Su Shi's Poems on Paintings

1. What are Su Shi's poems on paintings? Su Shi's poems on paintings involve figures, landscapes, animals and plants, etc. They are rich in content and have always been valued by people.

According to the earliest collection of poems with paintings, there are nearly 800 poems with paintings since the Tang and Song Dynasties, among which Su Shi is the most, *** 146.

In the Qing Dynasty, Chen Bangyan and others compiled 8962 poems with paintings in the past dynasties, including 1 189 poems in the Song Dynasty, 1 14 people, and Su Shi ranked first with 109.

Su Shi's famous poem "Hui Chong's Riverside Scenery" is a poem written for Hui Chong, a monk who is good at poetry and painting.

His poem goes like this:

Two or three peach blossoms outside the bamboo forest and ducks in the water first noticed the warm spring.

The beach is covered with wormwood, asparagus is beginning to sprout, and puffer fish are preparing to swim upstream from the sea back to the river.

The above is for reference.

2. Su Shi's poems on paintings cover a wide range and a large number, involving figures, landscapes, flowers and birds, and there are many famous artists in the Tang Dynasty. One of them is the famous painting "Mrs. Guo's Night Tour" in the Tang Dynasty. Because the original painting has been lost, his poem of the same name has become the most comprehensive and credible record of this painting so far. In the poem, when you read the palace, you can see flowers and willows, and jade slaves play string flowers. Sitting in the Eight Great Places is really a noble person, and you can't see the dust when you walk. Who can see the white teeth again, only the tears of painters. The world is pitching into the present, and Tang Lei Road under Wu Gong was laughing at Zhang Lihua at that time. I don't know that there is Han Qinhu outside! "(The Complete Works of Su Dongpo, Volume 16).

3. What are the themes of Su Shi's famous poems and paintings?

Looking at Lushan Mountain from the front and side of peaks and valleys, from far, near, high and low places, Lushan Mountain presents various faces.

I don't know the true face of Lushan Mountain, but I am only on this mountain.

Su Shi, the head of Shuidiao Song.

When did the moon begin to appear? I take my glass from a distance. I wonder what year it is today. I want to ride home in the wind, but I'm afraid it's too cold. Dancing and watching shadows is like being on the earth. The moon turned into a scarlet pavilion, hanging low on the carved window, shining on the sleepy self. There should be no hate. Why leave? People are sad and happy, and they are separated and reunited. The moon will darken or shine, and it will become round or round. Nothing is perfect, even in the past. I hope people live a long life.

There are Su Shi's Lun Shu, Yi Zhuan and Shu Zhuan, which are too long, so I won't write them.

Su Shi is good at painting bamboo stones, and the only original work is "Ancient Wood and Strange Stones".

4. Du Fu, a quatrain about a good poem

Two orioles sing green willows,

A line of egrets flew into the sky,

The window contains autumn snow in Xiling,

Mambo Wu Dong Wan Li Ship.

Pick mulberry seeds

The canoe is shorter than the West Lake, the green water twists and turns, and the grass grows and the warbler flies.

On the windless water, the glass was slippery, and the ship moved and rippled slightly, causing the sand bird to fly ashore.

An old battle song

Richie

During the day, the beacon tower climbing the mountain observes and gives an alarm, and at night, the horse leads the horse to the riverside.

The dark wind blew bursts of sounds, like the pipa of a princess in the Han Dynasty, full of hidden grievances.

Camp in Wan Li without battlements until the thick sky joins the vast desert in the snow.

The sorrowful Hu Yanyan flew through the air, and HUS soldiers were all in tears.

It is said that Yumenguan has blocked the road, so the soldiers can only follow the general around.

Every year, we bury countless bones in the desert, but we only see grapevines entering China.

Su Shi and Xiangzi crossed Qilitan.

Get on a boat and wave a pair of oars, like a frightened swan, skimming over the water. The sky is blue, the color is clear, the mountains and mountains are bright, as far as the river, and the waves are as flat as a mirror. Swimming fish, counting, appearing like running water from time to time; By the water, egret point, relax. The stream during the day is crystal clear; Dawn river, cold and frost; The stream next month is a bright crystal world.

