Chuci is characterized by its magnificent structure, rich imagination and flexible sentence patterns. Representative writers are Qu Yuan and Song Yu, and representative works include Li Sao and Nine Songs and Nine Chapters by Qu Yuan.
First of all, from the artistic features of Chu Ci, it is closely related to the primitive myths of Chu and related religious activities such as witchcraft and Zhu Gong. Judging from Qu Yuan's works "Nine Songs", "Evocation of Soul" and "Tian Wen", there is a distinct brand in this respect.
Secondly, the emergence of Chu Ci is also closely related to the music and folk songs of Chu. During the Spring and Autumn Period and the Warring States Period, the music and folk songs of Chu State were called "Nanyin" or "Nanfeng".
As can be seen from the works of Chu Ci, its text system is relatively mature, especially compared with the works of The Book of Songs, a musical song of northern soil, which shows its grandeur and complexity. In addition, comparing Chu Xin's poems with The Book of Songs, apart from the above-mentioned differences in artistic forms, the most obvious differences are in sentence patterns and intonation. The works of The Book of Songs are mainly in four fonts, and the length is not large, and they are composed in the form of repeated chapters and sentences. Qu Yuan's works of Chu Ci are all long sentences, and the word "Xi" is widely used to kiss Ci, especially the latter, which almost becomes the most obvious symbol of the style of Chu Ci.