What aspects did Li Bai's poems and songs show?

The main feature of Li Bai's poetic art is that he is good at expressing his warm thoughts and feelings by using rich imagination, bold exaggeration, vivid metaphor, free and liberated genre and simple and beautiful language. His poems have a strong subjective color, which is mainly manifested in paying attention to expressing heroism and passionate feelings, and rarely describing objective images and specific events in detail. The most striking feature of Li Bai's lyric style is that it often breaks out. Once the emotion is aroused, it rushes out without restraint, just like a hurricane in the sky, an overflowing volcano, pouring down and pouring down a thousand miles. Combined with the expression of bursting feelings, his poetic imagination is unpredictable, often unreasonable and strange. Most of the images in the poem are: Dapeng, giant fish, long whale, great river, snow-capped mountains and other magnificent things. This provides more and broader imagination and creates more romance. The language style of Li Bai's poems is fresh and lively, and hearty and lively is the basic tone of his words. His poems, which are blurted out and unadorned, often show transparency, purity and dazzling brilliance, reflecting his noble personality of rejecting secular identity. Generally speaking, Li Bai's poems have the following four characteristics: 1, and the imagination of Li Bai's poems is amazing. Speaking out of heaven and earth, thinking out of ghosts and gods, reading fascinating, measuring with four hearts, aboveboard, really unnatural, there is Li Taibai. ([Tang] Pi Rixiu's Inscription on Liu Zaoqiang) Such as "The strong wind blows my heart and hangs on the trees in the west" ("Golden Elephant sends me to the west"), "I worry about my heart and the bright moon, and the wind keeps me wandering in the west" ("I heard that Wang Changling moved to Longbiao Kiln with this news") and "Tianmu Yin" are all built with the help of myths and legends. For chapters such as Difficult Road to Shu and Farewell, predecessors rated them as "strange and strange" (He Lingji) and "changing and shrinking, stealing ghosts and covering up silence" (Hu Yinglin's poems), revealing the characteristics of rich imagination and changeable sentence patterns. 2. In Li Bai's poems, exaggerated and vivid metaphors and personification are widely used. His poems "Although the water is still flowing, the sword is chopped, it is more worrying to raise a glass to dispel the sorrow" ("Farewell Secretary of Xie Tiao Village in Xuanzhou") and "White hair is three thousands of feet, and sorrow is like a beard" (Song of Autumn Pu, the fifteenth), which depicts his deep and extensive worries after the failure of political activities in Chang 'an, and is a well-known sentence. For example, he wrote "Poetry is a gift from the north window, and a thousand words are not as good as a glass of water" ("Answering the Twelve Cold Nights of the King") and wrote his own talents; "I would like to cross the Yellow River, but the ice will choke on the ferry, and Taihang Mountain will be covered with snow" ("Difficult to Travel"), which is difficult to write a career; "Peach Blossom Pond is deeper than thousands of feet, not as good as Wang Lun" ("To Wang Lun"), and writing about the deep friendship between friends all impress readers with distinctive and prominent images. For example, it is suspected that the Milky Way has set for nine days, and another example is: Yanshan snowflakes are as big as seats, and pieces fall on Xuanyuantai (Xuanyuantai Xuanyuan Huangdi Mausoleum is located on Yu Zi Mountain, 7 kilometers northeast of Pinggu County, commonly known as Xuanyuantai). ) personification, such as "sitting alone in Jingting Mountain". 3, free and lively, unrestrained. In terms of genre, Li Bai is good at classical poems and quatrains with relatively free form, and doesn't like to write metrical poems. 59 pieces of Antique are his representative works of five dynasties. The five ancient poems in his Yuefu have inherited the fine tradition of Yuefu folk songs in the Han, Wei and Six Dynasties, and their writing style is simple and vivid, full of the poet's enthusiasm. His seven-character ancient poems (including Yuefu seven-character songs and general seven-character poems) are more creative. The scenery is magnificent, colorful, lyrical and changeable. Li Bai is good at quatrains. His quatrains were improved on the basis of Yuefu folk songs in the Southern and Northern Dynasties, which made him more alert. Five unique poems, Silent Night Thinking and Yu Jiefen, are implicit and meaningful. There are also excellent works, clear and concise language, harmonious and beautiful timbre, lyrical scenery and simple explanations. For example, See you Meng Haoran on the way to Yangzhou from the Yellow Crane Tower, Looking at Lushan Waterfall, Looking at Tianmen Mountain, Making a White Emperor City as early as possible, and Presenting Wang Lun. Are well-known masterpieces. The evaluation of the seven-character quatrains in the Tang Dynasty has always been that Li Bai and Wang Changling are best at blending scenes; Li Bai concentrated on the study of the Seven Laws, with only a dozen books and few excellent works. There are more than 70 poems about five laws, some of which are well written, which shows that he can write metrical poems, but he doesn't like to write more. 4, fresh, bright, natural and not carved. The greatest linguistic feature of Li Bai's poems is freshness, vividness and naturalness without carving, just as he said in his own poems, "Clear water produces hibiscus, which needs natural carving". Specifically, the language is straightforward and natural, the syllables are harmonious and smooth, natural and unpretentious, and it exudes the flavor of folk songs. This is mainly due to the study of Yuefu folk songs in Han, Wei and Six Dynasties. But he didn't just learn and imitate the language of folk songs, but improved it on the basis of learning to make it more concise, beautiful and meaningful. For example, his seven-character ancient poems are not only pure and natural, but also vigorous and unrestrained in language. Du Fu's poem "Memories of Li Bai in Spring" praised Li Bai's poetry as "fresh" and "elegant", revealing its language style.