The use of the three words "tenderness" makes us feel that the poet seems to stand on tiptoe, like a breeze, quietly swinging away; And the deepest affection, in the tide, has become a "floating cloud in the west."
Verses 2 to 6 describe the poet boating on the He Kang River in search of his dreams. The golden willows covered with sunset glow, the green grass on the soft mud and the pool under the shade of the tree all come into view.
The two metaphors are quite accurate: the first one boldly imagines the "golden willow by the river" as a "bride in the sunset", which makes the dead scenery become a living thing, warm and pleasant;
The second is that the clear pool water is suspected to be a "rainbow in the sky", but it has been crushed by floating algae and turned into a "rainbow-like dream".
It is in "Crazy in Love" that poets, such as Zhuang Zhoumeng Butterfly, are interested in things and me, feel that "the beauty in the waves is rippling in their hearts" and are willing to be the water plants swaying in the gentle waves of He Kanghe.
This good structure of the unity of subject and object is not only a wonderful hand, but also a painstaking effort;
In verses 5 and 6, the poet opens up a new artistic conception.
Borrowing the four refrain "Dream/Dream", "A boat full of starlight,/Singing in the starlight", "Singing,/But I can't sing" and "Summer insects are silent for me/silence is the Cambridge tonight", the whole poem is pushed to a climax, just like the He Kang River, full of twists and turns!
And his madness of singing in greener grass and bright stars has not been realized. At this time, silence and silence are better than many love words!
The last section has three "quietness" corresponding to the first cycle.
Come smartly, go smartly. With a wave of his sleeve, what shook off? Needless to say. Why take away a cloud when you've been in Cambridge once?
The whole poem is the best description of Xu Zhimo's "poetic life" in one go.
Hu Shi once said: "His outlook on life is really a' simple belief', and there are only three big characters in it: one is love, the other is freedom, and the third is beauty. He dreams that these three ideal conditions can be met in his life, which is his' simple belief'. The history of his life is only the history of his pursuit of this simple belief. " (In memory of Xu Zhimo) If so, isn't the poet's wandering by the He Kang River a microcosm of this pursuit?
Xu Zhimo advocates artistic poetry. He deeply admired Yiduo's poetic ideas of beauty in music, painting and architecture, especially in music. He even said, "... only when we understand that the life of poetry lies in its internal syllables can we appreciate the true interest of poetry;" "No matter how noble your thoughts are and how passionate your emotions are, you must use them to thoroughly' musicalize' (that is, poeticize) in order to gain an understanding of poetry ..." (Poetry Publishing Holiday).
On the other hand, this poem "Biekangqiao": the whole poem consists of seven sections, four lines each, two meals each, eclectic, rigorous, rhyming strictly, two or four rhymes, cadence and catchy. This beautiful rhythm ripples like ripples, which is not only the voice of pious students seeking dreams, but also conforms to the ebb and flow of poets' emotions and has a unique aesthetic pleasure.
The seven verses are strewn at random, and the rhythm spreads slowly in them, which is quite a poet's temperament of "white robe and thin suburban island". It can be said that it embodies Xu Zhimo's poetic beauty thought.