Hills on both sides of the strait, looking at the depth, picturesque; Seen from the route, the curve is tortuous, like a screen. Yan Guang smiled in vain this year and never really enjoyed the scenery of this beautiful place. The emperor and the hermit are now like a dream, leaving only an empty name. There are only distant mountains and mountains; White clouds in the mountains, wind changes; Xiao Shan Xiao, want to drop green.

5. What are the poems about painting? 1 Ghosts and demons everywhere red and blue Tang Han Yu Han Yu Hengshan Xia Temple I wrote this poem in the gatehouse.

2, Jiang Tu Shui Lihe "Anger"

3, Jiang Tu Shui Lihe "Anger"

4. The picture of Gefei shutter in Du Fu's "This is the way it is".

5. How to paint and embroider "Wan Hongxuan Day" in the Song Dynasty, Li Zhiyi and Li Zhiyi.

6, the picture is also difficult Song Shushu Shushu's "Man Fang Ting Red Leaves Fall"

7. Xiaoxiangtu welcomes thousands of riders. Song Han Han Han Han "A Rain in Xiaolai, Yu Meiren"

8. Back to the air to pass the picture Song Ge Shengzhong Ge Zhongsheng's "Peach Blossom in Xijiang Yueshancheng"

9, a new picture of ink and wash Song Zhou Zizhi Zhou Zizhi "Xijiangyue who wiped sapphire"

10. If the picture is Looking at Jiangnan/Recalling Jiangnan by Gong Song and Li Gang.

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12, now the picture of "Niannujiao Autumn Wind in Wan Li".

13, Yayi picture Zhang Song Gan Yuan Zhang Gan Yuan "Niannujiao, Looking at the Rainbow"

14, it is appropriate to draw "Niannujiao, No Smoking" by Song Caoxun and Cao Xun.

15, Heng Pavilion The picture above shows Song Zeng's "Water Tune Song Tou Tu Heng Pavilion"

16, all kinds of scenery are comparable to pictures. Zhang Song Zhang Lunlun's Walking on the Rocks, Autumn Entering Yunshan.

17, a natural picture scroll of Song Dynasty, Chao Zhong Cuo, Luye Sunset Cold.

18, I'm afraid to enter the picture of Dan Qing, Song Xin Xin Qiji Qi Ji's "Water Tunes Everything to White Hair"

19, Dan Qing painted Song Xin Xin Qiji Qi Ji's "Nian Nujiao Jiangnan Jing Chu"

20, to be refined, Jiangshan map Song Xin Xin Qiji Qi Ji "He Xin Lang Cui Lang Yanzi Ye Ping"

2 1, the landscape of Sichuan, Song Yangyang's "Water Regulation is Cold and Open"

22, Qin Shu painted water Shen Yan Song Han Lian "Huanxisha"

On the 23rd, I also sent a picture of "Qinyuanchun Rain Wipe Clear Makeup" by Zengbo Li Ceng Bo in the western suburbs of Song Li.

24. I can always draw a picture of Song Li Zengbo Li Ceng Bo's "Mountain Tour in Manjianghong Town".

25. Even if there is a picture of Danqing, who was anonymous in the Song Dynasty, "The tide is wrong, and the mountain city is a strange bridge."

26. Luoyang Tusong Anonymous "People in Fang Ting, Mei Zi and Yin Cheng"

27. Tian Kai Tu Jiang Shan Xiu Song Anonymous "Qi Tianle Tian Kai Tu Jiang Shan Xiu"

28. In the picture, Ling Yan and Song are anonymous "Man Ting Ce Glacier".

29. Above, Ling Zhang Yansong Zhang Lunlun's Man Fang Ting Encircling Glacier.

30. Tian Kai Tu Yuan Ling Han Yun Ling Han Yun Su Wuman Donkey Back Poetry

3 1, in the picture, Han Yun's "Su Wuman Drunken Leisure" by Han Yunling, Yuanling, Qiantiantai.

