to think about it. Junze is not dirty, the people are poor in the military revolution, and men and women think unexpectedly when they lose time. "The so-called" thinking about time "and" thinking about meeting unexpectedly "means that real men and women in the war are divorced from time and can only express their wishes through poetry; Behind the poetic satisfaction is the defect of reality. In the Ming Dynasty, Gibbon thought it was the latter. In his poem "Shi Shuo Jie Yi", he said: "When a man meets a woman, he will gladly give this poem. "Now many people say that this is a love poem and a song. Judging from the artistic conception of poetry, Weeds is indeed an ode to the free marriage and love of ancestors. However, Mao's background analysis of this poem cannot be regarded as pure speculation.
However, whether it is poetic imagination or true portrayal, it is primitive simplicity and frankness, which is different from the poems that show the encounter between men and women in later generations. In the Tang Dynasty, Cui Hu also wrote "encounter" in "Titu Chengnan Village"; But love at first sight turned into regret. "People don't know where to go, but peach blossoms are still smiling in the spring breeze." Sigh, don't give up for a thousand years; Feudal ethics caused many human tragedies. As a hymn to the sacred and free love of China ancestors, Wild Soldiers will have eternal charm.
Appreciation 2: "Weeds" describes a pair of young men and women who meet unexpectedly in the field and naturally combine, showing their infinite joy. Poetry is based on the periphery of the field and the thick grass, and it is also a symbol. It is full of affection, men and women meet, natural scenes blend, people meet unexpectedly, and love comes unexpectedly. In the Song Dynasty, Zhu said it well: "Men and women meet among the fields and weeds, so they are endowed with unique advantages, and each has its own place." The countryside is green and covered with dew. There is a beautiful girl looking forward to flirting. It was love at first sight when we met today. The countryside is overgrown with weeds and dewdrops are crystal clear. There is a beautiful girl with beautiful and affectionate eyes. Today, I am destined to meet you hand in hand.
This is a love song of courtship. Write about a young man who meets a beautiful girl by chance in a dewdrop field. She has watery eyes. Fascinated by her beauty, the young man was very happy and immediately poured out his love to her. The combination of men and women reflected in this poem is very straightforward and simple. This way of courtship is primitive, direct and bold, which reflects the marriage custom at that time.
Of course, we can also think of it as a lyric. It can be thought that a young man is dreaming: I met a beautiful girl in that beautiful Shan Ye; Her eyes are big and bright, and her manners are generous. I want to tie the knot with her and join hands with Chai Sang.
It should be noted that in ancient times, there were basically no large urban settlements. People's main production activities are outdoors, regardless of hunting, gathering and logging. Therefore, most of the love poems in The Book of Songs describe outdoor scenes.