Is Su Xin a representative of rhetoric? So who is the representative of euphemism?

Song ci can be divided into two schools: the uninhibited school, represented by Su Shi and Xin Qiji; Graceful and restrained school, represented by Li Qingzhao, Yan Shu and Liu Yong. The graceful and restrained Song Ci is characterized by attaching importance to children's amorous feelings, paying attention to the language between melodies, and also showing a gentle beauty.

Li Qingzhao is a very famous poetess in the graceful school, and also a master of the graceful school, also known as the pronoun school. Li Qingzhao was born in a reading family, and her father and mother are people who know books and manners. Therefore, under the growth of this environment, Li Qingzhao, who is still young, is already gifted. In addition, Li Qingzhao is also proficient in poetry, calligraphy and painting, but what she is best at is ci. Li Qingzhao's ci can be divided into two periods. Before her family fled to the south, she and Zhao Mingcheng devoted themselves to sorting out stone paintings and calligraphy. Therefore, most of Li Qingzhao's early poems describe the life of girls. Her longing for love life is also reflected in her poems. However, after Li Qingzhao fled south with her family, especially after her death in Zhao Mingcheng, most of Li Qingzhao's works lamented her life experience and nostalgia for the Central Plains. Here, Li Qingzhao's ci has a very obvious patriotic thought.

Yan Shu was eager to learn since she was a child, and she could write a good poem when she was young. Yan Shu is also a pronoun in Song Ci, and he is also known as the prime minister poet. Yan Shu absorbed the style of poetry in the Southern Tang Dynasty and the previous generation. Yan Shu's words, expressions and tone are very harmonious, and Yan Shu is also good at integrating feelings into the scene, which has also formed her own characteristics.

Liu Yong, also known as Liu Sanbian, mostly wrote short poems before Liu Yong, but because Liu Yong worked hard to create slow poems, this fundamentally changed the pattern that there were only short poems in the ci circle since the Five Dynasties. Between the Song Dynasty, Liu Yong used the most tones, and his only remaining 2 13 words contained 133 tones. Liu Yong not only changed the style of Ci in the system, but also changed the aesthetics of Ci in the direction of creation, making Ci from elegance to vulgarity and gradually showing the common life in the secular world.