32. In the old picture of Wangchuan, Yuan Yuanhao asked Yuan Haowen "Linjiang Xianyue Ming and Qing Dynasties".

33. Tian Kai Tu Yuan Ling Han Yun Ling Han Yun Su Wuman Donkey Back Poetry

34. In the picture, the former Tiantai Yuanling Han Yunling Han Yun's "Su Wuman Drunk Leisure"

35, comparable to the screen picture Yuan Yin Zhiping Yin Zhiping's "Xijiang Moon Moxian Noisy Beijing"

36. It is also comparable to the painting "Apricot Xiangzi, Clean Dust" which was anonymous in Song Dynasty.

37. There are only a few ears in the picture. Zhu Diqing, Zhu Yizun and Zhu Yizun's "Fairy Song Sunrise Three Rods"

38. Tu Songfang, Shao Tanfang. Ode to Poetry 104

39. The ingenuity of the picture Zheng Zhengjue's "Zen Man and the Main Photo Combine as Praise"

6. See how Su Shi painted with poetry to find a famous sentence describing Su Shi written by a famous contemporary artist for reference: Danzhou hero Chi Muwen/Li Zhe also went into the sea in Dajiangdong, and the waves swept away.

In his later years, Su Shi was demoted, and the hero was sad at night. Once distant as a cloud, heroic as the wind.

Scholars don't die, and scholars don't die. However, they are all white-haired, as old as ever, with silver hair like silk.

Everything is empty when ordinary people die, and everything is empty when heroes die. Everything that is empty is destroyed, and everything that is empty once flourished.

But it takes eight fights to live up to expectations, and it is full of books. Poetry opens the door, and calligraphy, painting, sound and tea all become sects.

In the prime of life, ordinary people are just ordinary people, and heroes in their twilight years are also heroes. Who can predict the future in life and expect nothing in the future?

Don't waste your soul when you are strong, but you can't care if you are dying. Note Dongpo Academy is located in Danzhou City, Hainan Province.

Founded in 1098, renamed in Ming Dynasty, it is the highest institution of learning in ancient Danzhou. Su Dongpo, a writer in the Northern Song Dynasty, was demoted to this place in his later years. He was a generation of talented people in those years. In the evening, he was old and desolate, far away from friends and relatives, and almost died in the wilderness at that time.

Later, enjoyment, building hospitals and educating people made Hainan's literary style flourish. Now sculptures include Su Dongpo, Su Guo, Li Ziyun and other figures.

7. What are Su Shi's two poems about painting? 1. "There are pictures in poetry and poems in paintings." Su Shi put forward the evaluation standard of painting for the first time in Poems on Paintings, that is, there are poems in paintings.

His "Lantian Yunyu Book" said: "There are pictures in stupid poems; Look at the picture. There are poems in it. Poetry Day:' White Stone in Bixi, thin red leaves in Yuchuan, no rain on the mountain road, empty green clothes.

This poem is also. Even if the weather is wrong, good people will make up for the legacy of rubbing. "

Su Shi praised Wang Wei for creatively combining poetry and painting. His Clouds in Lantian, like his Poems in the Mountains, is bright and beautiful in color, fresh and beautiful, showing the author's quiet personality and high-definition charm. In short, it has reached the artistic realm of scene blending and nurtured rich poetry. He used it as a basis to measure the quality of his paintings.

If Su Shi only put forward the standard of painting evaluation in Shu Mo Lan Tian Yan, then he made a concrete exposition of this standard in Wang Daozi Tu. He first commented on Wu's paintings:' Tao Zi is bold and unrestrained, as vast as the waves.

At the beginning, the wind and rain were coming, and the pen didn't go into the air. "He praised Wu Daozi's painting" Talking about Silence to People ",saying that people in the painting are enlightened, fascinated and barbarians. , have different personality characteristics.

He once said that Wu's paintings can "aim at statutes, and the wonderful reason lies outside the bold", that is, Wu's paintings can not only aim at ideas, but also express the reason of things outside the bold pen and ink. Although Wu Daozi has talent, he still thinks he is inferior to Wang Wei.

In Wang Wei's Painting Wu Daozi, he went on to write: "Although Wu Sheng is wonderful, he still talks about painting. Touching an elephant is like thanking a cage fan with a fairy. In my opinion, both sons are very handsome and very close. "

When I say "things beyond the image" here, I mean that the painter should have the meaning beyond the image and the purpose beyond the image, that is, there are poems in the painting. He used this as a basis to distinguish between painters and painters, and to distinguish between painting and painting.

It is believed that Wu's paintings are wonderful, but they lack the meaning of images and the taste of foreign flavor, so they can only "discuss things with paintings". Wang Wei, on the other hand, painted A Portrait of a Disciple in Tanyuan. He is as thin as a crane, showing a feeling of winning without arrogance and losing with grace, a feeling of getting carried away, and a leisurely spiritual realm.

