Classification of Poems in Qing Dynasty in Poems of Qing Dynasty

Compared with other collections, a collection contains the works of more than two writers, which can be selected, complete and engraved in form. The collection of poems in the Qing Dynasty or the collection of poems in the Qing Dynasty refers to all the collections containing poems in the Qing Dynasty. Its number exceeds that of any previous era, even exceeds the sum of them. Therefore, its internal types are not only far more complicated than other poetry collections, but also more detailed than previous poetry collections. There are different standards for the classification of poetry collections in Qing Dynasty. One is that according to the style of the collected works, it is divided into two categories: poetry collections and poetry collections, which are similar to other collections. According to the dynasties in which writers are included, the other is usually divided into contemporary and contemporary categories. Obviously, those who only accept Qing writers belong to the contemporary category; Those who explicitly accept the writers of the Qing Dynasty and any previous dynasty belong to the same category (regardless of the internal time of each dynasty involved). The general category is Liu Dakui's Selected Poems of Past Dynasties, which passed through the Han, Wei and Six Dynasties, the Tang, Song, Yuan and Ming Dynasties, and ended in the Qianlong period of the National Dynasty. There are many contemporary categories, among which a large number of titles are "Guo Chao". In addition to modern and contemporary categories, there are some collections that were nominally collected in the Ming Dynasty or even written in the late Ming Dynasty. In fact, some of their writers entered the Qing Dynasty, or began to create poems after entering the Qing Dynasty, or even were born directly in the Qing Dynasty. This can be regarded as a cross-generational collection of Qing poetry. Qian, Liu and other "Dongshan Appreciation Collection" was written in the fifteenth year of Chongzhen in the late Ming Dynasty (1642), and the relevant authors basically entered the Qing Dynasty. In Qu Dajun's Selected Works of Guangdong, the first paragraph of Fan Fan is called "from the time of self-evident Chongzhen", but the poets in the collection, such as Yi Xun, were born after the eleventh year of Shunzhi in Qing Dynasty (1654), so they are between the so-called modern and contemporary categories, and they are specifically classified as inter-generational categories, making their eyes clearer. Zhu Yizun's Poems of the Ming Dynasty, Shen Deqian's Poems of the Ming Dynasty, Zhu Yan's Poems of the Ming Dynasty and so on can also be handled in this way. As for the contemporary poems of the Qing Dynasty, some writers who really died in the late Ming Dynasty may be included, so we can leave them alone. In addition, there are other more detailed methods of compiling poems and articles of Qing Dynasty in traditional bibliography. At present, the Notes on Arts and Records of Historical Manuscripts of Qing Dynasty, edited by the late Mr. Wang Shaozeng, which contains the most poems of Qing Dynasty, lists counties, clans, songs, poems, proverbs, lessons and foreign languages in addition to "contemporary" and "dating". Before Sun Dianqi's book couplet and its sequel, the county was called the place, the clan was called the collection, the class art was called the collection, and the combination of singing appreciation and topic chanting was called singing topic chanting, and there were also special categories of "home" and "class". According to the detailed classification of this traditional bibliography, combined with its own actual situation, the Selected Poems of Qing Dynasty are divided into the following ten categories, which are the most complete and also used to specify a unified name.