Is eating the bitter fruit of this spirit endlessly. Tang Xuanzong and Yang Guifei are both historical figures. Poets do not stick to history, but rely on a little shadow of history. According to the legend of people at that time, the singing of the neighborhood degenerated into a tortuous and touching story, which was narrated and sung in an endless and touching artistic form. Because the stories and characters in the poem are artistic and are complex and true representations of people in reality, they can ripple in the hearts of readers throughout the ages.
The song "Song of Eternal Sorrow" is the theme of the poem, the focus of the story, and a touching seed buried in the poem. As for what you hate, why do you hate it for a long time? The poet does not tell and express directly, but shows it to readers layer by layer through his poetic stories, so that people can guess, remember and feel for themselves.
The first sentence at the beginning of the poem: "The emperor of China longed for the beauty that might shake an empire" seems very common, as if the story should be written from here without the author's attention. In fact, these seven words are extremely rich and are the whole program, which not only reveals the tragic factors of the story, but also evokes and dominates the whole poem. Then, in extremely frugal language, the poet described how Xuanzong of the Tang Dynasty emphasized color and sought color before the Anshi Rebellion, and finally got Yang Guifei's sentence, "If she just turns her head and smiles, there will be hundreds of spells cast, and the makeup in the sixth house will fade into nothing." It describes the beauty and charm of Yang Guifei. After she entered the palace, she won the favor. She not only "inherited her kindness", but also "listed all her sisters and brothers in the soil". Repeatedly rendering how to indulge in debauchery, how to have fun, and how to indulge in singing and dancing in the palace all day. All these led to the Anshi Rebellion: "Until the Yuyang drums shook the earth and broke the tone of the rainbow skirt and feather coat." This part says "long hatred"
Internal factors are the basis of tragic stories. Through the realistic description of this court life, the poet ironically introduced the hero and heroine of the story: an emperor who valued the country and despised the people, and a charming and pampered concubine. This also vividly implies that the misunderstanding of Tang Xuanzong is the root of this tragedy.
Below, the poet specifically described the scene that the emperor's military forces fled to the southwest after the Anshi Rebellion, especially the destruction of the love between Tang Xuanzong and Yang Guifei in this turmoil. "People in the army stop, and no one will move until under their hooves, and they may trample on those moths. The gorgeous hairpin fell to the ground, and no one picked it up, a green and white Hosta and a golden hairy bird. The emperor couldn't save her, so he had to cover his face. Later, when he turned to look, there was blood and tears. 」
They wrote a scene in Where Are You Going, Maweipo. "The Sixth Army refused to send" and demanded the execution of Yang Guifei, because Tang Xuanzong was infatuated with women and brought disaster to the country and people. The death of Yang Guifei is a key plot in the whole story. After that, their love turned into a tragedy. Then, from "hiding in the yellow dust blown by the cold wind" to "the beloved spirit never visited his dream", the poet grasped the worrying "hate" in the spiritual world of the characters, and described and described the loneliness and sadness of Yang Guifei in Shu after her death with a sour and touching style. He also remembered the past on the way, what he saw, heard and thought after returning to the palace, touching the scene, and things all year round are all kinds of feelings that people have to rest. The lingering lovesickness is heartbreaking. It is precisely because the poet exaggerates the feelings of the characters to such an extent that the arrival of Taoist priests and the appearance of fairyland behind them give people a sense of reality and will not think that they are purely castles in the air.
From "A Taoist Heavenly Guest lives in Lingqiong" to the end of the poem, the Taoist helped Tang Xuanzong find Yang Guifei. The poet used a romantic technique, and suddenly he went to heaven, and then he went to earth. "Above, he looked for the green void, below, the yellow spring, but he didn't find the person he was looking for in either place. Later, Yang Guifei was found on the ethereal fairy mountain at sea, and reappeared the fairyland with the image of "tears on her white face and spring rain on pear flowers", warmly welcomed the Korean envoys, expressed affection, sent a token message, reiterated her previous vows, and took care of her thoughts, further deepening and rendering the theme of "long hatred". At the end of the poem, use "the earth lasts forever, and the sky lasts forever;" One day, both will end, and this endless sadness will last forever "to end this pen, point out the theme, respond to the beginning, realize" more silence "and give readers room for association and aftertaste.
The Song of Eternal Sorrow first gives us the enjoyment of artistic beauty, a moving story and a delicate and unique artistic conception in the poem. The center of the whole article is "Song of Eternal Sorrow", but the poet tries his best to write and render it with "thick ink and heavy color" as the starting point. Work at sunrise and rest at sunset, Don't get up early and go to court, Stay up late and I can't get enough of it. They all look extremely happy, like a comedy. However, the extreme joy is in sharp contrast with the endless hatred behind it. The dissoluteness of Emperor Xuanzong of Tang Dynasty led to a political tragedy, which in turn led to a love tragedy between him and Yang Guifei.
The maker of the tragedy finally becomes the hero of the tragedy, which is a particularly tortuous part of the story and the reason why the hero and heroine in the poem have to "hate" for a long time. Many people used to say that Song of Eternal Sorrow has a moral, and this poem is the moral.
