A man stood up and gave a new order. A thousand battalions were shouting.
In the dark forest, the grass was suddenly blown by the wind, and the wind was rustling. The general thought that the beast was coming and immediately pulled out the arrow.
Dawn went to look for the arrow, which had gone deep into the edge of the stone.
That night, the black geese flew very high, and Khan quietly escaped during the night.
I was about to lead the light cavalry to catch up when the snow fell full of bows and knives.
Under the wild tent under the atrium feast, our brothers and sisters from the frontier came to congratulate us on our victory.
Get drunk, shining golden dancing, jubilant thunder shaking the surrounding mountains and rivers.
When an arrow is called an eagle, everyone hears that it can live.
The running fox will ignite a flame and take away the ancient hills.
The pavilion has seven expensive leaves and is full of soul.
He will talk about Green tomorrow, but he should be alone.
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Brief analysis:
Song of Xia Sai is an old title of Han Yuefu, which belongs to Song of Cross Blowing, and its content is mostly the frontier battle. There are six original poems, which are a group of poems. Here are four poems. By writing about generals going out to war, shooting tigers at night, fleeing the enemy on snowy nights, and celebrating banquets and dances, the brave and fearless character of soldiers is shown.
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That night, the black geese flew very high, and Khan quietly escaped during the night.
I was about to lead the light cavalry to catch up when the snow fell full of bows and knives.
This is the third of the six poems in the "Song of the Plug" group. Although Lu Lun was a poet in the mid-Tang Dynasty, his frontier poems are still full of vigor in the prosperous Tang Dynasty, full of heroism between the lines, and inspiring to read.
There is a sentence or two "high in the dim moonlight, wild geese are soaring, and the Tatar chief is fleeing in the dark" to describe the enemy's rout. "The moon is dark and windy" and there is no light. "Goose flies high", there is no sound. Taking advantage of such a dark and silent night, the enemy quietly escaped. Khan was the supreme ruler of the ancient Huns, and here he refers to the supreme commander of the invaders. Running at night means that they have completely collapsed.
Despite the cover of darkness, the enemy's actions were discovered by our army. Three or four sentences, "Let's pursue it, the horse will carry a heavy load lightly, and the bow and sword will bear the snow", describe the situation that our army is preparing to pursue, and show the mighty spirit of the soldiers. Imagine a cavalry marching out, and suddenly the bow, arrow and knife are covered with heavy snow. What an exciting scene!
Judging from this poem, Lu Lun is very good at capturing images and opportunities. He can not only grasp the typical image, but also show it at the most artistic moment. The poet doesn't write about how the army attacked, nor does he tell you whether he caught up with the enemy. He only described a scene he was going to pursue, which effectively set off the atmosphere and emotions at that time. "And we chase them, the horse is light and heavy, and the bow and sword are negative." This is not the climax of the battle, but the moment close to the climax. This moment, like an arrow on the string, will not send, the most attractive force. You may feel dissatisfied because you didn't give the result. But only in this way can it be more enlightening and arouse readers' association and imagination. This is called incoherent, and its meaning is endless. It's not without a tail when a dragon sees its head. The tail is even more interesting and charming if it looms in the clouds.
(Yuan Xingpei)
In the dark forest, the grass was suddenly blown by the wind, and the wind was rustling. The general thought that the beast was coming and immediately pulled out the arrow.
Dawn went to look for the arrow, which had gone deep into the edge of the stone.
Lu Lun's Song of Xia Sai consists of six songs, which are about giving orders, shooting at the enemy, playing a victory celebration and so on. Because it is a work with Zhang Servant (the poem is called "Shooting with Zhang Servant"), it is full of praise.
This is the second poem in a series, which is about the general hunting at night. When he saw the trouble deep in the jungle, he thought it was a tiger, so he bent his bow and shot fiercely. At dawn, the arrow actually hit a stone. Through this typical plot, the general's bravery is shown. This poem is based on Historical Records and Biography of Li Lie. It is reported that Li Guang was a famous ape-man in Han Dynasty, who was good at shooting. When he was a magistrate in Peiping, he had such a dramatic experience: "You went hunting widely and saw a stone in the grass, so you shot it as a tiger. If the stone is not in the middle, it will be regarded as a stone. Because I shot again, I couldn't return to the stone. "
The first sentence said that the place where the general hunted at night was deep in a dark forest; At that time, it was getting late, and a gust of wind blew and the vegetation was covered by it. This not only shows the specific time and place, but also creates an atmosphere. Right Beiping is the area where tigers haunt, and the dense forest in the mountains is the hiding place of the tiger, the king of beasts. Tigers often come out of the mountains at dusk. Adding the word "Jing" to the word "the Woods are dark, and there is a wind and grass" not only makes people naturally think that there are tigers among them, but also renders a tense atmosphere, and also implies how vigilant the general is, paving the way for the later "bow-pulling". The second sentence is to keep writing and keep shooting. But "bow-pulling" does not say "shooting", not only because the poem rhymes, but also because "pulling" is the preparatory action of "sending". This writing can inspire readers to imagine and understand how calm and calm the general is in danger. After the "earthquake", the general immediately drew his arrow and drew his bow. His movements are agile and powerful, and he is in no hurry. He is dignified and vivid.
After the second sentence, I wrote down the miracle of "drinking feathers without stones" and dragged the time to the next morning ("Ping Ming"). When the general was looking for prey, he found that the man who was shot by an arrow was not a tiger, but a crouching stone. It was amazing at first, and then he lamented. It turned out that this arrow with white feathers was installed at the tail of the shaft, but it "pointed deep into the hard rock" and scored three points on the stone. This kind of writing is not only more tortuous, but also full of drama with the change of time and scene. The "stone edge" is a prominent part of the stone, and it is unthinkable for an arrow to get into it. Mythical exaggeration adds a layer of romance to the image of poetry, which is particularly delicious to read, but it is wonderful and can't be wrong.
Wu Qiao, a man of the Qing Dynasty, once vividly used rice as a metaphor for "meaning", saying that rice was cooked for food and poetry was brewed for wine (see "Poetry around the stove"), and his words were wonderful. Because poetry appeals to readers' emotions, it is generally more concentrated than prose, with more concise language, more emphasis on the creation of artistic conception, more intoxicating and more like wine. In Historical Records, it is just an ordinary narrative. Once refined and processed by the poet, it is sublimated into such a poem with artistic charm. Isn't it a bit like turning rice into wine?