Specifically, "the beauty of music" emphasizes "there are scales, levels and rhymes"; "Beauty of painting" emphasizes that the choice of words should be beautiful, vivid and colorful; Every poem can form an independent picture. "Architectural beauty" emphasizes "symmetry of nodes and unity of sentences". Its main purpose is to have beauty in the content and form of poetry.
Extended data:
If Mr. Wen Yiduo is the theoretical founder of the new metrical poetry school, then Mr. Xu Zhimo is the advocate and diligent practitioner of the new metrical poetry. In many of Mr. Xu Zhimo's poems, his requirements for beauty are revealed. Especially Farewell to Cambridge, which is his classic, is also a comprehensive artistic embodiment of his poetry's requirements for "three beauties".
The language of this poem is fresh and has the outstanding characteristics of popularity and fluency, but it is also deeply tempered, with no traces of carving and full of musical beauty. The first paragraph and the last paragraph are repetitive, and the words "gently" and "quietly" are also overlapping, which strengthens the sense of rhythm.
Every poem changes rhyme with the change of feelings, which is very consistent with the rhyme of Mr. Wen Yiduo's "Dead Water". In addition, one or three songs are in the front, and two or four songs are in the back, which are ethereal and organized, one or three songs are shorter, and two or four songs are longer, all of which show the beauty of architectural symmetry; Words such as "Golden Willow", "Soft Wave", "Magnificent", "Soft Mud" and "Green Grass" are both vivid and feminine, which all give people the enjoyment of painting beauty. As for the metaphors in the poems, they are all fresh, accurate and vivid, just like running water, without the Europeanization tendency of the new poems at that time.
In a word, Farewell to Cambridge is a poem with cadence, repeated tones, symmetrical format and female images in the text, which has reached a perfect artistic realm.