Looking for laurel in Zhongshan Temple in the month, looking for laurel in Shoushan Temple on the county pavilion pillow, watching the tide on the county pavilion pillow, when will you revisit?

1. Looking for laurel seeds in Zhongshan Temple, watching the tide on the pillow in the county pavilion. What do you mean? 2. Looking for laurel seeds in Yuezhongshan Temple, watching the tide on the pillow in the county pavilion. Originality _ Translation and Appreciation III. Look at the tide on the pillow of the county pavilion. Look at the tide on the pillow of the county pavilion. What does this mean? Stroll through Tianzhu Temple in Mid-Autumn Festival to find the laurel moon, watch the tide on the county pavilion pillow, climb on the county pavilion pillow in the middle of the month to find the laurel moon and watch the tide rise and fall. When can I go to play again?

From: Three Stories of Jiangnan by Bai Juyi in Tang Dynasty

Original text:

Jiangnan is good and the scenery is old. I used to look for laurel trees in the mountain temple in the middle of the month, and I used to watch the tide on the pillow of the county pavilion; When spring comes, the sun rises from the river, the flowers on the river are brighter than red, and the green river is greener than the blue grass. How can we make people not miss Jiangnan?

Jiang Nanyi, the most memorable is Hangzhou; Looking for laurel trees in Zhongshan Temple in the month, watching the tide on the pillow in the county pavilion. When will you come again?

Jiang Nanyi, followed by martial arts; Wu Yi cup of spring bamboo leaves, Wu Wa dance lotus drunk. We'll meet again sooner or later!

Translation:

Jiangnan is a good place. I used to be familiar with the scenery there. In spring, the sun rises from the river, making the flowers in the river more fiery. The green river is greener than the blue grass. How can one not miss Jiangnan?

The most unforgettable thing in the south of the Yangtze River is Hangzhou: Strolling through Tianzhu Temple in the Mid-Autumn Festival to find the blooming osmanthus, boarding the county pavilion and lying on it, watching the ebb and flow of the tide. When can I go to play again?

The memory of Jiangnan, and then it is easy to think of the Wu Palace in Suzhou. Take a sip of the fine wine and spring bamboo leaves in the Wu Palace and watch the girls in the Wu Palace dance like charming hibiscus. When can I go to play again?

Extended data:

Creation background

Bai Juyi was the secretariat of Hangzhou for two years, and later he was the secretariat of Suzhou for more than a year. When he was young, he roamed the south of the Yangtze River and lived in Suzhou and Hangzhou. He knew Jiangnan like the back of his hand, so he was deeply impressed. When he returned to Luoyang for more than ten years after retiring from Suzhou, he wrote these three "Memories of Jiangnan".

The specific time to write lyrics has always been different. It is said that after Bai Juyi left Suzhou; It is said that in the third year (838); It is said that in the first year of Daiwa (827); Wang Guowei said it was written in "Dahe 89".

These statements are general and simple and lack factual basis. Liu Yuxi once wrote several poems of "Recalling Jiangnan" and sang with Bai Juyi, so he said in the preface: "The poem of Spring with Lotte is based on the song" Recalling Jiangnan ". This word was written in Luoyang in the early summer of the second year of Tang Wenzong (837), so it can be inferred that these three words of Bai Juyi should also be written in the early summer of the second year.

Baidu encyclopedia-three stories of Jiangnan

Looking for laurel trees in Zhongshan Temple in the month, watching the tide on the pillow in the county pavilion. Looking for Guizishan Temple in the middle of the month, looking for Guizi in the middle of the month, watching the tide in the county pavilion pillow, watching the tide in the county pavilion pillow. —— In the Tang Dynasty, Bai Juyi's "Three Stories of Jiangnan" found Guizishan Temple in the middle of the month to find Guizi in the middle of the month, and watched the tide on the pillow of the county pavilion.

From the Tang Dynasty Baijuyishan Temple looking for laurel trees in the middle of the month, watching the tide on the pillow of the county pavilion "Three Stories of Jiangnan"

Jiangnan is good and the scenery is old; When spring comes, the sun rises from the river, the flowers on the river are brighter than red, and the green river is greener than the blue grass. How can we make people not miss Jiangnan?

Jiang Nanyi, the most memorable is Hangzhou; Looking for laurel trees in Zhongshan Temple in the month, watching the tide on the pillow in the county pavilion. When will you come again?

300 Song Ci Poems, Nostalgia, Translation and Annotation of Jiangnan Place Names.

translate

How beautiful the scenery in the south of the Yangtze River is. I have been familiar with it for a long time. Spring is coming, the sun rises from the river, making the flowers on the river brighter than red, and the green river greener than blue grass. How can one not miss Jiangnan?

