Su Shi's poems and paintings have made him famous, and his brushwork is clever. "The mountains are grey and the water is boundless" is like a song, and then "the big orphan in the middle of the water" and "the cliff, the road, the tree and the passenger ship" are touched lightly to write a fantastic feeling of ethereal and light dance, and the rhythm is catchy. This poem can be said to be full of beauty of music and imagination.
Lu You described the scenery he saw with colorful brushstrokes, such as Xiao Gushan's "Bifeng rises alone, climbs to the clouds", Dagushan's "rivers are all around, which looks like floating water", Peng Longji's "Although there is no wind, it is choppy", and Feng Huoji's "Rock-embedded caves, exotic flowers and different grasses" and so on. Language is beautiful because of its freedom; The brushwork is simple, but the writing is vivid; The literary atmosphere is smooth and comfortable, and the scenic spots are linked by fixed-point transposition and scenery change, which seems to be scattered but not chaotic.
Generally speaking, poetry and prose are different, but there is no need to compete with each other and reflect on each other for future generations to enjoy.
2. Su Shi's poems are full of "Ma Rufeng". I don't remember Ma Rufeng's poems, but there is Ma Rufei in one poem.
It is said that Su Shi once made a special trip to Qin Guan. Su Shi was told by his family that he had gone out to play and probably went to the monk temple in Fo Yin. So Su Shi wrote to ask about him. After seeing Su Shi's letter, Qin Shaoyou wrote a strange letter with only 14 words and sent it back to Su Shi. 14 words on the letter form a circle:
dusk
reward
Flower of Time
Wake up
Micro-removal
Lima
Jiuru
fly
Su Shi applauded again and again after reading it. It turned out that Qin Guan wrote a palindrome poem describing his life and interest in going out to play. Its content is: "Go to Ma Rufei to enjoy flowers, and go to Ma Rufei to have a light drink. When the wine wakes up slightly, it is already dusk, and when I wake up, I have enjoyed the flowers. " 14 words form a seven-character quatrain, each word appears twice, and the word processing skills are superb.
3. Su Shi's poem "Nan Gezi" about the ups and downs of Guanhai means that the rain on the stone is dark at the beginning of the night, and the wind suddenly returns to clear up.
After the rain, the wind turned and suddenly reported the good news that the sky had cleared up. There are faint clouds in the sky, and the red sunset glow hangs on the mountain peak, which looks clear.
Overgrown grass, soft sand, mountain streams, flexible hooves. Wake up from the wine in the morning, still very tired, still have to keep the horseshoe, still can't rest and have a dream.
Although in the blue bridge, where can I find my dream lover, only the warm running water accompanies people to walk. It's raining and it's getting dark. At first, I suspected that it was night arrival.
After the rain, the wind turned and suddenly there was good news of fine weather. There are faint clouds in the sky, and the crimson sunset is hanging on the mountain peak, which looks very clear.
Clusters of grass, soft sand, mountain roads by streams, agile horseshoes. When I woke up in the morning, I still felt very tired, so I had to stop and have a good dream.
Although in the blue bridge, where to find the dream lover, there is only deep affection to accompany people. Appreciation of the Meaning of Nan Gezi This word was written in A.D. 1079 (the second year of Yuanfeng) when Su Shi was well-known in Huzhou (now Zhejiang).
The poem describes a small scene of drunken running, which is fresh and interesting. This word reflects the author's complex feelings in the ups and downs of officialdom through what he saw and felt on his way to the water town in the south of the Yangtze River, and expresses the feeling that life can't be immortal and can't go away.
The first sentence in the last film describes the scene of Chu Qing after the rain: because it rained continuously at night, it was time, but it was still suspected to be the night before dawn; When the spring breeze blows away the dark clouds, it is already sunny. "Light clouds obliquely shine on the mountains", appropriately and with full charm, expresses the scene that the morning sun obliquely shines on the distant mountains through light clouds.
The phrase "fine grass is soft, and the horseshoes on the sand stream are light" is fresh and light, which expresses the author's feeling of riding a horse on the stream after the rain in spring. This sentence outlines a beautiful landscape from the scenery and characters.
