Liang's creative background in space.

When I first read this poem, it seems to be somewhat touching, but the specific feelings are both rich and hazy. Repeatedly chanting, we can realize that seemingly ordinary aesthetic images contain strong artistic impact. Once realized, he was intoxicated with the charm of the poet's aesthetic creation for a long time.

Clear sky, sunset glow, colorful clouds and dusk arrival, these natural landscapes, which have long been commonplace in our life experience, once skillfully dyed by poets, appear as aesthetic images of poetry, and then combine into a quiet and charming spatial landscape. Obviously, the poet was deeply touched by dusk, the critical point from light to darkness, so he chose this most changeable moment in the alternation of day and night to express the mystery of space landscape. In the poet's pen, "colorful sunset glow", as the messenger of light, flashed charming light for the last time; Although the "brocade sunset glow" has magnificent colors and wonderful patterns, it only shows "drunken face before going to bed" and it is difficult to stay young forever-all this makes the poet who is eager for vitality full of nostalgia and melancholy. However, the more realistic scene he faced was that dusk came "like an old man" at the same time "dimly and slowly" without delay. In the poet's feeling, this dusk landscape comes from "ancient monasteries", so it seems to be full of repression of youthful vitality, and it needs hyperactive vitality to return to calm. From this perspective, the spatial landscape composed of representative things such as dusk, afterglow and sunset glow not only reflects the critical transformation of day and night, light and darkness, but also conveys the emotional alternation of the poet's inner world from enthusiasm to silence, from excitement to relief. Therefore, the ingenious combination of these three aesthetic images constitutes a rich meaning and opens up the expression space of poetry.

The meaning of the above poems is more clear in the second half of this poem. The "Triumphal Melody" played by birds directly explains how the creatures in nature coordinate their own life rhythm with the natural rhythm of celestial movement: they change from silence to joy with the transformation from darkness to light, and return to rest with the change from day to night, accumulating new vitality. This reveals the corresponding relationship between the rhythm of human life and the natural rhythm of the environment, and shows the poet's deeper philosophical thinking-pursuing the perfect integration of nature and human beings. Poets use short poems to convey their deep feelings about the internal relationship between man and nature, and eulogize the youthful vitality of pursuing the unity of man and nature. Obviously, it is the poet's aesthetic vision and artistic skills that fuse profound philosophical thoughts into poetic images, making them integrate and complement each other.

As far as artistic expression is concerned, this poem is also valuable. First of all, poets are good at choosing vivid words to form vivid aesthetic images, which make them both vague and intriguing. For example, using the concrete image of "old ni" stumbling out of "Canggu Temple" to express the arrival of dusk is quite vivid and gives people a complicated feeling. Another example is the personification of the "sunset glow" and "sunset glow" by the poet, which not only vividly and aptly summarizes the characteristics of the objects described, but also conveys the poet's nostalgia and melancholy. Secondly, under the quiet and ethereal tone of the whole poem, the poet also noticed the contrast between stillness and joy, stillness and movement. The first and second parts of this poem not only show the contrast between silence and joy of the subject's emotions, but also show the static and dynamic reflection of the object described. This also shows the relaxed rhythm change of poetry in structure and expression, and this change should conform to the natural rhythm and life rhythm expressed in the poem, so that the performance content and formal characteristics of the whole poem can be truly integrated.