. So how does the poet express "long hatred"? After Yang Guifei's death in Majipo, the poet's description is extremely delicate, vividly showing the inner contradictions and painful feelings of Tang Xuanzong who could not bear to give up love and wanted to save it. Because of this "blood and tears" death, there will be endless hatred. Later, the poet repeatedly used a lot of pen and ink to render Tang Xuanzong's yearning for Yang Guifei from all aspects, but the story of the poem did not stop at an emotion, but with the gradual progress of the inner world of the characters, he perceived the constant changes of their scenery, pushed forward the time and story, and used the thoughts and feelings of the characters to promote the development of the plot. After his death, Emperor Xuanzong of the Tang Dynasty went to Shu, feeling very sad and sad. He also hit the road and returned to his old place, which reminded him of sad memories. After returning to the palace, I was physically injured during the day and had difficulty sleeping at night. I can't think day and night, so I hope my dream, but it is "the distance between life and death year after year, but no beloved soul has visited his dream" At this point, the poem has written the "hate" of "long hate" very touching, and the story seems to be over here. But the poet's pen is curved. With the help of the colorful wings of imagination, he conceived a charming fairyland, which pushed the plot of the tragic story to a climax and made the story more tortuous, ups and downs. This turning point is both unexpected and reasonable. Due to the constant contradiction and collision between subjective desire and objective reality, poetry vividly shows the psychology of the characters, and the story is more moving.
Song of Eternal Sorrow is a narrative poem with strong lyrical elements. The poet adopted the expression technique of China's traditional poetry, which is good at telling stories and portraying characters, and harmoniously combined narrative, scenery description and lyricism, forming the lyric characteristics of poetry. Poets sometimes inject the thoughts and feelings of the characters into the scenery, use the refraction of the scenery to contrast the mood of the characters, and sometimes grasp the characteristic scenery and things around the characters, express their hearts through the feelings of the characters, and render them layer by layer, appropriately expressing the unspeakable feelings hidden in the hearts of the characters. On the way to the southwest, Emperor Xuanzong of the Tang Dynasty was surrounded by yellow dust, plank roads, Huangshan Mountain, sunset, lackluster banners and bleak autumn scenery. This is a sad autumn scenery to set off the sad thoughts of the characters. In Shu, facing the green mountains and green waters, I still can't forget my feelings. The mountains and landscapes in Shu are beautiful, but in the lonely and sad eyes, the "green" of the mountains and the "green" of the water are also sad. We should appreciate the beauty of nature with a quiet mind, but he doesn't, which adds to his inner pain. This is to write sad feelings through beautiful scenery, so that feelings are deeper. The moonlight in the palace and the bell on a rainy night are already very exciting. The poet grasped these unusual but distinctive things and brought people into the realm of sadness and heartbreak. In addition, when he saw and smelled them, they were intertwined, which also showed the sadness and sadness of the characters in language and tone. This is another floor. On the way back, "everything is spinning" was originally a happy thing, but I couldn't help crying when I revisited the old place and the jade disappeared. In the narrative, another layer of painful memories is added. After returning to Chang 'an, "ponds, gardens, palaces, everything is the same as before, Taiye Lake hibiscus, Weiyang Palace willow. But petals are like her face, and willow leaves are like her eyebrows. Whenever he looks at them, what can he do but cry? " . During the day, caused by the environment and scenery, people are associated with the scenery, and the scenery remains the same, but people are gone. I can't help bursting into tears. From the hibiscus flowers in Taiye Pool and the heavy willows in Weiyang Palace, it seems to see the appearance of Yang Guifei, showing the extremely complicated and subtle inner activities of the characters. "At dusk, the firefly in the temple flies slightly, and he stretches the wick to the end, still unable to sleep ... The bells and drums will slowly ring the long night, and before dawn, the Milky Way in the sky will become clear." From dusk to dawn, the focus is on the scene where you can't sleep for a long time because of emotional troubles at night. This bitter yearning is the same on peach trees and plum trees. They bloom in the spring wind and the leaves fall to the ground after the autumn rain. It is sad to see that the "disciples of Liyuan" and "A Jian Qing E" in those days were all white-haired and dying, and even evoked memories of the joy of the past. From yellow dust to green in shushan.
From the rainy night in the palace to the triumphant return, from day to night, from spring to autumn, I feel hurt everywhere, thinking about things all the time, and repeatedly rendering the protagonist's hard pursuit and search in the poem from all aspects. If you can't find it in real life, you will find it in your dreams. If you can't find it in your dream, go to fairyland. This kind of ups and downs, layer by layer rendering, makes the feelings of the characters swirl and reach a climax. It is through such layers of rendering that the poet repeatedly expresses his feelings and goes back and forth, which makes the characters' thoughts and feelings more profound and rich, and the poetry is "delicate in texture" and more artistic.
As a narrative poem that will never be sung again, Song of Eternal Sorrow has a high artistic achievement. Up to now, many people have affirmed the special artistic charm of this poem. What infects and seduces readers in the art of Song of Eternal Sorrow? Touching, I am afraid, is its greatest artistic personality, and it is also the power that it can attract readers, make him infected and tempted for thousands of years.