The following films are lyrical through legendary stories, with far-reaching implications. In this sentence, the writer is still sleepy after drinking wine in the morning, not because of the fatigue of the journey, but because he had a dream of seeking immortality at night.
The question "Where can I find Yunying on the Blue Bridge" borrows the story that Pei Xing met the fairy Yunying in the Tang Dynasty: In the legend written by Pei Yi in the Tang Dynasty, there was a novel called Pei Xing, which was bizarre and tortuous. To put it simply, Peixing went to the next place, was in the same boat with a fairy, and got the poem he showed. There is a cloud: "The blue bridge is a fairy cave, so why is it so rugged?" When you arrive at the Blue Bridge Post Station, you will find Yunying, Yunying and the fairy's sister.
Peihang experienced various twists and turns such as visiting the jade pestle mortar, smashing medicine and eating food, and finally got married and became immortal. The so-called "fairy village" in the word Su Shi refers to the blue bridge; The so-called "dream can't come true" means that immortals are elusive, so there is a sigh of "where to find Yunying".
Finally, the author thinks that the roadside stream is still affectionate, that is, "only affectionate running water accompanies people." The last sentence of this word-"only passionate water accompanies people", and Li Yu's "How much can you be worried about?" Just like a river flowing eastward, it has the same effect.
The various feelings given to the subject by the author in "The Ruthless Object of Running Water" are meaningful and lingering. I want to live forever, but I can't. I came back to reality from my dream, and I was constantly disappointed with the running water. This is a portrayal of the poet's loneliness, loneliness and sadness.
From the artistic conception of ci, we can see the factors of "quietness and expressiveness", but there is no mystery of "transcendental metaphysics". Although there are dreams and illusions, it is still true.
4. Seek Su Shi's poetry, and be full of ambition. Huangzhou Kuaizai Pavilion presents a beautiful embroidered curtain of Su Shi's sunset glow, and the pavilion is even empty.
In order for me to come, you specially painted the windows with bright red paint. This reminds me of the time when I was in Pingshan House, leaning against the pillow, enjoying the misty rain in the south and looking at the horizon in the distance.
Listen to the drunkard's language: "The color of the mountain is both there and there." The endless water surface is crystal clear, reflecting the green shadow of the mountains.
Suddenly, the river was rough, and a fisherman was sailing in the wind and waves. Seeing this, I can't help but think of Song Yu's Song Yu. It is impossible for such a ridiculous person to understand that the wind in Zhuangzi is the voice of nature, saying that the wind has a daughter.
As a matter of fact, as long as a person has the noble spirit of ambition and wisdom, he can be poised in any occasion and enjoy the infinite comfort of thousands of miles. This poem was written in the fourth year of Dongpo's exile in Huangzhou, and it is one of Su Shi's representative poems.
Through the description of the magnificent mountains and rivers around Kuaizai Pavilion, the whole poem expresses the author's broad-minded and heroic life spirit. The object described by the author is mainly the vast scene around the "Kuaizai Pavilion".
The first four sentences, first with real pen, describe the river and blue sky under the pavilion, the sunset in the distance and the beautiful picture of the pavilion, showing a vast and boundless realm, full of boundless feelings. The sentence "Knowing You as Me" explains the creation of the new museum, points out the close relationship between the owner and himself, humorously describes that the Kuaizai Museum built by Zhang Yong was specially built for himself, and writes that the windows of the museum are painted in green and red, with fresh colors.
The word "wet" describes the wet paint and is quite vivid. The five sentences "I remember the scene of Pingshantang for a long time" are not only the scene in memory, but also an imaginative profile description of the scene in front of me.
The author used the word "long record" to recall the beautiful memories of the famous mountains in the south of the Yangtze River, such as "misty rain in the south of the Yangtze River" and "not lonely", which he had enjoyed in Pingshan Hall of Yangzhou. He also compared the scenery he witnessed on Kuaizai Pavilion, and integrated Kuaizai Pavilion with Pingshan Temple, forming a beautiful and unique artistic conception.
This kind of brushwork, in which scenery is recalled, not only adds twists and turns, but also strengthens the ethereal movement of words. The above five sentences are novel, unique and fascinating. Through the author's carefree dripping, he conveyed the joy of seeing victory in front of the Kuaizi Pavilion today.
