The wind is a musical tune, and the national wind is a musical tune in various regions. Countries refer to regions and territories. The 15-nation Wind 160 articles include Nan Zhou, Zhao Nan, Qifeng, Zhu Feng, Feng Wei, Feng Wang, Zheng Feng, Qifeng, Wei Feng, tang style, Qin Feng, Martin, Qifeng, Cao Feng and Zhuifeng. Money is a place name, Wang refers to Luoyang, the capital of the Eastern Zhou Dynasty, and the rest are the names of princes. The Fifteen Kingdoms is the local folk music in these areas. In the national style, Qi's works are all works of the Western Zhou Dynasty, except for a few works originating from the Western Zhou Dynasty, most of them are works of the Eastern Zhou Dynasty.
The works with national style more express the poet's true feelings about life such as war corvee, marriage and love, and show the poet's sincere feelings, distinctive personality and positive attitude towards life in the concrete description of these life aspects.
Its artistic features are manifested in the creation of Fu, Pen and Xing.
The Book of Songs pays attention to reality and expresses the true feelings caused by real life. This creative attitude makes it have a strong and profound artistic charm. No matter in form and genre, language skills, artistic image and expression techniques, it shows the great artistic achievements of the earliest poetry works in China.
The application of Fu, Bi and Xing is not only an important symbol of the artistic features of The Book of Songs, but also opens the basic techniques of China's ancient poetry creation. There have always been many arguments about the meaning of Fu, Bi and Xing. In short, what Fu Shuo meant was the truth, that is, the poet expressed his thoughts, feelings and related things in a straightforward way. Comparison is a kind of analogy. Comparing one thing with another, the poet has skill or emotion and uses one thing as a metaphor. Xing is a word that touches things, and the observation of things triggers the poet's emotions and causes the poet to sing, so it is often at the beginning of the poem. Fu, Bi and Xing are often used interchangeably in poetry creation. * * * created the artistic image of poetry and expressed the poet's feelings. Fu is widely used to describe things and express feelings. Fu is a basic technique of expression, and it is very common to use Bi Xing in Fu, or to use Fu after arousing. Fu can narrate and express emotion. Bixing is used to express skills and feelings. In Fu, Bixing and Xing, Fu is the foundation.
The comparison in Guo Feng is also widely used and easy to understand. Among them, Wind Owl and Feng Wei Storytelling are unique among the figurative poems in the whole capital. And a part of a poem uses contrast, which is even more vivid. Feng Wei's Talking about People depicts the beauty of Zhuang Jiang, using a series of metaphors: "Soft hands, firm skin, collar like a salamander, teeth like a rhinoceros, and a cicada's head like a moth eyebrow." The beauty's fingers, skin, neck, teeth, forehead and eyebrows are detailed compared with tender white grass buds, frozen oil, long white longicorn larvae, neat white roe deer, broad-fronted worms and silkworm moths. "Smile and look forward to your beautiful eyes", two dynamic descriptions, make this beautiful picture alive again. It is also common to use specific actions and things in the Book of Songs to compare unspeakable emotions and unique things. "The center is drunk" and "The center is suffocating" (Wang Feng Li Shu). A large number of comparisons show that poets have rich associative power and imagination, and can express their thoughts and feelings in concrete poetic language, and then present colorful images.
The usage of "Xing" is complicated, and some of them only play the role of regulating rhythm and arousing emotions intermittently, but the connection between Xing sentence and the following is not obvious. There are many sentences in Guofeng, which are euphemistically and vaguely linked with the following. It is an indispensable part of the artistic realm of poetry to set off the ambient atmosphere or attach a symbolic central theme. Zheng Fengye and Xiaobing describes lovers' "meeting" in the countryside: Wild and Xiaobing, but little is revealed. A beautiful woman is walking on the road, very beautiful. It's perfect for me to meet a real coincidence. A delicate and charming girl is as fresh and lovely as green grass dripping with dew. The green and interesting scenery and the joy of meeting the poet just complement each other. Xing sentence and Yong ci are passed down through artistic association, which is a symbolic relationship. In The Book of Songs, many images are vivid and memorable. Bixing is an indirect way to express feelings. Later generations often refer to Bixing as Bixing, which refers to the creative technique of expressing thoughts and feelings in the Book of Songs through association and imagination.