Spring Morning
Tang Dynasty: Meng Haoran
Sleeping sickness in spring unconsciously broke the morning, and the chirping of birds disturbed my sleep.
How many flowers fall after a stormy night.
translate
Before I knew it, it was dawn. It was the chirping birds that disturbed my deep sleep.
It rained and rained last night. How many beautiful spring flowers have been blown down?
To annotate ...
Dawn: When it just dawns, Xiao Chun: It's a spring morning.
It will dawn before you know it: it will dawn before you know it.
(3) Birds: Birds crow.
How much do you know: I don't know how much.
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The poem "Spring Dawn" seems bland at first reading, but after repeated reading, I feel that there is a world in the poem. Its artistic charm ly not in flowery rhetoric and absurd artistic techniques, but in its charm. The style of the whole poem is as simple and natural as running water, but it is profound and unique. For thousands of years, people have been chanting and discussing, as if there were inexhaustible artistic treasures in this short four-line poem.
Nature without rhythm is superficial; If there are no ups and downs, it is flat. Xiao Chun has both beautiful charm and ups and downs, so this poem is mellow and eternal. The poet wanted to express his love for spring, but he didn't say it all or fully. "Half-open Door Against the Wind" allows readers to ponder and guess, showing hidden twists and turns everywhere.
"Love is hidden outside the words, and the appearance is in front of you." (Quoted from Zhang Jie's Poems of the Old Cold Hall) When writing feelings, the poet chose the emotional fragments when he woke up in the morning to describe them. This fragment is the initial stage and embryonic stage of the poet's ideological activities, which can make people imagine that his emotional development is the most fruitful moment. The poet seized the moment, but did not unfold it. He just revealed his heart to the reader, led the reader to his emotional trajectory, and then let it go. The rest will be enriched and supplemented by readers along the direction of the poet's thinking. When writing about scenery, he only chose the spring side. Spring is charming and intoxicating, but poets don't write. He just started writing from the perspective of hearing, and wrote sound of spring: birds are singing everywhere, and it's raining. Birds sing euphemistically and sweetly. Add the word "everywhere", chirp, one after another, and the distance should be matched, which makes people feel at the end of their tether. Spring breeze and spring rain shower one after another, but on a quiet spring night, the rustling sound also makes people want to see the foggy and dreamy artistic conception and the new look of flowers after the rain. These are just what the poet heard indoors. However, these bursts of spring sounds have exposed endless spring scenery, leading readers to the vast nature, allowing readers to imagine and appreciate those fragrant flowers and brilliant spring scenery themselves. This is to use the sound of spring to render the beautiful scene of outdoor spring. These scenes are lively, jumping and full of energy. It expresses the poet's feelings, his inner joy and his love for nature.
In Song Dynasty, Ye Shaoweng's poem "Never Meet in a Garden" is a famous sentence from ancient times to the present. In fact, there are * * * similarities in writing with Xiao Chun. Ye Shi introduces people into the wall, makes people imagine through visual images, and stretches out an almond from the wall; Meng's poems lead people out of their homes and make people imagine through auditory images. It only took a few strokes to write that the sunny side is good and the rain and dew are flourishing. Both poems show that it is full of spring, which cannot be stopped. You see, isn't it just breaking through the walls of the house, showing it in front of your eyes and lingering in your ears?
Shi Buhua said, "Poetry is literature, not expensive." This little poem is only four lines and twenty crosses, but it is full of twists and turns when written. The first sentence "spring" points out the season and writes that spring sleep is sweet. "Unconsciousness" is vague unconsciousness. On this warm spring night, the poet slept so soundly that the sunshine came to the window and the sweet dream woke up. Show that poet's love for spring. The second sentence is about spring scenery, and birds sing in the early morning of spring. "Everywhere" means everywhere. Birds are noisy in the branches, which is a vibrant scene. "Smelling birds" means "smelling birds". In order to rhyme, the word order of ancient poems has been properly adjusted. The poet recalled the drizzling spring rain last night. The last sentence came back to my eyes, reminiscent of the scene where spring flowers were beaten by wind and rain. From loving spring to cherishing spring, the poet pinned his love and cherishing spring feelings on the sigh of falling flowers. Love is extremely precious, and cherishing spring means loving spring-that misty spring rain also aroused the poet's concern for flowers and trees. Time jumping, alternating rain and sunshine, and subtle changes in feelings are all very interesting and can bring endless interest to people.
Xiao Chun's language is simple and natural, and there is no trace of artificial carving. In a shallow sense, the scenery is real, just like a clear spring flowing from the depths of the poet's heart, crystal clear, full of the poet's life and beating the poet's pulse. Reading it, just like drinking refined mash, makes you feel drunk. Only by the poet's love and affection can we find the true interest and essence of nature. "Articles are natural, and wonderful hands are rare", which is the most natural poem and the voice of nature.
Creation background
This poem is the work of Meng Haoran, a poet in the Tang Dynasty. Meng Haoran lived in seclusion in Lumen Mountain in his early years, and later went to Chang 'an to seek an official position. He returned to his hometown after failing the exam. "Spring Dawn" was written when he lived in seclusion in Lumen Mountain.