The first part is the combination of reality and reality, describing the scenery under the Kuaizi Pavilion and its distance. In the following film, the following five sentences were changed, showing the spectacular scene of sudden changes, rough waves, clouds opening and closing and bright eyes in front of the pavilion with superb artistic techniques.
The poet came into being and expressed his lofty ideal and life pursuit. "A thousand hectares, the mirror is clean, and the blue peak is upside down" describes the vast and clear river, and the crystal green peaks are reflected in the river, forming a beautiful and moving picture of calm mountains and rivers, which is a static description of water and mountains.
"Suddenly" two sentences, write a huge wind, the river suddenly changed, the waves were rough, the clouds opened and closed, and a fisherman was driving a boat and dancing in the stormy waves. At this point, the author's description of the strange peak suddenly changed from a static state to the focus of the whole word-a white-haired old man struggling to fight the wind and waves.
The image of this Pulsatilla is actually a symbol of Dongpo's own personality. In the following sentences, the author naturally leads to his comments on Feng Fu written by Song Yu, the commander-in-chief of Lantai in Chu State during the Warring States Period.
In the author's opinion, Song Yu's statement that the wind is divided into "the wind of kings" and "the wind of Shu Ren's femininity" is absurd, and it is a blunt sermon that he doesn't understand the principles of nature, as evidenced by the magnificent wind spirit of Pulsatilla. In fact, what Zhuangzi said about nature itself is not noble, but depends on the level of people's spiritual realm.
He told the world with the shocking words of "a little noble spirit, a thousand miles fast": as long as a person has the supreme noble spirit, he can be free from vulgarity, upright and carefree, he can take his time, and he can enjoy the glory of thousands of miles that makes people feel infinitely happy under any circumstances. Su Shi's magnanimous attitude towards life still maintains a lofty spirit in this kind of adversity, which obviously has positive social significance.
From the artistic conception and structure, this word has the characteristics of ups and downs, colorful, open and closed, ups and downs. The description and discussion in the next film are magnificent, and the image of Pulsatilla between the lines is like a hundred rivers flowing into the sea, which implicitly explains the theme of the whole article and gives readers a strong shock.
The whole poem combines scenery, lyricism and discussion, which not only describes the vast and magnificent natural scenery, but also injects a kind of magnanimous and lofty spirit, which shows the poet's calmness and awe-inspiring spirit in adversity and fully embodies the characteristics of Su Ci. ● Water tune song head? Su Shi Ouyang Wenzhong asked, "Which piano poem is the best?" It is best to listen to Qin Shi's poems during the retreat.
Gong Yue: This poem is the most beautiful, but not listening to the piano, but listening to the pipa. I have a deep understanding of this.
Play the sword and pipa well, and ask for lyrics. If I don't do it for a long time, I will take the word back, take a little concealment, keep myself in rhythm and leave the clouds behind.
Close children talk and the lights are dim at night. Hatred and resentment come and go, tears come and go.
Suddenly, he became a magnificent warrior, full of enthusiasm, a thousand miles away. Looking back at dusk, the clouds are far away, and the flying catkins stir the green ghosts.
Of all the birds, the real phoenix is the only one that doesn't sing. Climb up step by step, and find the light when you fall down.
The wind and rain between my fingers stuffed ice and charcoal in my intestines, so I couldn't sit up straight. Pushing hands from home, no tears and no inclination.
Appreciation of Su Shi's Ci is based on the famous musical work "Listening to Lingxiu's Master Playing the Piano" written by Han Yu, a poet in Tang Dynasty, when he was a bachelor of Hanlin in Beijing (1087). The writing process of ci is to "slightly cover up and adjust the rhythm" of Korean poetry, that is, to "correct" Korean poetry according to the format and rhythm of epigraph, one is to add new content, the other is to subtract some poems from the original poem, and the third is to make innovations by making slight changes to the original poem.
From the beginning to the next film, the part of Su Ci Syaraku and Syaraku has increased by ten words, accounting for more than 70% of the whole word, which makes the whole work more concentrated, concise and distinctive, while retaining the interest and charm of Korean poetry. Write the words first, and the music begins, as if a pair of young men and women were whispering to each other in the dim light of a quiet night, saying that they were hated and very much in love with each other.