He also appreciated the two bamboos painted by Wang Wei, the roots and leaves of the snow festival, showing noble character. In a word, I appreciate that Wang Wei can not only describe the appearance and expression of objective things, but also show the spiritual realm he yearns for.

This is what he calls "something beyond the image". He thinks that only in this case can he write freely and be "like a fairy who thanked the cage fan". He further pointed out that the poem in the painting is the concrete embodiment of the painter's character, temperament and upbringing: "Poetry is old, and Pei's attack on Sun Fang.

Look at this mural today, if its poetry is clear and profound. "Wang Wei's murals are full of poetry, just because he is also an outstanding poet. His paintings, like his poems, are fresh and honest, superb and refined. The fundamental reason is that he has a pure character like flowers and plants, and his education is very high.

Because of this, he put Wang Wei's paintings on the painter Wu Daozi. This poem is not limited to painting, but fully expounds his valuable opinion that there are poems in his paintings.

He emphasized that painting should have connotation, painters express their thoughts and characters through pictures, and cultural literacy plays a great role in artistic creation. All these became the core of later literati painting theory, which promoted the rise of literati painting in the future.

Because the poetry in the painting is the implication, the product of the artist's spiritual character and cultural accomplishment, and it is indirectly expressed through the picture. The appreciator must be knowledgeable, educated and have special understanding and sensibility. For example, Li, a great painter at that time, once created "Yang Guan Tu" and "Return Tu", and his thoughts can get rid of secular views, which is difficult for ordinary people to understand. Even Huang Tingjian, a famous poet and painter, only pointed out the emotional parting in the "Picture of Yang Guan": "The sound of heartbroken is silent, and the painting is silent."

In "Return to the Map", I only see the joy of Tao Yuanming's seclusion: "I return to the truth every day, and my children laugh and lead their clothes." When Su Shi saw that the painter painted a fisherman on the waterfront of Yangguan, he was carefree and had nothing to do with sadness and joy, so he wrote an inscription: "Long Mian only knows how to entertain guests, and draws the sound of Yangguan."

This "unexpected voice" is the "fame and fortune guest" who satirizes the suicide. He saw that the painter did not paint Tao Yuanming in the garden between pines and chrysanthemums as usual, but let the noble scholar wander by the water.

Show its eager inner activities with swift flowing water. This is in contrast to "fame and fortune", so he became interested in writing: "Translate Gui Yinzi for you, don't imitate Yang Guankong."

Su Shi's poems are outstanding because he and Li are both poets and painters. "In ancient times, painters were not amateurs, and brilliant ideas were conceived by poems." At the same time, because of his "freedom from painting", he can skillfully connect the two paintings with rich imagination and vivid brushwork, deepening the artistic conception of the poem.

In addition to landscape painting and figure painting, Su Shi believes that flower-and-bird painting and other paintings should also have poems in them. People often quote his famous sentence in "Two Branches Painted by the Master Book of King Yanling": "On the similarity of paintings, see the neighbors of children.

Poetry must be this poem, and you must know the poet ",which is used to show that his painting theory looks like a god, and his poetic theory is implicit and naturally justified." But what he particularly appreciates is the poem in Master Wang's painting: "If a person is rich and clever, and the spring scenery is beautiful, he will know that he can write poetry and send a sound for the punch line."

This means that Wang Zhuben's works are full of spring, and his paintings of thin bamboo, flowers, double feathers and bees are all ingenious, with both form and spirit, which is simply poetry. It is also in this poem that he put forward a famous argument: "Poetry and painting are integrated, ingenious and fresh."

As for his inscription and postscript for Hui Chong's "A Scene by the River", it is still widely circulated and deeply loved by people, because it can profoundly show the poetic interest in the painting. Second, "Who dares to hate Yuhuan Yan Fei" and "Ling Du's storytelling is expensive and thin, which is unfair.

Short, long, fat and barren have their own states. Who dares to hate Yan Fei in Yuhuan? "(Su Shi's Poems on Sun Xin's Old Begging for a Wonderful Pavilion) Su Shi disagreed with Du Fu's book theory, because there are vigorous, vigorous, straight, dignified, round and so on in the book style, and each has its own merits, so storytelling cannot be rigidly adhered to one model.

Storytelling and painting are the same, and various genres and styles of painting should be allowed.