The memory of Jiangnan most evokes the memory of searching for laurel seeds in Hangzhou Mountain Temple and watching the tide on the pillow in the county pavilion in mid-autumn: searching for laurel seeds in Tianzhu Temple, boarding the county pavilion, resting on the pillow and enjoying the tide in Qiantang River in Mid-autumn. When can I go to play again?

Memories of Jiangnan, and then memories of Suzhou Wugong, drinking wine and spring bamboo leaves in Wugong, watching the singers in Wugong dance like charming hibiscus. We always meet again in the morning and evening.

Distinguish and appreciate

The poet came to Jiangnan to avoid chaos in his early years and once lived in Suzhou and Hangzhou. In his later years, he served as the secretariat of Hangzhou and Suzhou for many years. He was deeply impressed by the mountains, rivers, grasses and trees in the south of the Yangtze River. He also forged a deep friendship with the people there, and he still loved this friendship until he returned to the North in his later years. The word "remembering Jiangnan" is the product of this mood. The works express the poet's love for the great rivers and mountains of the motherland, and also play a positive role in the development of literati ci in the future.

The first song of "Remembering Jiang Nanyi in the South of the Yangtze River" is to highlight Hangzhou, which is known as a paradise, and to verify that "Jiangnan is good". In ancient mythology, there is a legend of laurel trees in the half moon. "Nan Xin Shu" contains the search for laurel seeds in Zhongshan Temple, and the county pavilion looks at the tide: "There are many laurel trees in Lingyin Temple in Hangzhou, and the monk said,' I will plant them this month'." Up to now, watching the night in the Mid-Autumn Festival, children often fall, and monks try to pick it up. "It can be seen that laurel's statement in this temple is just a monk talking to himself. But the truth of life is not equal to the truth of art, and the works use this legend to express the extraordinary of Hangzhou. At the same time, "Looking for Guizi in the Temple under the Moon" also shows the poet's romantic imagination. Readers seem to see the blooming osmanthus in front of them and smell the rich cinnamon. The second sentence, "Watch the tide on the pillow of the county pavilion", depicts the wonders of Hangzhou and Zhejiang entering the sea. Through the description of two representative life pictures, Mountain Temple and qiantang bore Watching Tide, the poet can make people want to see the colorful Hangzhou in just two sentences.

The last sentence is to describe the beauty of Suzhou. Suzhou has scenic spots and historical sites, such as Guanwa Palace, which was built by Fu Cha, the king of Wu, for beautiful women. There are fine wines, and there are also wines called "Zhuyeqing". Women in Suzhou are also more beautiful and can sing and dance well. Their dancing reminds people of the lotus flowers intoxicated in the wind. The poet succinctly outlines the charming customs of Suzhou with wonderful poems and pen and ink, which makes people extremely fascinated.

Bai Juyi (772-846), a native of Xinzheng, Henan Province, was born in Rakuten, a Buddhist in Xiangshan. Mr. Zuyin was originally from Taiyuan, and his great-grandfather moved to Xiaxia. He was a great realistic poet in the Tang Dynasty and one of the three great poets in the Tang Dynasty. Bai Juyi and Yuan Zhen * * * advocated the new Yuefu movement, and together with Liu Yuxi, they called the world "Bai Yuan" and "Bai Liu". Bai Juyi's poems have a wide range of themes, diverse forms and simple and popular language, and are known as "the poet's magic" and "the king of poets". Official to Hanlin bachelor, Zuo Zanshan doctor. In 846 AD, Bai Juyi died in Luoyang and was buried in Xiangshan. Up to now, there are Bai's "Changqing Collection", and the representative works include Song of Eternal Sorrow, Charcoal Man, Pipa Travel and so on.

Bai Juyi

I went back to the hospital with my baby in my arms at night, and it was cold in the month, and no one was there. The moon is hidden in the light of the court building, and the sound of hooves on the road is floating in the wind. The east ship was silent, and the west ship was silent. We saw the white autumn moon entering the river. Travellers in exile are just in vain. Whose is the lonely moon in Cheung Chau? Ghost woman flies to a place with light and takes a cold dip for a day. The moon is born after the rain, and it is freezing. There is another world. I'll meet you there, East of Light and Shadow. The needle-piercer is in He Huanlou, and the jade plate is diarrhea in the first month. When I was young, I didn't know the bright moon in the sky, so I called it Bai Yupan. The bright moon shines on Kyushu, and several families are happy and sad. Raise my cup, I invite the bright moon, which brings me its shadow and makes us three people. Every day is flowers and cigarettes, the moon becomes very white, people are sad and insomnia. Sadness is inch by inch, and it is hard to make yourself intoxicated if you want to drown your sorrows in wine. Who sent the brocade book, the word geese returned, and the moon was full of the West Building. Who knows where I am when I am awake tonight? Fear is just the edge, facing the sad morning breeze and the waning moon.