On the other hand, it can be seen that the tone was soft, delicate, sad and low when it was first played. "Sudden change" three sentences, the tune is written from low to high, just like a brave soldier, galloping in the sudden drums, unstoppable. "
Looking back at the "two sentences", we describe sounds and emotions with scenery, and turn music into twilight clouds in the distant sky and high altitude.
5. What is the difference between Su Shi's portrayal of the images of Xiaogushan and Dagushan and his prose? Although they are all the same scenery, their images are different.
Poetry is far away from the actual scenery through comparison and exaggeration, and more is a freehand image; Lu You's travel prose, on the other hand, is described in detail from many angles, reflecting more realistic images. Su Shi's poems and paintings have made him famous, and his brushwork is clever. "The mountains are grey and the water is boundless" is like a song, and then "the big orphan in the middle of the water" and "the cliff, the road, the tree and the passenger ship" are touched lightly to write a fantastic feeling of ethereal and light dance, and the rhythm is catchy. This poem can be said to be full of beauty of music and imagination.
Lu You described the scenery he saw with colorful brushstrokes, such as Xiao Gushan's "Bifeng rises alone, climbs to the clouds", Dagushan's "rivers are all around, which looks like floating water", Peng Longji's "Although there is no wind, it is choppy", and Feng Huoji's "Rock-embedded caves, exotic flowers and different grasses" and so on. Language is beautiful because of its freedom; The brushwork is simple, but the writing is vivid; The literary atmosphere is smooth and comfortable, and the scenic spots are linked by fixed-point transposition and scenery change, which seems to be scattered but not chaotic.
Generally speaking, poetry and prose are different, but there is no need to compete with each other and reflect on each other for future generations to enjoy.
6. Appreciation of Su Shi's poem Xing Xiangzi
Sushi, Xiangzi
There is no dust on a clear night, and the moonlight is like silver.
Be sure to pour the wine for ten minutes.
This is both fame and fortune, but it is a waste of people and money.
A pony in a sigh, a fire in a stone, and a dream.
Although you hold an article, who will kiss you?
And Tao Tao, happy innocence.
When will you go home? Be an idle person.
Yes, a piano, a pot of wine and a cloud.
Make an appreciative comment
The author first describes the lyrical environment: the night air is fresh, there is no dust and no me, and the moonlight is like silver. The beauty of this night can only be felt after the moon calms down, which is completely different from the noise of the world during the day. Drinking on the moon is often a poet's pleasure: full of wine, alone, looking up at the sky, daydreaming endlessly. Li Baiyue, a poet in the Tang Dynasty, expressed his wild romantic passion when he was alone. Su Shi was troubled by political disputes and depressed, so he didn't "ask for wine from heaven" or "dance with shadows" at the moment, but seriously thought about the meaning of life. The moonlit night is empty and mysterious, and there is no one, just thinking calmly about life in order to get rid of it. Su Shi is famous for his erudition and eloquence, and he often makes comments in his poems. After describing the lyrical environment, the word entered metaphysical thinking. The author has expressed the theme of "life is like a dream" many times in his works, but it is more clear and concentrated in this word. He wants to explain that people's pursuit of fame and fortune is futile, everything in the universe is short-lived, and people's life is like "a pony in a gap, a fire in a stone, a dream in a dream." In order to illustrate the nothingness of life, the author found three commonly used metaphors from ancient books. "Zhuangzi Traveling to the North" says: "If there is a gap between heaven and earth, it will be sudden." The ancients compared the shadow of the sun to a white pony, meaning that life is short when the shadow of the sun passes through the gap in the wall. In Selected Works, Pan Yue's works in Heyang County, and Shan Li's notes quoted the ancient Yuefu poem "How long can you see the fire when you cut a stone" and Bai Juyi's "Put yourself in a stone fire", which also means that life is like a flint fire. "Zhuangzi's Theory of Everything" says that people "have dreams, but they don't know dreams. They occupy dreams in dreams and then know dreams; Then sleep, and then know this big dream, fools think they are. " Li Qunyu's "self-dispatch" in Tang Dynasty expressed Zhuangzi's meaning. Su Shi is brilliant. In the first sentence of this word, he used three words to express the nothingness of life in a surprising way, which constitutes a metaphor and has its source. The words of the ancients about nothingness in life are concentrated in one place, which shows that the author has seriously thought about this problem for a long time. Although the discussion in the last film can't be carried out in detail, the summary is concentrated and has reached a deep level.
