1. The Four Heroes of the Early Tang Dynasty are collectively known as the writers Wang Bo, Yang Jiong, Lu Zhaolin, and Luo Binwang. They were all talented poetry writers in the early Tang Dynasty, and the four of them won the reputation of the Four Heroes when they were teenagers. They were also young and talented poets with minor official positions and high reputations. They were inspired by the Liang and Chen Dynasties and the Shen Song Dynasty. It was from them that Tang poetry, which is said to be both melody, rhythm and character, began to take shape.
2. The Four Heroes of the Early Tang Dynasty refers to the collective name of the writers Wang Bo, Yang Jiong, Lu Zhaolin, and Luo Binwang in the early Tang Dynasty in China, referred to as "Wang Yang Lu Luo".
3. The fact that the four heroes are equally famous does not originally refer to their poetry, but mainly refers to parallel prose and fu. Later, it was mainly used to comment on his poems. Du Fu's "Six Quatrains of Opera" contains the sentence "Wang Yang, Lu Luo and his contemporary style", which is generally considered to refer to their poetry; but it is also considered to refer to literature. For example, Zong Tingfu of the Qing Dynasty's Quatrains on Ancient and Modern Poetry said "this poem" "On Four and Six"; or it may be considered to refer to both poetry and prose. For example, when Liu Kezhuang discussed this poem in "Houcun Poetry Talk·Sequel", he cited fu, calligraphy, poems, etc. as examples.
4. The rankings of the four heroes are also recorded differently. Song Zhiwen's "Review of the Words in Honor of Du Xueshi" said that after the founding of the Tang Dynasty, "King Yang Luluo returned", and listed these people in this preface, which is the earliest known material. Zhang said that "The Divine Stele Presented to Taiwei Pei Gong" said: "When selecting Cao Cao, I met King Luo Bin, Lu Zhaolin, Wang Bo, and Yang Jiong." Luo was the leader. Du Fu's poem "Wang Yang Lu Luo was in the contemporary style", and one book was "Yang Wang Lu Luo"; "Old Tang Book·Pei Xingjian Biography" also has Yang Wang Lu Luo as the preface.
5. Although the poems and essays of the Four Masters have not lost their beauty since Qi and Liang Dynasties, they have initially changed the literary trend. Wang Bo clearly opposed the "Shangguan style" at that time and "wanted to reform its shortcomings", and received support from Lu Zhaolin and others (Yang Jiong's "Preface to the Collection of Wang Bo"). Their poems reversed the sluggish and glitzy trend of court poetry before the Tang Dynasty, and expanded the subject matter of poetry from the narrow realm of pavilions, pavilions, romance, snow and moon to the vast space of rivers, mountains, frontiers and deserts, giving poetry new vitality. Lu and Luo's seven-character songs tended to be more poetic and more powerful; Wang and Yang's five-character rhymes began to become standardized and had sonorous tones. Parallel prose is also full of flexibility and liveliness in its richness of words. Lu Shiyong's "General Theory of Poems and Mirrors" said: "Wang Bo is high-spirited, Yang Jiong is powerful, Zhao Zhaoqingzao is in the neighborhood, Bin Wang is Tanyi, Zi'an is the most outstanding? He was transferred to the early Tang Dynasty, and he brought the beauty of the Six Dynasties." The four heroes were in the early Tang Dynasty. An outstanding figure in the Tang literary world during the transitional period between the old and the new.
Who are the Four Heroes of the Early Tang Dynasty?
The Four Heroes of the Early Tang Dynasty refer to the collective name of the writers Wang Bo, Yang Jiong, Lu Zhaolin, and Luo Binwang in the early Tang Dynasty in China, referred to as "Wang Yang Lu" Luo".
Although the poems and essays of the Four Heroes have not lost their beauty since the Qi and Liang Dynasties, they have initially changed the literary trend. Wang Bo clearly opposed the "Shangguan style" at that time and "wanted to reform its shortcomings", and received support from Lu Zhaolin and others.
Their poetry reversed the sluggish and glitzy style of court poetry before the Tang Dynasty, and expanded the subject matter of poetry from the narrow realm of pavilions, pavilions, romance, snow and moon to the vast space of rivers, mountains, frontiers and deserts, giving poetry a new dimension. vitality. The seven-character songs of Lu and Luo tended to be more poetic and more powerful; the five-character rhymes of Wang and Yang began to become standardized and the tone was sonorous. Parallel prose is also full of flexibility and liveliness in its richness of words.