In the Tang dynasty, thousands of birds sang green and reflected red, and the water village was full of wine flags.
During the Southern Dynasties, there were 480 temples and pagodas in the misty rain.
The song "Jiangnan Spring" has been famous in Jiangsu for thousands of years. The four poems not only describe the colorful spring scenery and tranquility in Jiangnan, but also describe the landscape in Jiangnan. This is the result of the first quatrain in spring. The scene of this poem is not described in detail, but think about the most common functions in the south, such as catching birds and touching several coaches. It depicts the spring in Jiangnan and the misty rain in Jiangnan. This is the famous Jiangnan Spring King. The most popular description of Du Mu is to melt into poetry. Later, people thought that reading the poems in Letters could generate endless reverie, which might expand their views on poetry. After they went, they wrote about the scenery of Jiangnan from the rain. The drizzle was like smoke and fog, and the scene became hazy. This is unique.
The beginning of the poem, like a fast-moving movie camera, passes through the southern land: the vast south of the Yangtze River, orioles singing, and clusters of trees reflecting clusters of red flowers; Villages, mountains and rivers, castles and wine flags are flying in front of us. In the charming south, more people are swinging. The reason for the swaying is not only the numerous scenes, but I am afraid that this fan Li is confined to a corner from the horticultural field, but because this prosperity is distributed in Laguna. So Yang Shenshi said, "A thousand miles of birds crow, who has heard of a thousand miles of green reflecting red, who is like ten, and then the birds crow green, the red king, the village Guo, the balcony, the monk temple and the wine flag are all among them." He Zeng retorted in "Textual Research on Poems of Past Dynasties": "You may not have heard the ten poems best, but see the title cloud. 480 pagodas, most of which are in the misty rain. This poem not only has a wide meaning, but also refers to one, so it is always "Jiangnan Spring" in Yue Ming. " He's statement is correct, which is a typical general literary demand. The same principle applies to two. "In the past two years, the number of 480 pagodas in the Southern Dynasties has been in a misty rain." This is because the whole range of thousands of miles is completely understandable. However, what you need to see is the stylized method adopted by the poet to master the landscape characteristics of the south. Jiangnan is characterized by mountains and rivers, abrupt, complex tone, rich levels and three-dimensional. The poet's struggle is shrinking thousands of miles, focusing on the contrast between light and shade in the south of the Yangtze River, with gorgeous colors and beautiful scenery. This poem used to be red and green, which set off the village and scenery. The act of setting off has a kind of emotional setting off. But these are not rich enough, just depicting the bright side of Jiangnan spring scenery. Such a wonderful poet and plus sign. "There are 480 temples, pagodas and Buddhist temples in the Southern Dynasties" is magnificent and gives people a profound feeling. Now the poet deliberately lets it haunt in the misty rain, which adds a hazy color. This photo and sound, the brightness and magnificence of "Water Village and Mountain Country Wine Flag Style" complement each other, making this picture of "Jiangnan Spring" more colorful. The word "South" adds a more distant historical color to this painting. "Four hundred and eighty" is what Tang emphasized. Buddhist poets, especially daydreaming, emphasize the construction of a continuous grandeur, followed by "in a misty rain tower" and like to sing with a sigh.
Du Mu, a contemporary poet, has a short poem "Sunrise is a flaming mountain, and the spring breeze is as blue as a green river" to describe it as picturesque. But what Bai Shi shows us is the overall sensory image of Jiangnan scenery outlined by the excellent scenery of Jiangnan. Different from Du Mu, he not only described the spring sunshine in the whole south of the Yangtze River, but also deliberately described the misty towers with spring everywhere, green trees and red flowers everywhere, and wine flags fluttering everywhere, which specifically described the scenery in the south of the Yangtze River.
As soon as the poet opened his mouth, he first brought us into the realm of flowers in the south China, and then approached our "water town" and "mountain country" to the "wine flag" flying everywhere, towards prosperity and peace.
Four hundred and eighty figures of Yanyu Temple Tower in Southern Dynasties are two poems featuring temples, natural landscapes and human landscapes, which skillfully smooth out the vicissitudes of history and naturally blend in with the poets' ridicule and criticism of current politics in Southern Dynasties. Many Buddhist buildings are looming in the misty rain in the south, adding a touch of confusing beauty to the south in spring. Here the poet doesn't say "480 Hall of Southern Dynasties"