The most obvious features are the sense of rhythm and melody.
In the poem "Accidental", Xu Zhimo, through the detailed description of the picture, integrated emotion into the scene, making the scene, emotion and reason integrate into one, forming a rich artistic conception.
In this way, even if the emotion is deeply expressed, it avoids the overuse and superficiality of the emotion, and conveys one's own life feelings to the fullest.
This poem shows Xu Zhimo's pursuit of musical beauty very prominently. He created a smooth and deep melody in colloquial language, which better showed the poet's philosophical thinking of not falling behind things.
As a topic, Xu Zhimo is still talked about by people. It is not necessary and impossible to unify the interests of the audience, but for readers who form part of the audience, what is really meaningful is the work after all. He is dead, so we might as well read his book. As far as I know, Xu Zhimo has exerted a very important influence on the writers and readers of China's new poems at least twice. The first time was before his death. Talking about new poetry according to Fei Ming may not have a positive influence. Mr. Lu Xun once said, "I don't like Xu Zhimo's poems even more" (preface to the episode). But that doesn't mean it's not important. The second time, more than 20 years ago, Xu Zhimo's poems were published, which made everyone feel refreshed. Xu's poems were originally few in number, but this time they have played a role in broadening their horizons. At that time, the number of unrestrained young hazy poets or middle-aged and old-aged writers who returned to the poetic world was obviously limited. No one dares (or never expected) to describe his feelings as truly as he does. His ultimate goal is beauty. There is a popular saying called "I must be included in lyric poetry". I probably read Xu Zhimo's poems before this sentence was implemented. It's refreshing rather than an epiphany. After all this urging, at least I don't have to bluff and be serious as before. At that time, since then, the poet mentioned Xu Zhimo, as if there were not many good words, and even some disdain; However, if Xu Zhimo (and Dai Wangshu, He Qifang, etc. ) Without rediscovery, China's new poems would not have developed to the point where they are today. Their contribution (though it has nothing to do with themselves) can be said to be historic. It is easy to point out the shortcomings of Xu Zhimo's poems. As I have said, it is relatively narrow; In addition, it is relatively shallow. It is better to compare Liu Yong's poems in the Song Dynasty, while Xu Shi's poems are widely circulated, just like "where there is well water to drink, you can sing Liu Ci". The poet also tried to broaden his own path, but failed. Call China culpable of punishment, Lushan stonework song, autumn insects and the west window are far less than don't twist me, it hurts. Some works are read too fluently, for example, Nora in Shi An, just like The Foot of My Bed in Tang Poetry and The Bright Line in Going Up a storey still higher, which is simply a cliche. This also proves that Xu Shi is charming, although charm is not equal to influence. Charm lies in truth and beauty, both of which have reached the extreme. The charm and shortcomings of Xu's poems are equally obvious. The disadvantage is disdain, and people can't catch charm. So his influence is only in breaking the taboo mentioned above, and almost no one imitates him like a fool. Xu Zhimo's "I" awakened all kinds of "I". Of course, there are more profound ones than him, but unfortunately there may not be anyone more attractive than him. Many talents of Xu Zhimo are enviable. There are one or two strange stream-of-consciousness works in the novel collection Roulette. There are also papers, translations and scripts. Bian Kungang, who works with Lu Xiaoman, doesn't know if it's staged. Prose is almost neck and neck with poetry. Before Xu Zhimo's death, some people suggested that his prose was better than poetry, but he himself did not agree (Ye Gongchao's Humor of Zhimo); After his death, some people said that "Zhimo made great achievements in prose" (Zhou Zuoren's Memorial of Zhimo). In my personal taste, I don't like this article very much I think it's too ostentatious, that is, "it's too strong to melt." The author still writes prose with the mentality of writing poetry. But I can't help but admire his superb ability to control language. Incidentally, this ability is beyond the reach of most poets before and after.
His anger, depression and depression are the embodiment of the dual temperament of a poet, a scholar and a soldier cast by traditional culture. Reading Xu Zhimo's poems, we can feel the poet's pure and lively nature constantly jumping. Wen Yiduo's poems are "vigorous and powerful", profound and dignified, such as "Lonely Goose", "Recalling Chrysanthemum" and "Still Water"; Xu Zhimo's poems are gentle and graceful, tactfully delicate, like the Cambridge Bridge, in the mountains, and I don't know where the wind blows. Wen Yiduo's poems are implicit and profound, such as Red Candle, Forget Her and Maybe. Xu Zhimo's poems are elegant and free-spirited, with fresh and natural styles, such as Happy Snowflakes, I Have a Love, and Accidental. Generally speaking, Wen Yiduo's and Xu Zhimo's poetry creation styles are very different, and Xu's poems are strong, gentle and sincere. Xu's poems are elegant when you listen. The formation of this style is closely related to their respective personalities. In other words, the personalities of the two poets determine their creative styles, and the styles fully show their personalities. The poetry creation of the two poets reached the harmonious unity of personality and style. They won the love of many readers at that time and later with their sincerity and talent, and also made a useful exploration for the maturity and perfection of China's new poetry form. Therefore, Mr. Wang Furen, a professor at Beijing Normal University, listed Wen Yiduo and Xu Zhimo as six poets with unique personalities and high achievements in the 1920s, and spoke highly of them.
Combining the artistic features of Xu Zhimo's love poems in Accidental, we can cut into the beauty of imagery, artistic conception and painting from these points.
Briefly describe the artistic features of Xu Zhimo's "Accidental" poem _ * * * * * In this poem, with the help of rich imagination and careful description of the picture, Xu Zhimo blends emotion into the scene, making the scene, emotion and reason integrate into one, forming a rich artistic conception. In this way, the emotion is deeply expressed, avoiding the overuse and superficiality of emotion, and ...
The Artistic Features of Accidental _ * * * * *. The poem "Accidental" is based on an extremely abstract adverb of time, supplemented by real images such as cloud, water, you and me, and makes it vivid. The whole poem is full of interesting philosophy, which is not only beautiful and elegant, but also memorable and meaningful. The relationship between abstract contingency and concrete encounter makes this poem
Urgent need, please reply as soon as possible, and discuss the aesthetic characteristics of Xu Zhimo's love poems with Xu Zhimo's "Accidental" _ * * * Xu Zhimo's "Accidental" is written for a lover who falls in love by chance and then lives far apart. On the road of life, there are many accidental encounters and many beautiful things, just accidental encounters. ...
On the artistic characteristics of Xu Zhimo's poems * * * * Xu Zhimo's achievements in poetry creation are inseparable from his personal experience. Pure, true and enthusiastic, he has all the qualities of a talented poet. He lived a rich life since he was a child. Although his family fortune gradually declined since then, the thin camel was bigger than the horse, that is, his carefree childhood shaped his character. Coupled with traditional education and ...