At the beginning of the next movie, make up the understanding of nothingness in life with an exclamation tone. "Although you hold an article, who opens your mouth will kiss you" is the feeling of ancient literati that "it is too late to use it", which is unknown. Although Su Shi was favored by the imperial court when he was in Yuan You, he actually accomplished nothing. "Tuan Tuan is like grinding an ox, stepping on it step by step." He was attacked by a small group, so he had a sense of yes. When he is depressed, he looks for a way to release himself. Being good at getting rid of troubles, disputes and pains, and being bold and open-minded are the characteristics of Su Shi's attitude towards life. His way out is to pursue realistic enjoyment and retire when there is an opportunity. "Naively enjoying Tao Tao" is the way he enjoys reality. "Tao Tao", the appearance of joy. Feng Wang Gentleman Yang Yang: Gentleman Tao Tao. .. only fun! "Only when I am often in Tao Tao, I seem to have recovered and gained humanity and forgotten all kinds of troubles in my life. But the best way to get rid of it is to stay too far away from the officialdom and live in seclusion in the countryside. It seems that Su Shi does not intend to retire immediately, and it is hard to predict when he will return, but rural life is very desirable. Playing the piano, drinking, enjoying mountains and rivers, playing romantic games and enjoying leisure are the ideal negative lifestyles of China literati. They are indifferent and have no extravagant hopes. All they need is a little reward from nature. " A piano, a pot of wine and a wisp of cloud are enough. How noble and poetic this is!
Su Shi is a writer with complex thoughts and distinctive personality. In his works, he not only shows the positive thoughts of making contributions, but also often reveals the negative thoughts of nothingness in life. It may be one-sided to judge the writer only from a certain work. The poem Xiang Xing Zi does show the negative side of Su Shi's thought, but it also profoundly reflects his depressed mood in political life, because his ambition to make contributions is difficult to realize in feudal society. When Su Shi entered his official career, he had a desire to retire from his youth. In fact, he doesn't hate life. His retirement was conditional. Like outstanding figures like Fan Li, Sean and Xie An in ancient times, he retired only after he realized his political ambitions. So "when to go home and be an idle person" depends on political conditions. In fact, he didn't succeed in his political career, so he didn't realize his desire to retire. In his later years, he was exiled to Hainan. Inserting the whole word into the lyrics is the author's understanding of life from life, which is of great philosophical significance and we will not feel bored after reading it. This word is a broad-minded work in Dongpo's ci.
7. A poem by Su Dongpo describing Mengding Mountain Among Su Shi's poems, there are two masterpieces related to Mengding Mountain tea, namely "Making Tea in the Courtyard" and "Sending a Message to Cai".
Cooking tea in the experimental hospital
The crab's eyes are over the fish's eyes, trying to make the breeze.
The velvet falls out of the ground, and the dazzling turns around the snow.
The silver bottle of diarrhea soup praised the second place, but I don't know what the ancients meant by decocting water.
Don't you see that in the past, Li Sheng was hospitable and fried itself, but you got a new spring from the fire of life.
I never saw it again. Now, Duke Lu is frying tea to learn from Western Shu, and Dingzhou is carving rubies with porcelain.
I'm poor, sick and hungry today, and I don't have a jade bowl for moths.
And learn to make tea and drink, followed by masonry.
I don't need to put five thousand volumes of words on my stomach. I hope it will be a long time when I get enough sleep.
Send a message to Cai
When my old friend sent me to the East, he planted pears in his hand and waited for me to come back.
Lizi has turned pale, and she is still a guest in Jiangnan.
Jiangnan is full of spring water, and the heartbroken West Lake is full of spring boats.
Want to see binjiang road in Tsing Yi, white fish and purple bamboo shoots don't care about money.
Frost beard three old people are like frost, so old friends are scattered. Who is here today?
Mo asked, but sent Ma Gu to climb back.