Looking at the Tide Head on the Pillow of the County Pavilion 1. "Looking at the Tide Head on the Pillow of the County Pavilion" —— From the Tang Dynasty poet Bai Juyi's Memories of Jiangnan Jiang Nanyi.

It means-climb the county pavilion and lie on it to enjoy the ebb and flow of Qiantang River.

Second, the original text is attached as follows:

Yi Jiangnan Jiang Nanyi

Tang Bai Juyi

Jiang Nanyi, the most memorable is Hangzhou. Looking for laurel trees in Zhongshan Temple in the month, watching the tide on the pillow in the county pavilion. When will you revisit?

Jiang Nanyi, followed by Wu Gong. Wu Yi cup of spring bamboo leaves, Wu Wa dance lotus drunk. Will we meet again sooner or later?

translate

The memory of Jiangnan can best evoke the memory of Hangzhou, which is like a paradise: visit Lingyin Temple to find laurel trees, board the county pavilion, rest on it and enjoy the ebb and flow of Qiantang River. When can I go to play again?

Third, appreciate:

The poet came to Jiangnan to avoid chaos in his early years and once lived in Suzhou and Hangzhou. In his later years, he served as the secretariat of Hangzhou and Suzhou for many years. He was deeply impressed by the mountains, rivers, grasses and trees in the south of the Yangtze River. He also forged a deep friendship with the people there, and he still loved this friendship until he returned to the North in his later years. The word "remembering Jiangnan" is the product of this mood. The works express the poet's love for the great rivers and mountains of the motherland, and also play a positive role in the development of literati ci in the future.

The first song of "Remembering Jiang Nanyi in the South of the Yangtze River" is to highlight Hangzhou, which is known as a paradise, and to verify that "Jiangnan is good". In ancient mythology, there is a legend of laurel trees in the half moon. "Nan Shu Xin Yu" says: "Hangzhou Lingyin Temple is full of osmanthus flowers, and the monk said,' It will be planted this month'." Up to now, watching the night in the Mid-Autumn Festival, children often fall, and monks try to pick it up. "It can be seen that laurel's statement in this temple is just a monk talking to himself. But the truth of life is not equal to the truth of art, and the works use this legend to express the extraordinary of Hangzhou. At the same time, "Looking for Guizi in the Temple under the Moon" also shows the poet's romantic imagination. Readers seem to see the blooming osmanthus in front of them and smell the rich cinnamon. The second sentence, "Watch the tide on the pillow of the county pavilion", depicts the wonders of Hangzhou and Zhejiang entering the sea. Through the description of two representative life pictures, Mountain Temple and qiantang bore Watching Tide, the poet can make people want to see the colorful Hangzhou in just two sentences.

The last sentence is to describe the beauty of Suzhou. Suzhou has scenic spots and historical sites, such as Guanwa Palace, which was built by Fu Cha, the king of Wu, for beautiful women. There are fine wines, and there are also wines called "Zhuyeqing". Women in Suzhou are also more beautiful and can sing and dance well. Their dancing reminds people of the lotus flowers intoxicated in the wind. With wonderful poems and pen and ink, the poet succinctly outlines the charming customs of Suzhou, which makes people fascinated.

The two poems "Remembering Jiangnan Jiang Nanyi" are independent and complementary, which respectively depict the beauty of landscape, elegance and femininity in Hangzhou and Suzhou. Every capital letter begins with "Jiang Nanyi" and ends with a direct and affectionate sentence. The artistic generalization is strong and the artistic conception is wonderful, which makes people want to go to Jiangnan for a field visit. These two words and reciting "Good Jiangnan" are both independent articles and interrelated whole.

Four. About the author:

Bai Juyi (772 ~ 846), also known as Xiangshan Jushi in his later years, was a great realistic poet in Tang Dynasty in China. His poems have a wide range of themes, diverse forms and popular language, and are known as "Poet Saint" and "Poet King". Official to Hanlin bachelor, Zuo Zanshan doctor. Up to now, there are Bai's "Changqing Collection", and the representative works include Song of Eternal Sorrow, Charcoal Man, Pipa Travel and so on. Bai Juyi was born in Xinzheng, Zhengzhou, Henan Province, and was buried in Luoyang. Bai Juyi's former residence memorial hall is located in the suburb of Luoyang. Bai Yuan (the tomb of Bai Juyi) is located at Pipa Peak in Xiangshan, south of Luoyang.